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Foe Paperback – April 9 2019
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Iain Reid
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Iain Reid
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Product details
- Publisher : Simon & Schuster (April 9 2019)
- Language : English
- Paperback : 272 pages
- ISBN-10 : 1501103482
- ISBN-13 : 978-1501103483
- Item Weight : 231 g
- Dimensions : 13.97 x 1.52 x 21.27 cm
-
Best Sellers Rank:
#183,551 in Books (See Top 100 in Books)
- #10,819 in Suspense (Books)
- #11,309 in Literary Fiction (Books)
- Customer Reviews:
Product description
Review
Praise for Foe
“Foe reads like a house on fire, and is almost impossible not to finish in one sitting...an otherworldly hothouse of introversion and fantasy.”
― Toronto Star
“Movie producers are simply confirming what the literary community already knows: Iain Reid just might be the most exciting and excitingly unclassifiable author working in Canadian fiction today.” ― The Globe and Mail
“Reid is at it again, exploiting readers with plot twists, narrative unease, and explosive conclusions in his second novel . . . [he] has the rare ability to make readers both uncomfortable and engaged, and this drama will surely send them back to the beginning pages to track the clues he left to the surprise ending.” ― Booklist (starred review)
“Reid is a master storyteller with a knack for absorbing prose. Most of the action takes place in the microcosm of the couple’s house, but Reid writes about the relationship so well that it becomes a universe full of questions and possibilities.”
-- Los Angeles Review of Books
“From the opening page, you’ll have an uneasy feeling as you settle in to Iain’s Reid’s brilliant new novel, Foe. . . . A masterful and breathtakingly unique read. I can’t stop thinking about it.” -- Amy Stuart, author of the #1 bestseller Still Mine and Still Water
“Reid draws his suspense from the same places where we find it in our lives: not knowing what's going to happen next, not truly knowing the people we love, and not even really knowing ourselves.” -- Nathan Ripley, author of Find You in the Dark
“I’m not sure that humans have hackles, but something was creeping up my spine as I read this book, and I welcomed the shivers of shock and delight. A mind-bending and genre-defying work of genius.” -- Liz Nugent, author of Unraveling Oliver and Lying in Wait
“Reid proves once again that he is a master of atmosphere and suspense. Readers won’t be able to put this one down.” ― Publishers Weekly
“Reid builds to a deeply unsettling climax. As much a surgical dissection of what makes a marriage as an expertly paced, sparsely detailed psychological thriller, this is one to read with the lights on.” ― Kirkus Reviews
"Spare, consuming, unforgettable. Foe is a dark arrow from a truly original mind. Page by eerie page, Iain Reid pulls the known world out from under you, and leaves you trapped inside a marriage’s most haunting question: can I be replaced? This is a book that seeps into your bloodstream––and crowns Iain Reid the king of deadpan, philosophical horror."
-- Claudia Dey, author of Heartbreaker
“Foe reads like a house on fire, and is almost impossible not to finish in one sitting...an otherworldly hothouse of introversion and fantasy.”
― Toronto Star
“Movie producers are simply confirming what the literary community already knows: Iain Reid just might be the most exciting and excitingly unclassifiable author working in Canadian fiction today.” ― The Globe and Mail
“Reid is at it again, exploiting readers with plot twists, narrative unease, and explosive conclusions in his second novel . . . [he] has the rare ability to make readers both uncomfortable and engaged, and this drama will surely send them back to the beginning pages to track the clues he left to the surprise ending.” ― Booklist (starred review)
“Reid is a master storyteller with a knack for absorbing prose. Most of the action takes place in the microcosm of the couple’s house, but Reid writes about the relationship so well that it becomes a universe full of questions and possibilities.”
