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Falling Angels

3.8 out of 5 stars 113 customer reviews

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Harry Potter and the Cursed Child
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Product Details

  • Audio Cassette
  • Publisher: Chivers Audio Books (June 29 2002)
  • ISBN-10: 075400838X
  • ISBN-13: 978-0754008385
  • Shipping Weight: 222 g
  • Average Customer Review: 3.8 out of 5 stars 113 customer reviews
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Product Description

From Amazon

Set among the sweeping skirts and social upheavals of Edwardian London, Tracy Chevalier's Falling Angels is a meditation on change, loss, and recovery. Her central characters are two young girls of the same age, whose family plots are situated side-by-side in a cemetery modeled on Highgate. Lavinia Waterhouse is respectably middle-class, devoted, like her conventional, doting mother, to the right way to do things, although suspiciously well- schooled in subjects like funerary sculpture and the English practices of mourning. Her friend Maude Coleman comes from a slightly more privileged and free-thinking background. In contrast with Lavinia's mother, Maude's mother Kitty Coleman is well-educated by the standards of the day, and it has made her restless and irritable. But neither her reading, nor her gardening, nor her affair with the somber, high-thinking governor of the cemetery is enough for Kitty. She comes alive only when she discovers the women's suffrage movement, and her devotion to the cause takes her away from Maude in every sense.

Although the point of view shifts between many characters (with even the Coleman's maid and cook getting their say, sometimes unnecessarily), Falling Angels is essentially the children's story, since it is their lives that are most open to change. The narrative spans exactly the years of Edward VII's reign, from the morning after his mother Queen Victoria's death in January 1901 to his own death in May 1910. Chevalier (Girl with a Pearl Earring) deftly uses the nation's dramatically different mourning for these two monarchs to signal the social transformations of the period. Readers at ease with English history will find Falling Angels an unusually subtle novel, with an emotional range that recalls the best of the Edwardian novelists, E.M. Forster, and his quintessential novel of Edwardian manners, Howard's End. --Regina Marler --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

No small part of the appeal of Chevalier's excellent debut, Girl with a Pearl Earring, was its plausibility; readers could readily accept the idea that Vermeer's famous painting might indeed have been created under circumstances similar to Chevalier's imaginative scenario. The same cannot be said about her second novel. While Chevalier again proves adept at evoking a historical era this time, London at the turn of the 19th century she has devised a plot whose contrivances stretch credibility. When Maude Coleman and Lavinia Waterhouse, both five years of age, meet at their families' adjoining cemetery plots on the day after Queen Victoria's death, the friendship that results between sensitive, serious-minded Maude and narcissistic, melodramatic Livy is not unlikely, despite the difference in social classes. But the continuing presence in their lives of a young gravedigger, Simon Field, is. Far too cheeky for a boy of his age and class, Simon plays an important part in the troubles that will overtake the two families. Other characters are gifted with insights inappropriate to their age or station in life. Yet Chevalier again proves herself an astute observer of a social era, especially in her portrayal of the lingering sentimentality, prejudices and early stirrings of social change of the Victorian age. When Maude's mother, Kitty, becomes obsessively involved with the emerging suffragette movement, the plot gathers momentum. While it's obvious that tragedy is brewing, Chevalier shows imaginative skill in two neatly accomplished surprises, and the denouement packs an emotional wallop. While not as accomplished a work as Girl, the ironies inherent in the dramatic unfolding of two families' lives ultimately endow this novel with an impressive moral vision. Agent, Deborah Schneider. (Oct. 15) Forecast: The popularity of Girl with a Pearl Earring among reading groups and its record as a bestseller will provide a ready audience for Chevalier's new effort. The perennial appeal of books set in post-Victorian England should be another asset.

Copyright 2001 Cahners Business Information, Inc.

