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Fargo Rock City: A Heavy Metal Odyssey in Rural North Dakota Paperback – May 1 2002

3.8 out of 5 stars 45 customer reviews

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  • Fargo Rock City: A Heavy Metal Odyssey in Rural North Dakota
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Product Details

  • Paperback: 288 pages
  • Publisher: Scribner; Reprint edition (May 1 2002)
  • Language: English
  • ISBN-10: 0743406567
  • ISBN-13: 978-0743406567
  • Product Dimensions: 13.5 x 1.8 x 21 cm
  • Shipping Weight: 227 g
  • Average Customer Review: 3.8 out of 5 stars 45 customer reviews
  • Amazon Bestsellers Rank: #59,599 in Books (See Top 100 in Books)
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Product Description

From Publishers Weekly

Klosterman's highly touted debut has as much to do with Fargo, N.D., as the Coen brothers' slice of Americabre, Fargo. That is, nothing at all, really. Misleadingly titled to cash in on Fargo's cinematic mystique, Klosterman's memoir about growing up a sexually repressed metalhead, with a humiliating (mom-dictated) Richie Cunningham haircut is actually set in Wyndmere, N.D. Klosterman starts up with a bang ("You know, I've never had long hair"), shifts gears often (from memoir to music criticism, somewhat jarringly at times), and rarely idles. Ultimately, though, Klosterman, ironic throughout the book, does not write with enough sincerity to prove his thesis "that all that poofy, sexist, shallow glam rock was important." Granted, it's a daunting task to write a hymn of praise to the genre that spawned David Lee Roth so the author wisely stretches his pop-culture references like taffy. In the final chapter Klosterman, now an arts critic for Ohio's Akron Beacon Journal, quotes a friend's definition of a "guilty pleasure" "something I pretend to like ironically, but in truth is something I really just like" to explain how he really feels about glam metal. His closing summation of what metal means to isolated kids in the heartland will strike a power chord for many readers. (May)Forecast: Klosterman has tapped a gold mine. Fans of 1980s M”tley Cre, Poison and Ratt are pushing 30 and 40 and seeking a nostalgia trip. Also, Gear magazine will run an excerpt of the book along with a conversation between Klosterman and Aerosmith singer Steven Tyler.

Copyright 2001 Cahners Business Information, Inc.

--This text refers to an out of print or unavailable edition of this title.

From Library Journal

Let it be known that Fargo Rock City does not detail a burgeoning music scene in North Dakota's largest city (population: 70,000). Nor is it a yarn about a heavy metal band gigging across the frozen tundra of the Red River Valley. Rather, it's one Middle American's memoir of growing up with and loving 1980s heavy metal (e.g., Ratt, Poison, and Guns 'n' Roses). In other words, this book is for the myriad metal-heads from Fargo to Phoenix who inked "M?tley Cr?e" on their notebooks during high school study halls. The music, film, and culture critic at Ohio's Akron Beacon Journal, Klosterman uses refreshingly candid language: reading his debut is like overhearing a drunken discussion between two music fans. He nicely blends metal music theory with compelling tales of self-realization. Perhaps more than a memoir, this is a seriocomedic defense of a culture that was only cool to those who participated in it. Recommended for all public libraries, especially those in the heartland.
- Robert Morast, "Argus Leader Daily," Sioux Falls, SD
Copyright 2001 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