-- Los Angeles Review of Books
“From the opening page, you’ll have an uneasy feeling as you settle in to Iain’s Reid’s brilliant new novel, Foe. . . . A masterful and breathtakingly unique read. I can’t stop thinking about it.” -- Amy Stuart, author of the #1 bestseller Still Mine and Still Water
“Reid draws his suspense from the same places where we find it in our lives: not knowing what's going to happen next, not truly knowing the people we love, and not even really knowing ourselves.” -- Nathan Ripley, author of Find You in the Dark
“I’m not sure that humans have hackles, but something was creeping up my spine as I read this book, and I welcomed the shivers of shock and delight. A mind-bending and genre-defying work of genius.” -- Liz Nugent, author of Unraveling Oliver and Lying in Wait
“Reid proves once again that he is a master of atmosphere and suspense. Readers won’t be able to put this one down.” ― Publishers Weekly
“Reid builds to a deeply unsettling climax. As much a surgical dissection of what makes a marriage as an expertly paced, sparsely detailed psychological thriller, this is one to read with the lights on.” ― Kirkus Reviews
"Spare, consuming, unforgettable. Foe is a dark arrow from a truly original mind. Page by eerie page, Iain Reid pulls the known world out from under you, and leaves you trapped inside a marriage’s most haunting question: can I be replaced? This is a book that seeps into your bloodstream––and crowns Iain Reid the king of deadpan, philosophical horror."
-- Claudia Dey, author of Heartbreaker
About the Author
Iain Reid is the author of two critically acclaimed, award-winning books of nonfiction. His internationally bestselling debut novel, I’m Thinking of Ending Things, has been published in more than twenty countries. Oscar-winner Charlie Kaufman is writing and directing a film based on the novel, which Reid will co-produce. His second novel, Foe, was an instant bestseller and feature film rights have been acquired by Anonymous Content, with Reid set to executive produce. Follow him on Twitter @Reid_Iain.
Excerpt. © Reprinted by permission. All rights reserved.
Foe
Two headlights. I wake to the sight of them. Odd because of the distinct green tint. Not the usual white headlights you see around here. I spot them through the window, at the end of the lane. I must have been in a kind of quasi slumber; an after-dinner daze brought on by a full stomach and the evening heat. I blink several times, attempting to focus.
There’s no warning, no explanation. I can’t hear the car from here. I just open my eyes and see the green lights. It’s like they appeared out of nowhere, shaking me from my daze. They are brighter than most headlights, glaring from between the two dead trees at the end of the lane. I don’t know the precise time, but it’s dark. It’s late. Too late for a visitor. Not that we get many of them.
We don’t get visitors. Never have. Not out here.
I stand, stretch my arms above my head. My lower back is stiff. I pick up the open bottle of beer that’s beside me, walk from my chair straight ahead several steps to the window. My shirt is unbuttoned, as it often is at this time of night. Nothing ever feels simple in this heat. Everything requires an effort. I’m waiting to see if, as I think, the car will stop, reverse back onto the road, continue on, and leave us alone, as it should.
But it doesn’t. The car stays where it is; the green lights are pointing my way. And then, after a long hesitation or reluctance or uncertainty, the car starts moving again, toward the house.
You expecting anyone? I yell to Hen.
“No,” she calls down from upstairs.
Of course she’s not. I don’t know why I asked. We’ve never had anyone show up at this time of night. Not ever. I take a swig of beer. It’s warm. I watch as the car drives all the way up to the house and pulls in beside my truck.
Well, you better come down here, I call again. Someone’s here.
Two headlights. I wake to the sight of them. Odd because of the distinct green tint. Not the usual white headlights you see around here. I spot them through the window, at the end of the lane. I must have been in a kind of quasi slumber; an after-dinner daze brought on by a full stomach and the evening heat. I blink several times, attempting to focus.
There’s no warning, no explanation. I can’t hear the car from here. I just open my eyes and see the green lights. It’s like they appeared out of nowhere, shaking me from my daze. They are brighter than most headlights, glaring from between the two dead trees at the end of the lane. I don’t know the precise time, but it’s dark. It’s late. Too late for a visitor. Not that we get many of them.