--This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

Top Customer Reviews

Format: Paperback
Despite its familiar theme, FALLING ANGELS is a book about doing what is right and morally correct versus doing what truly makes one happy. The narrative moves forward, always in the first person, from the mouth of each major protagonist who commits his or her own brand of "against the grain" behavior and/or scandal. FALLING ANGELS seems to suggest that moral structure are inventions of man, the things that keep us in order. And simply put, such inventions are not natural. The better "angels" of our nature strive to do what is deemed correct, because this is the way we are "brought up." Yet the psychological, physiological and genetic codes of humans are not abstract. They are in constant conflict with moral structure. If we fail to recognize this, we let society cast us as "failures," even if we aren't. Chevalier doesn't preach, and the grisly details of the scandalous portions of her story take place mostly "off camera," vividly residing in the imaginations of the reader. I like this. But the true mastery of "Falling Angels" is the abrupt change of pace that occupies the last third of her novel, a portion which carries the momentum of a locomotive. A cast of thousands, mostly nameless, gather for a pivotal event that proves devastating. Chevalier delivers a big "set piece" filled with thousands of activities going on at once -- and the surprise is -- even though they're told from different points of view, the reader is never confused. If you're looking for another great book to read, might I suggest the ever-popular CHILDREN'S CORNER by Jackson McCrae? It's funny, horrifying, jaw-dropping, heart-warming, exotic, shocking, disturbing, and a rollercoaster of a ride.
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Format: Paperback
The first drawback of anything Chevalier writes is that her writing skills are good. Not excellent, just satisfactory. What makes up for this ,however, is her methodical research and her ability to draw you into the world of Edwardian London. Other reviewers are saying "she discounts the suffrage movement" and "puts too much emphasis on the morbid", which are valid criticism, but I believe they are also a bit shallow, from my experience in this field of study (and I have lots of practical experience in this field of study), Chevalier immerses you in this world. The suffragettes are incredibly important to us now, but back in 1905, the criticisms of their political activity was harsh. Women were told "you can vote...when your work is done", and that they'd drop the issue as soon as they go bored with it. And its should be noted the Victorians were OBSESSED with protocol. Chevalier does a marvelous job immersing you in her subjective world...if you are looking for an objective account, I suggest you buy a history book instead. For those of you historiophiles who enjoy a well researched historical fiction, pick up this book.
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Format: Paperback
As far as FALLING ANGELS goes, I obviously am very much at odds with the majority of this website's reader-reviewers: I hated this book! I thought that it was a cheat, on many levels.
First of all, it was short. It only took me about an hour to read.
For the most part, it was a book about the stylized and self-conscious Victorian ritual of mourning among the upper class English; and the better part of the book was nothing more than a detailed report on cemetery and crypt design, on mourning clothes and mourning jewelry and mourning stationery and mourning time schedules.
Author Tracy Chevalier uses the term "mute" in the context of mourners with no further explanation. Were mutes, then, paid mourners who filled out a funeral, and kept silent during the service?
Her greatest insult, however, was to the women's suffrage movement. According to her telling, the suffragettes were little more than a group of bored women, slightly hysterical, who viewed their political goals as a silly game. I have read many books on the women's suffrage movement and I never have come across this interpretation anywhere else. She has slandered a movement that moved the cause of women into the 20th century.
I didn't care for Chevalier's earlier fiction, GIRL IN HYACINTH BLUE--I didn't even like the movie it was made into, which bombed at the box office. I far preferred the competing novel, GIRL WITH PEARL EARRING, which was published at that same time as BLUE.
I will not be reading Chevalier's future work.
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Format: Paperback
Tracy Chevalier plays upon wonderful funereal imagery to depict a turn of the century Madame Bovary who is destined to ruin herself (and everyone around her)in her search for "self". This novel contrasts a status quo married family with the hopeless Kitty, a woman searching for something more while she already possesses more than she can appreciate in her own family.
Kitty and her family are much like Flaubert's Charles and Emma Bovary in contrast to neighbors M. Homais and family. This is a great psychological novel about finding balance. I was as mad at Kitty as I was at Emma Bovary and Anna Karennina for not waking up and realizing what a nice child she had, what a patient husband (if not passionate), what a nice house!
This novel is:
+High on sublime imagery that works exceptionally well
+Quick and tragic
+Faulknerian in its use of multiple veiwpoints (very nice touch for a turn of the century novel)
+Awesome in character development--I love little Simon just like I loved Victor Hugo's gamin,Gavroche.
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