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First Love, Last Rites Paperback – Jul 2004

4.0 out of 5 stars 6 customer reviews

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Paperback, Jul 2004
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Harry Potter and the Cursed Child
--This text refers to an out of print or unavailable edition of this title.
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Product Details

  • Paperback: 216 pages
  • Publisher: Imprint unknown; Large type edition edition (July 2004)
  • Language: English
  • ISBN-10: 0754073017
  • ISBN-13: 978-0754073017
  • Shipping Weight: 503 g
  • Average Customer Review: 4.0 out of 5 stars 6 customer reviews
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Product Description


"McEwan [has] a powerful talent that is both weird and wonderful." --Boston Sunday Globe

"Ian McEwan's fictional world combin[es] the bleak, dreamlike quality of de Chirico's city-scapes with the strange eroticism of canvases by Balthus. Menace lies crouched between the lines of his neat, angular prose, and weird, grisly things occur in his books with nearly casual aplomb." --The New York Times

"McEwan is a splendid magician of fear." --Village Voice Literary Supplement --This text refers to an alternate Paperback edition.

From the Inside Flap

Ian McEwan's Somerset Maugham Award-winning collection First Love, Last Rites brought him instant recognition as one of the most influential voices writing in England today. Taut, brooding, and densely atmospheric, these stories show us the ways in which murder can arise out of boredom, perversity can result from adolescent curiosity, and sheer evil might be the solution to unbearable loneliness. These tales are as horrifying as anything written by Clive Barker or Stephen King, but they are crafted with a lyricism and intensity that compel us to confront our secret kinship with the horrifying. --This text refers to an alternate Paperback edition.

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Top Customer Reviews

Format: Paperback
Approaching Ian McEwan for the first time, it seemed only natural that I begin with this collection of eight short stories, his first published work. I must say that McEwan leaves quite an impression on the reader. In fact, these stories are quite unlike anything I have ever read. One is hard pressed to determine just how to feel about the stories told here, attempting to integrate shock, sympathy, understanding, depression, ennui, enlightenment, and all manner of other reactions into some sort of vision of enlightenment. The first thing that becomes apparent is McEwan's boldness and unique vision; he uses some words that never find themselves into the published works of most other writers, but his employment of them seems to be a matter of craft rather than an act of gratuitousness. The very first story, Homemade, is a somewhat disturbing and surreal account of incest, with a lad seeking to understand the type of world his adventurous friend lives in engaging his younger sister in an act of sexual exploration. The story ends quite suddenly, leaving me to interpret the deeper meaning completely on my own. Solid Geometry is sort of the odd duck in this collection, with its theoretical mathematics feel distinguishing it from its counterparts. The story works quite well in describing the protagonist's uneasy relationship with his wife, but the kicker at the end comes off as just a little too esoteric. Cocker at the Theatre is the most outre (and short) story in the collection; personally, I didn't get a lot out of it, but it does demand attention.

For the most part, the reader stays on morbid ground. Some have described these tales as having a definite aspect of horror to them, but I would not equate them with horror at all.
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Format: Paperback
First I feel I should list the stories included in this collection, something almost all reviewers seem to forget to do, leaving those who are looking for specific stories in outer cyber-space:
1. "Homemade" 2. "Solid geometry" 3. "Last day of summer" 4. "Cocker at the theatre" 5. "Butterflies" 6. "Conversations with a cupboard man" 7. "First love, last rites" 8. "Disguises"
These stories are about weird people on the margins of society. Most of them have been written in the first person, in a way turning them into a kind of confession. Though it is written as if the 'subject' of the story is a unique scientific specimen set free in order to observe its behaviour, sometimes one identifies with ("Homemade" ?), or is repelled by the charachter ("Butterflies"). Often one may like and disklike the subject as the story goes along. What makes these stories interesting are the characters, the crazy people making their sometimes funny, sometimes abysmally pathetic confessions.They are only alike in that the subjects are all men. My favorites are "Homemade", full of black humor and irony, and "Disguises" where a boy, forced to dress at home like a girl by the aunt that has adopted him, begins to <think> as a girl, and goes on to see himeself as his own girlfriend. Complex? Read the story. "Coker" is special in that it is written in the third person, and it seems like a joke on modern theater: a narration about a group of down-and-out actors in the rehersal of a play that recreates the sexual act under the direction of a cynic homosexual. Though funny, its quite short. It originally appeared in Time Out.
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By A Customer on Aug. 29 1999
Format: Paperback
Yet they still churn your stomach and question your own thoughts on the matters raised. I was only 13 when i first read this book and it did quite honestly (cliche) change my life.
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