We don’t get visitors. Never have. Not out here.
I stand, stretch my arms above my head. My lower back is stiff. I pick up the open bottle of beer that’s beside me, walk from my chair straight ahead several steps to the window. My shirt is unbuttoned, as it often is at this time of night. Nothing ever feels simple in this heat. Everything requires an effort. I’m waiting to see if, as I think, the car will stop, reverse back onto the road, continue on, and leave us alone, as it should.
But it doesn’t. The car stays where it is; the green lights are pointing my way. And then, after a long hesitation or reluctance or uncertainty, the car starts moving again, toward the house.
You expecting anyone? I yell to Hen.
“No,” she calls down from upstairs.
Of course she’s not. I don’t know why I asked. We’ve never had anyone show up at this time of night. Not ever. I take a swig of beer. It’s warm. I watch as the car drives all the way up to the house and pulls in beside my truck.
Well, you better come down here, I call again. Someone’s here.
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394 global ratings
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Top reviews from Canada
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Reviewed in Canada on August 13, 2019
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I absolutely loved the eeriness of this novel!!! You're questioning everyone the whole time, and once you get to the ending, you're shocked. I totally picked this book up thinking it was about aliens haha, was disappointed to find out it wasn't, I still loved this book though!
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Reviewed in Canada on August 28, 2018
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Heard about the book from an interview on CBC. It intrigued me that the author said he likes to write a story that can be read in one sitting, or maybe an evening and the next morning. I sat on my patio one afternoon and didn’t move until I finished Foe. What a great read. And the ending is superb! I can’t wait for the movie.
One person found this helpful
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Reviewed in Canada on September 5, 2018
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While it may not be the most suspenseful book or thrill ride, the story delivers an engaging read. Twist was unpredictable. However things felt a little low impact. Its a different take on the future and travel and living in remote locations. give it a read.
Reviewed in Canada on June 13, 2019
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Intriguing...wonder who will star in the film??
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Reviewed in Canada on June 10, 2020
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Excellent read!
Reviewed in Canada on September 22, 2018
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A stupid premise for a story that goes nowhere. A patient reader would be angry and disappointed by it. Avoid!
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Reviewed in Canada on September 4, 2018
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It is an interesting premise for a short story or a half hour Twilight Zone episode but it is really not enough of a story for a novel
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Reviewed in Canada on October 30, 2018
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Thoroughly enjoyable read that stays with you in unexpected ways.
Top reviews from other countries

Joanne Sheppard
5.0 out of 5 stars
Deeply unsettling and beautifully written
Reviewed in the United Kingdom on January 12, 2019Verified Purchase
Foe, the second novel by Canadian author Iain Reid, begins with a car pulling up at an remote rural farmhouse. Junior and his wife Hen don't get many visitors, and the arrival of Terrance feels slightly ominous.
Even more ominous, then, is the purpose of Terrance's visit. He's come to tell them that Junior has been shortlisted for a government programme, run by a company called OuterMore, that will see him sent away to spend a couple of years in space, during which Hen will be left alone in the farm house. What's even more strange, though, is how OuterMore propose to compensate Hen for Junior's absence.
Let's not beat about the bush: like Reid's previous novel, I'm Thinking Of Ending Things, Foe is a novel about denial, isolation, fractured relationships and existential dread. It's set some time in the nearish future during a hot, flat, featureless summer, and despite the setting's vast, empty agricultural landscape of endless rapeseed fields, there's a strong sense of claustrophobia. Junior and Hen don't socialise or go out for any other reason than work (there is a reference to grocery shopping, but we never actually see it happen) and even that work is dull and dystopian, with Junior filling and moving grain bags all day at a vast feed mill. They rarely speak to anyone but each other. For reasons left ominously unclear, there is a ban on keeping livestock, so the couple don't even have any pets except some chickens that Junior keeps concealed in a barn.