Top Customer Reviews

Format: Paperback
As an '80's kid growing up in rural Indiana, there weren't a lot of ways to imagine the world outside. T.v. was stupid, the movie theater was forty minutes away, and even the local library wasn't all it was cracked up to be. My conduit for fantasies of a faster, more glamorous life was the radio.
It was the same for Mr. Klosterman, as told in Fargo Rock City. The glam-metal bands of his time set out a full plate of crashing chords, easy women, and free-flowing booze. He (nor I,)never tasted any of those things personally, but the bands painted a vivid enough picture to focus on a better life in the wide world - after high school, when your mom could no longer dictate your hairstyle.
This is a light read, certainly. Mr. Klosterman's book is meant as no more than a remembrance of things past. Even his dissection of what separates "poseur" bands from the "real rockers" is a throwback - what is easily recognized as rock marketing today could get you in fistfights with your Slayer-loving brethren back in '88.
So scratch your itch for "serious" lit elsewhere - Fargo Rock City is meant for fun, and Mr. Klosterman does an admirable job of providing it.
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By T. Skylar TOP 100 REVIEWER on March 23 2012
Format: Paperback Verified Purchase
Author Chuck Klosterman loves the big hair bands of the 80's, so much in fact that he wrote this book partly as biography and partially to defend the genre that is referred to as "Heavy Metal". In the 1980's Rock'N'Roll was renamed/evolved into Heavy Metal, at least that's what a lot of people have been calling it since. It's often ridiculed; especially the Glam/Hair bands and those are the bands that the author loves. More than anything it's not if or not you like 1980's Metal, Klosterman is a genuine and passionate writer. Whether or not you agree with his opinions you want to keep reading and he also manages to make a few points. Fargo Rock City is also autobiographical in that he shares with us some of personal experiences and puts emphasis on his teenage years and what it was like to grow up during this era. I find it interesting how Klosterman grew up in what would not even be called a small town by most, yet still managed to find and develop an interest into this kind of music. I'm from a small town as well although bigger than Chuck's and I managed to find Metal as well during my teenage years and I could definitely relate to him and some of the experiences he had. It's fun to read about Chuck's teenage years and discoveries of bands like Motley Crue, KISS, Cinderella and Poison and later what it was like for a Heavy Metalist in the 1990's when the genre was ridiculed and become uncool with the rise of Grunge music (he wrote a positive review of Warrant's Cherry Pie album when it came out and was criticized for it).

Klosterman offers an analytical point of view on this music. He makes some strong points and some of them are very valid.
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Format: Paperback
Never having had the slightest interest in metal when I was growing up, I had no reason to pick up this book until someone I trusted actually sent me his copy. I've since loaned it to another guy who was into metal in the 80's and 90's. He says it was the first book to articulate -- in eloquent, common style -- what it was that made such a lowly regarded musical form so connective with kids, and how not to be ashamed of it as if it were some curio from the past. Having finished Fargo Rock City, I can't understand why anyone would be ashamed of it either. The book starts off as an apologist act, but eventually justifies hair metal alongside any other cultural movement that got "credit" from the critics. Klosterman's book is so persuasive and sure-headed -- even as it describes typical teenage doubt and identity crisis -- that it inspires both admiration and astonishment that nobody has tried it before. And after years of massive resistance on my part, it actually made me want to go and check out Motley Crue and Cinderella. And it's extremely, extremely entertaining. I don't laugh out loud much when reading books; by my count it happened about six times with this one. ANYWAY....
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Format: Paperback
I have a different background and upbringing than Chuck Klosterman, but we are the exact same age. Much of what he wrote about in "Fargo Rock City" I can relate to: replace "Pyromania" with his beloved "Shout at the Devil" album when we were both young lads, and he might as well be describing the musical aspects of my early life. The early '80s were indeed a burgeoning time for up-n-coming metal bands, and Klosterman was correct in pursuing their history from a true metalhead's viewpoint. Laugh if you will, but the arena-ready acts Klosterman describes sold millions of records, and some enjoyed extended careers - 10-15 years, 5-7 albums. (Puddle of Mudd and Bush got nothin' on that!)
ANYWAY, I have a dim take on this book; I didn't enjoy it, which is unfortunate because I was psyched to read it, based on the subject matter and glowing reviews up front (not counting Stephen King's accolade, since King has been known to love the CRAPPIEST of horror novels). Klosterman lays it all on the line. His style is severely rambling - thought to thought, group to group - but that's not even the biggest problem. I mean, I expected a rambling memoir about '80s metal when I bought the book. The author is passionate, no doubt, but passionate about what? I'm not sure even he could answer that question. The guy self-conciously changes his mind or condradicts himself nearly every other sentence, like some teenage girl who's worried what her popular girlfriends will think if she dates the class geek. (You know, like those Molly Ringwold flicks created during the years of Klosterman's discourse.)
Many of the author's observations are absurd, and I suppose that's his right since it's his damned book.
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