Empty Room Hardcover – Jun 19 2003
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From Publishers Weekly
Stevenson sets up an evocative character study in her effective but occasionally turgid first novel, as she examines the plight of a beautiful, rudderless 19-year-old London girl who uses an affair with an older man to escape a destructive relationship with her boyfriend and make her leap into the adult world. On the surface, the gorgeous Emily has a lifestyle that offers more than enough hedonistic pleasures, including plenty of sex, drugs and alcohol and a freewheeling, intense relationship with her equally handsome but rather aloof beau, Tom. But Tom's charm gives way to some brutal controlling tendencies once the parties begin to wind down, and to find her emotional match Emily turns to Tom's older, married cousin Simon, a successful journalist. The plot follows a familiar emotional arc as Simon and Emily become intimate and Emily wonders whether Simon will leave his lovely but damaged wife, Rachel. Tom hovers menacingly in the background after Emily breaks up with him, and Stevenson lapses into melodrama when Emily tries to deal with Tom's backstabbing, Simon's failure to follow his heart and Rachel's intransigence. The insular nature of the narrative undermines Stevenson's fine work in developing Emily, but the quality character writing bodes well for Stevenson's future.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
The summer before she begins university, 19-year-old Londoner Emily loses herself in glitzy, booze-and-drug soaked evenings with her well-heeled friends and gorgeous boyfriend, Tom. But Emily doesn't love Tom, and the "parody of intimacy" she shares with her friends has only left her feeling more alone. Only Tom's married, twentysomething cousin, Simon, makes her feel the transformation of first love, and when she begins an affair with him, she feels hope that she never felt growing up in a tense family with an adulterous father. After the affair is revealed, there are violent echoes of the Greek tragedies Emily learned as a child, in which life seems to be "constructed of nothing more than dirty coincidence." A Whitbread Finalist for First Novel, Stevenson's novel examines the powerful legacy of infidelity and the pivotal moments that make up larger acts of betrayal and love. Emily notices everything, and her raw, first-person voice is filled with astonishing, precise insights into human nature that will leave readers feeling both wiser and exposed. An accomplished debut. Gillian Engberg
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.
Top Customer Reviews
A wonderful debut novel.
Most Helpful Customer Reviews on Amazon.com (beta)
A wonderful debut novel.
Emily's parents coexist in a constant state of tension; her father keeps his clothing in the bedroom closet, but sleeps in the guest room, husband and wife's conversations threaded with sarcasm. In contrast, Tom's mother is brittle and angry, her bitterness infecting everyone around her. Suddenly, Emily finds herself longing for intimacy, tired of her parent's stoicism and put off by Andrea's tragic self-indulgence. Emily's social life has always revolved around a clique of club kids, "a them and us fiction... all it was in reality was the possession of Class A and B drugs". When Emily begins a clandestine affair with Simon, her attention is focused on him and she still believes the world will bend to her wishes. This young woman's moral quandary is resolved, if not to her liking, shaped more by reality than fantasy, an indelible lesson: "Blame... is there waiting in your own mind, when you are ready to read it".
But Emily's revival from the dark well of her own ego is tainted by the cost to others, an egocentric girl who has avoided reality, seeking comfort in isolation and passivity. The romance awakens this Sleeping Beauty from a long summer of self, but the affair is rendered almost incidental to her newly realized emotional maturity. Stevenson has a particular knack for the young, hip English dialog, in this case, Emily's ongoing inner commentary as she is swept into her love affair with a married man that erases all her boundaries. This deceptively simple story excises the frail pretensions of youth, finally betrayed by the human flaws that determine our commitments and the consequences of our actions. Emily's coming-of-age is fraught with pain, but significant and impressive, her passport into a more effective adulthood. Stevenson should not be underestimated, her prose both incisive and insightful, diving below the surface of facile relationships to expose fears, denials and shattered dreams. Luan Gaines/2005.
On the surface, AN EMPTY ROOM is about a 19-year-old narrator and how she leaves a sinking relationship with her dead-end boyfriend to enter an affair with her ex-boyfriend's married cousin. Every parent in the novel is either divorced or in a stale marriage; they are all plagued with previous infidelity. This fact weighs heavy with the narrator as she struggles with the hypocrisy of her own affair and the family histories all around her. Stevenson nicely weaves these emotional issues, which form the foundation of the book, with the exterior plot.
The previous reader, who thought Stevenson overused similes and metaphors, is a bit harsh. Stevenson's writing technique is nothing short of excellent. Her style is not sparse; it is more elaborate, like Eggers or Zadie Smith. There are even some passages where Stevenson quotes Voltaire, and these lines are some of the finest in the book. Talitha Stevenson has a promising future ahead of her and I look forward to reading more of her work.