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Frequently Bought Together
Customers Who Bought This Item Also Bought
|1. Sat In Your Lap|
|2. There Goes A Tenner|
|3. Pull Out The Pin|
|4. Suspended In Gaffa|
|5. Leave It Open|
|6. The Dreaming|
|7. Night Of The Swallow|
|8. All The Love|
|10. Get Out Of My House|
Out of print in the U.S., this is the acclaimed British pop vocalist's fourth album. Contains all 10 of the tracks from when she first released it in 1982, including 'Houdini' and the singles 'The Dreaming' and 'Sat In Your Lap'. Also contains the original cover art. An EMI release.
A la fin des années 70, lorsque Kate Bush déboule avec ses chansons baroques, son piano et ses allures mi-fée, mi-sorcière, la petite anglaise déconcerte. En 1982, lorsqu'elle publie l'autoproduit "The Dreaming", elle est devenue une artiste établie, grâce à ses précédents singles "Babooshka" ou "Army Dreamers". Ce quatrième album trouve Kate Bush plus déchaînée que jamais. Elle a trouvé sa voix, s'éloignant du timbre enfantin des débuts, la module à la perfection sur une série de compositions brillantes. Ainsi "The Dreaming", qui donne son titre au disque, ressemble plutôt à un cauchemar halluciné sur un tempo martial, deux Kate se parlent, l'une décidée, l'autre paniquée. "Sat In Your Lap" est une sarabande passionnée aux arrangements riches, "There Goes A Tenner" louche du côté du cabaret avec un rythme martelé. Mais c'est "Pull Out The Pin" qui résume le mieux le style Kate Bush, avec ses faux airs confus, ses choeurs en bataille et sa mélodie en apparence sans queue ni tête. --Isabelle Chelley
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Top Customer Reviews
And that performance...Bush sings like a woman possessed, essentially becoming different characters in each song. "Houdini", with its sensuous, snaky fretless bass and dreamy atmosphere, has Bush singing at times with the sweetness of the dappling of things and at others like an irate lioness. Musically, she is just as brilliant as she is with her voice. Her sense of rhythm and texture is remarkable, as is her ability to transform her influences (both in terms of artists and musical resources) into something very unique and strange. Her reconstruction of Celtic-folk dance on "Night of the Swallows" is sublime; her tense, driving beat and sneaky vocals on "There Goes a Tenner" is indelibly catchy; "Sat in Your Lap" kicks off with an infectious piano & drums shuffle, and Bush's vocals range from snappy utterances ("I see the people workin', I see it workin' for them") to faux-Broadway wails ("just when I think I'm king, I must admit...").Read more ›
this is undoubtedly the best kate bush album out there. more people are fond of "hounds of love," but i think that has more to do with the fact that it was her breakaway hit album. "the dreaming" is far superior in its scope, songwriting, production, and concept than anything before or after it.
what i really admire about the album is that it is almost a theatrical piece, with a strange and vibrant cast of characters and stories. she uses her voice in so many different ways and displays an enormous range of musical tastes on this album. she sings about bank heists gone wrong, intruders, houdini drowning, the moment of death, and many other bizarre and intriguing topics...but with great passion and intensity.
"all the love" is one of my favorite songs that i can think of. it is a haunting and beautiful song about death, and the things that can haunt you at that moment. and "houdini" is probably the most theatrical piece of the album, in which she is singing from the perspective of rosabel, who was houdini's stage partner and lover, who would pass a key to him with a kiss. it is a brilliant song, with beautiful piano and string accents throughout.
her song construction is at its most accomplished on this album. there is a effortless mix of fairlight and keyboard elements, percussion, multi-layered vocals, bass and guitar. if you listen to the album with good headphones, it is quite a revelation. she is at her peak here, and although like i mentioned before, most people refer to "hounds of love" as her best, i think that album sounds more dated, even though the songwriting is really just as strong.
also check out "never for ever." it was the release before this album, and is almost as good.
On vinyl, the two sides of this masterpiece were reflections of one another, each track a mirrored response to its counterpart on the opposite side. The conscious search for knowledge on "Sat in your Lap" was answered by the unconscious revelations of "The Dreaming"; the heist gone wrong on "There Goes a Tenner" became a flight from the cops on "Night of the Swallow", and so on; culminating in the expressionist screams that close both sides: "Leave It Open", with its take-all-comers approach to experiencing what life throws at you, is contrasted with the get-the-hell-out-and-don't-ever-come-back she-mule of "Get Out Of My House". Kate new exactly what she was doing from beginning to end. In the making of this record - the first one of hers that she produced herself -- she demonstrated a remarkably confident command of art and technology, and this all coming from a 22-year-old.
The dynamics and textures used on The Dreaming were developed on it predecessor, Never for Ever, and mastered on its follow-up, Hounds of Love, but never were they as evocatively employed as on this album.Read more ›
Most recent customer reviews
"I love life! So I pull out the pin..."
Ten stars. Sgt. Pepper's and Dark Side of the Moon were great albums... The Dreaming stands above those. Read more
Those who know me know that Kate is my most favorite singer/songwriter. Her music is difficult to describe if you haven't heard it. Read morePublished on Feb. 3 2014 by Rose Petal
Aside from the shallowness of the pic on the disc, due to mass market media at the time, again the 1970's and 1980's, the music is far ahead of it's time. Read morePublished on May 30 2013 by Nina Walchyshyn
This is probably one of the most original recordings I have ever heard. I first heard this back in the 80's and songs such as "Sat In Your Lap", "The Dreaming",... Read morePublished on April 23 2004 by Barbara Streisands Love Slave
By far Bush's darkest AND most eccentric hour. Percussive, dense and lush, not a musical genre is left untouched as a corcucopia of weird musical instraments seam in perfectly with... Read morePublished on Dec 23 2003
Never For Ever was proving ground for Kate Bush's experimental weirdness. Her 1982 followup, The Dreaming, taken after the aboriginal concept of a link to God or heaven, takes... Read morePublished on Dec 15 2003 by Daniel J. Hamlow
My favourite album by my favourite singer. Kate Bush, where are you now that we need you - in other words, now that Celine Dion has taken absolute control of the airwaves? Read morePublished on Nov. 20 2003 by Francois Bloemhof
This is the best music in the world. By far. Obviously there is always the whole 'matter of opinion' thing. Hmmmph. Read morePublished on Aug. 23 2003