Essential Ghost Rider Volume 1 TPB Paperback – Oct 5 2005
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Top Customer Reviews
But the superhero titles were still the top sellers, so it made sense that both companies would launch suernatural heroes. Marvel's Ghost Rider was one such hero. To save the life of his adopted father, Crash Simpson, Johnny Blaze sells his soul to the devil. He is cursed to become the skull-faced Ghost Rider by night. A dark avenger out to reclaim his soul and help innocent victims of evil along the way. He rode a cool bike too.
Johhny Blaze is a hero that could only have come out of the early 1970's. At the time, Evil Knevel was risking his life in death defying stunts. Having Johhny Blaze starting out as the world's greatest stunt rider seemed very topical.
The art is generally good, especially the first three Marvel Premiere issues which feature the art of Mike Ploog. Ploog was Marvel's answer to DC's Berni Wrightson at the time and had launched Werewolf By Night and had been the artist on the Man Thing title. Other artists include Frank Robbins (not one of my favourites, but not bad here), Herb Trimpe, Tom Sutton, and some early John Byrne.Read more ›
Most Helpful Customer Reviews on Amazon.com (beta)
He would make his first appearance in Marvel Spotlight #5 and appear there through issue # 11 before getting his own title in 1973. Remarkably, Ghost Rider would actually run for 10 years and 81 issues which is quite an incredible run given that he was a rather minor character, all things considered. Ghost Rider would also for a time be a member of the defunct super team called the Champions in the mid-1970s. This massive essential book reprints those issues of Marvel Spotlight along with the first 20 issues of the Ghost Rider series.
The Marvel Spotlight books were all written by Mike Freidrich with art by Mike Ploog and then Tom Sutton, both very good artists. Once the regular series began things got dicey. Part of the series' inconsistency was in the revolving door of writers who worked on the titles including Freidrich, Marv Wolfman, Doug Moench, Tony Isabella, Bill Mantlo, Gerry Conway, and Jim Shooter...all of them within just the first 24 issues of the regular series. I'd love to ask Roy Thomas, who was editor-in-chief at the time, why the book seemed to be passed around like a hot potato. Things were not much better in regards to the artists. Ploog would be replaced by the VERY average Jim Mooney who was one of those long-time staff artists whose style was still early 60'ish. Mooney does most of the issues in this book although Ploog does return for #10 where Ghost Rider battles the Hulk and Sal Buscema does issues #11 which completes the two-part Hulk story. After that, we get the horrible Frank Robbins on most of the next several issues. Robbins was another one of those old Golden Age artists who style never really progressed and doesn't fit this type of book at all. John Byrne does the pencils for issue #20.
It is this inconsistency that makes the book somewhat maddening. Some writers such as Freidrich and Isabella concentrate more on the horrorific aspects of the character and his battles against demonic foes while others played the character strictly as a super hero. The review by John Q. Public is completely ridiculous. He claims Ghost Rider's villains are poor takes on DC's Vertigo characters yet these books were written in the mid-1970's, more than 15 years or so before DC even started the Vertigo line of comics. All in all though, it's still fun to read these books again after so many years.
Reviewed by Tim Janson
As our saga begins we meet Johnny Blaze, the son of the famous stunt motorcyclist Barton Blaze, who is the headliner at Crash Simpsons' Daredevil Cycle Show. After Barton is killed doing a dangerous stunt, the orphaned Johnny is raised by Crash and his wife Mona. Traumatized by the death of his father it takes Johnny a while to ride one and look death straight in the eye, and when he does at the age of fifteen his motorcycle catches on fire, explodes and kills his foster mother. She makes him promise never to ride in the show. Johnny keeps his promises, but Crash and his daughter Rocky think it is because he is a coward, but Johnny practices on his own (he only promised not to ride in the show, right?). The he learns that Crash Simpson has less than a month to live.
So Johnny calls on Satan to spare Crash from the deadly disease that is killing him. The Prince of Darkness agrees and will be back one day soon to collect his fee. Crash decides to go for the world's cycle jump record (22 cars) and is killed (he did not die from the disease did he?). Johnny then performs the jump himself, which does not exactly endear his to the distraught Rocky, and then Satan shows up and intones: "From this day forth...you will walk the earth as my emissary in the dark hours, and in the light, you will join me in Hades!" Rocky intervenes to send Satan back to Hell, but each night Johnny Blaze becomes a burning skeleton. He just usually wears biker leathers so that all you see is his burning skull.
Actually it is not Satan but the demon lord Mephisto, but we do not learn that for a while and it really does not matter unless you are trying to reconcile the Marvel Universe with Judeo-Christian traditions. What is important is that while Mephisto was forced to leave without Blaze's soul, he was able to graft the essence of the demon Zarathos to Blaze's body. It takes Johnny a while to learn this and he thinks the Ghost Rider is just his own dark side manifested as a burning skeleton. The early stories keep the focus on what is now Johnny Blaze's Daredevil Cycle Show, and Mephisto brings back Crash Simpson as a slave to sacrifice his daughter to his dark lord. Unfortunately, by the time we get to the end of that storyline Ploog has been replaced by Tom Sutton as artist and it is just not the same. Part of the problem is that coming up with stories that bring together Satan and motorcycle each month becomes a bit difficult, which would explain why the comic featured more multi-issue storylines than most Marvel titles. This is why we get stories like "Death Stalks the Demolition Derby" ("Ghost Rider" #4) and our hero riding against the Stunt-Master (#7). Then there is the powerful stranger with the long hair and bear in "Ghost Rider" #9. Could that be....Him?
