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Extraordinary Canadians:Stephen Leacock Paperback – Sept. 4 2012
Purchase options and add-ons
- Print length192 pages
- LanguageEnglish
- PublisherPenguin Canada
- Publication dateSept. 4 2012
- Dimensions12.93 x 1.27 x 19.63 cm
- ISBN-100143055119
- ISBN-13978-0143055112
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Review
“Margaret MacMillan does a superb job of breathing life into Stephen Leacock’s quirks and eccentricities—and evoking wrenching pity in the reader’s heart for Leacock’s often very unhappy lot in life.” —Calgary Herald
“A sympathetic but not uncritical portrait.” —Geist magazine
“MacMillan’s taut biography is rich in historical detail. In addition to sketching the career path of the McGill economics professor who developed a lucrative sideline in humour, the book provides fascinating glimpses into Canadian life during the late 19th and early 20th centuries.” —CBC News
About the Author
Product details
- Publisher : Penguin Canada (Sept. 4 2012)
- Language : English
- Paperback : 192 pages
- ISBN-10 : 0143055119
- ISBN-13 : 978-0143055112
- Item weight : 177 g
- Dimensions : 12.93 x 1.27 x 19.63 cm
- Best Sellers Rank: #808,015 in Books (See Top 100 in Books)
- #1,129 in Canadian Military History
- #1,956 in Canadian Biographies
- #4,058 in Author Biographies (Books)
- Customer Reviews:
About the author

Margaret MacMillan was the Warden of St Antony’s College and a Professor of International History at the University of Oxford from 2007-17. Her books include Women of the Raj (1988, 2007); Paris 1919: Six Months that Changed the World (2001) for which she was the first woman to win the Samuel Johnson Prize; Nixon in China: Six Days that Changed the World; The Uses and Abuses of History (2008); and Extraordinary Canadians: Stephen Leacock (2009). Her most recent book is The War that Ended Peace. She is a Fellow of the Royal Society of Literature, Honorary Fellow of Trinity College, University of Toronto and of Lady Margaret Hall, St Antonys College and St Hilda’s College, University of Oxford, and is an Honorary Fellow of the British Academy. She sits on he editorial boards of International History, the International Journal and First World War Studies. She is a Trustee of the Imperial War Museum and of the Central European University.
She has several honorary degrees including from the King's College, the Royal Military College, Ryerson, Western Ontario, Calgary, Memorial, and the American University of Paris. In 2006 Professor MacMillan was invested as an Officer of the Order of Canada and in 2016 became a Companion. She became a Companion of Honour in 2018.
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Leacock was the quintessential Canadian; someone who loves Canada so deeply they cannot resist mocking their own self-absorption in a belief they feel must be in error, despite feeling absolutely justified in their beliefs. Like Americans, Canada was born with the Declaration of Independence on 1776; Canada is descended from the Loyalist faction who fled the United States after 1783 on the belief, "we must be right, or why else would we suffer so much?"
Ever since the arrival of the United Empire Loyalists, Canadian nationalism is a belief that all benefits of the Thirteen Colonies can be gained without the mad excesses of Yankee rum, revolt and revision. Canada never accepted the 'Common Sense' of Thomas Paine; instead the intellectual goal is the pain of "Subdued Sense ... if it's all right with you".
Leacock, as MacMillan shows again and again, deflated the temptation of pomposity based on ambition or achievement. 'Sunshine Sketches ...' is the story of a small town, one of the richest per capita in Canada in 1912, that Leacock said should not become overly impressed with its brief good fortune. Mariposa is a metaphor for Canada, a warning about excess instead of caution.
In many ways, Leacock's fears and warnings foretold the history of Canada.
Perhaps MacMillan didn't know that Orillia (Leacock's Mariposa) produced some of the first Canadian automobiles, supplied much of the heavy mining equipment and supplies used to develop northern Ontario (ever hear of Carss mackinaws?) and was a prime resort for the wealthy (ever hear of Weir's Folly?). Leacock warned about being too fixated on this early and brief success; just as he cautioned Canada about the perils of the easy wealth produced by the "Dutch Disease" during the first half of the last century.
The book is neither a history nor a biography; instead, it's an assertion of Canadian nationalism. So much the better. These are books written with a point of view, and Canada is better for them even if they are better suited for television docu-dramas than for serious study.
For an American effort at describing the same perils, read 'Babbitt' by Sinclair Lewis. It's the same theme as 'Sunshine Sketches ...", but done without a hint of humour or, as Leacock wrote, without a kindly contemplation of life's incongruities.
What I appreciated mostly about the book is MacMillan's ability to contextualize Leacock's accomplishments as well as his faults. For example, we shouldn't fault him for what we today would view as his retrograde views on gender and race -- Leacock was a man of his time.
The most informative section were Leacock's philosophies on the role of education, and specifically the value of a liberal arts education as compared to the modern sciences. As someone who has both, I wholeheartedly agree with Leacock's assertion.
Overall, this is a very fair and balanced look at an incredible man who lived through the beginnings of Canada as a nation.
MacMillan's presentation matches the man: creative, warm, persuasive, kind and insightful.
I am glad to say that I finally know Leacock. MacMillan has served him well. My only regret is that I was never a student at McGill and too young to have benefitted from him when Leacock was a professor there.
Top reviews from other countries

Leacock was the quintessential Canadian; someone who loves Canada so deeply they cannot resist mocking their own self-absorption in a belief they feel must be in error, despite feeling absolutely justified in their beliefs. Like Americans, Canada was born with the Declaration of Independence on 1776; Canada is descended from the Loyalist faction who fled the United States after 1783 on the belief, "we must be right, or why else would we suffer so much?"
Ever since the arrival of the United Empire Loyalists, Canadian nationalism is a belief that all benefits of the Thirteen Colonies can be gained without the mad excesses of Yankee rum, revolt and revision. Canada never accepted the 'Common Sense' of Thomas Paine; instead the intellectual goal is the pain of "Subdued Sense ... if it's all right with you".
Leacock, as MacMillan shows again and again, deflated the temptation of pomposity based on ambition or achievement. 'Sunshine Sketches ...' is the story of a small town, one of the richest per capita in Canada in 1912, that Leacock said should not become overly impressed with its brief good fortune. Mariposa is a metaphor for Canada, a warning about excess instead of caution.
In many ways, Leacock's fears and warnings foretold the history of Canada.
Perhaps MacMillan didn't know that Orillia (Leacock's Mariposa) produced some of the first Canadian automobiles, supplied much of the heavy mining equipment and supplies used to develop northern Ontario (ever hear of Carss mackinaws?) and was a prime resort for the wealthy (ever hear of Weir's Folly?). Leacock warned about being too fixated on this early and brief success; just as he cautioned Canada about the perils of the easy wealth produced by the "Dutch Disease" during the first half of the last century.
The book is neither a history nor a biography; instead, it's an assertion of Canadian nationalism. So much the better. These are books written with a point of view, and Canada is better for them even if they are better suited for television docu-dramas than for serious study.
For an American effort at describing the same perils, read 'Babbitt' by Sinclair Lewis. It's the same theme as 'Sunshine Sketches ...", but done without a hint of humour or, as Leacock wrote, without a kindly contemplation of life's incongruities.