After that point the Ghost Rider takes on the Hulk (#10-11), the Phantom Eagle (#12), the Trapster (#13), and the Orb (#14), as he ends up in Hollywood as a movie stuntman and gets romantically involved with the actress Karen Page. This explains why Daredevil pops up at the end of this collection. By the time we get to the point where the Ghost Rider is fighting Spider-Man, the Thing, Hercules and a bunch of other superheroes in Hell to try and rescue the mysterious Jesus-like figure and save Karen (#18), "Ghost Rider" has jumped a whole lot more than the shark. Writer Tony Isabella creates one of the most convoluted storylines of all time and when the Son of Satan returns to help our hero (#17) trying to figure out what it all means is just not worth the effort. However, of the artists that replaced Ploog I have to say that Frank Robbins did give the book a unique look and his name should be included on the cover instead of Herb Trimpe (Robbins drew four issues included here and George Tuska three, while Trimpe just did the Son of Satan origin).
"Essential Ghost Rider Volume 1" collects together "Marvel Spotlight" #5-12, "Ghost Rider" #1-20, and "Daredevil" #138, which is the penultimate story in the collection because it is a crossover with "Ghost Rider" #20. Also, "Marvel Spotlight" #12 ends up being another crossover because Ghost Rider has his own comic book at that point and the spotlight is now on "The Son of Satan." Chances are that is one Marvel comic book that is not going to get the Essentials treatment, so this may well be the only time you see this "Ominous Origin Issue!" reprinted. In case you were wondering, yes, "Ghost Rider" was better than "The Son of Satan," a note on which I have to end.
Most of these books, if bought today in the collector's comic book shops, would cost thousands. Marvel in an intelligent business move created the Essental series. A wonderful way to buy classic comic books in a black and white format (most books over 500 pages) at a price you can afford. Some would rather have them in color, to those I suggest think of these as Black and White Classics uncolorized.
To save his dying stepfather Crash, Circus performer and stunt cyclist Johnny Blaze makes a deal with the devil that goes awry. Similar to the classic Faust legend (they had to steal from somebody), Blaze lost his step parent, but he turns into a flaming-skull spirit of vengeance to serve a better good!
Ghost Rider which started in Marvel Showcase number five thru twelve. Then continued into his own book. These classic stories recant thr 1970's hero which Nic Cage as Blaze will play in 2007. Get the book now before the movie!
I do not consider this a horror book like Tomb of Dracula, as i do a superhero book. Ghost Rider may involve the devil but under it all here is a hero in the Marvel vein... tormented like Spiderman....a lonely like wolverine...Powers like Son of Satan..and still out to save the world one person at a time
MY advice as i said before--Get the book now before the movie come out!
Bennet Pomerantz. Audioworld
You know the plot if you've read the summary: to save his dying stepfather, stunt cyclist Johnny Blaze makes a deal with the devil that goes terriby awry. Now, not only has Blaze lost his stepdad, but he periodically turns into a flaming-skulled spirit of vengance! The plot expands from there as Ghost Rider squares off against the likes of the devilish Son of Satan, the seductive Witch Woman, the Orb, and even Satan/Mephisto himself.
The biggest complaint by far in the above reviews has been the comic's insconsistency. This can be traced back to the fact that Marvel really didn't know what they wanted to do with Ghost Rider for a while. They first played him strictly as a horror character like Werewolf by Night or Dracula (especially during the Marvel Spotlight comics, in my opinion the best part of this collection). Soon, though, they decided to try writing him as a semi-traditional superhero like Daredevil or Spider Man. Whether or not this worked out is up to debate, but it DOES make an interesting read. For what it's worth, they later returned the Rider to his horror roots, and the segment of Ghost Rider from around issue 50 to the end is (in this reviewer's opinion) the best comic run ever published. I can only hope they collect this segment in future "Essential Ghost Rider" volumes.
Back to this volume, though... It has quite a bit to brag about, too. The quality of the artwork remains high throughout; I only wish it were in color. (We have to take the good with the bad, I guess.) The plots are fantastic for the most part -- there is a noticeable drop in quality near the end, largely caused by two writers giving in to the temptation to "erase" parts of the story written by their predecessors that they weren't happy with (I'm looking at you, Tony Isabella). The resulting confusion is annoying, but it isn't bad enough to detract much from what is still a fantastic reading experience. Overall, I couldn't be happier with this book.
Although "Tomb of Dracula" might have been more popular in its day, and "Werewolf by Night" and "Monster of Frankenstein" may be more emblematic of the horror genre, the fact remains that "Ghost Rider" has outlasted all of them. The original comic lasted longer than they did (10 years versus TOD's 7), and it has managed to spawn a new series (the afore-mentioned Dan Ketch Ghost Rider) and an upcoming movie. Although this "Essential" doesn't contain the BEST part of the Rider's adventures, it is still essential reading for those who wish to discover what this whole "motorcycle-riding demon from Hell" thing is all about.
Try it, then buy it. I doubt you'll be disappointed.
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