Junior, however, is seemingly content with this arrangement, and when Terrance arrives the couple seem to be doing perfectly well in their seclusion. If anything, the thing that's most unsettling at this point in the novel is the strange passivity with which Junior, in particular, accepts Terrance's presence in their home and the news that he brings. There is something unnerving and off-kilter about people who react with calm acceptance to shocking news and never challenge what are clearly major impositions. Instead, for the most part Junior and Hen quietly get on with things, despite the undercurrent of unease and resentment which starts to permeate their lives and the questions raised about their relationship.
This is one of those books that can't be discussed in too much detail without spoiling the plot, but it's enough to say that Foe is a chilling read, a slow-burning anxiety dream in which every word and every moment has a significance. It's a short but intense book, perfectly crafted in every detail, and an uncomfortably thought-provoking novel whose ending - or, perhaps, endings - can't fail to unsettle the reader.
Even more ominous, then, is the purpose of Terrance's visit. He's come to tell them that Junior has been shortlisted for a government programme, run by a company called OuterMore, that will see him sent away to spend a couple of years in space, during which Hen will be left alone in the farm house. What's even more strange, though, is how OuterMore propose to compensate Hen for Junior's absence.
Let's not beat about the bush: like Reid's previous novel, I'm Thinking Of Ending Things, Foe is a novel about denial, isolation, fractured relationships and existential dread. It's set some time in the nearish future during a hot, flat, featureless summer, and despite the setting's vast, empty agricultural landscape of endless rapeseed fields, there's a strong sense of claustrophobia. Junior and Hen don't socialise or go out for any other reason than work (there is a reference to grocery shopping, but we never actually see it happen) and even that work is dull and dystopian, with Junior filling and moving grain bags all day at a vast feed mill. They rarely speak to anyone but each other. For reasons left ominously unclear, there is a ban on keeping livestock, so the couple don't even have any pets except some chickens that Junior keeps concealed in a barn.
Junior, however, is seemingly content with this arrangement, and when Terrance arrives the couple seem to be doing perfectly well in their seclusion. If anything, the thing that's most unsettling at this point in the novel is the strange passivity with which Junior, in particular, accepts Terrance's presence in their home and the news that he brings. There is something unnerving and off-kilter about people who react with calm acceptance to shocking news and never challenge what are clearly major impositions. Instead, for the most part Junior and Hen quietly get on with things, despite the undercurrent of unease and resentment which starts to permeate their lives and the questions raised about their relationship.
This is one of those books that can't be discussed in too much detail without spoiling the plot, but it's enough to say that Foe is a chilling read, a slow-burning anxiety dream in which every word and every moment has a significance. It's a short but intense book, perfectly crafted in every detail, and an uncomfortably thought-provoking novel whose ending - or, perhaps, endings - can't fail to unsettle the reader.
9 people found this helpful
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Mr. A. Flynn
3.0 out of 5 stars
Sinister and psychologically taut but...
Reviewed in the United Kingdom on April 12, 2020Verified Purchase
Foe was an interesting read in that the atmosphere is tense and sinister from the start, a bit like an episode of Black Mirror. However I sort of guessed the ending midway through (or a bit before) which was disappointing and felt a bit like the author showed their hand too early. Otherwise it was enjoyable without being exceptional.
2 people found this helpful
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LF
3.0 out of 5 stars
Eerie and interesting, but a little too slowly paced.
Reviewed in the United Kingdom on January 14, 2020Verified Purchase
I loved I'm Thinking of Ending Things and so was very much looking forward to this novel. The premise is interesting and it had me hooked at the beginning. I really enjoyed the writing style and particularly liked the lack of world building, which created a mysterious, uncertain and eerie atmosphere in relation to the world our characters inhabit.
Unfortunately, after this initial interest, I personally found the pacing a little slow, and felt one of the main revelations is pretty obvious quite early on. However, I did enjoy the ending.
Overall, I found this to be an interesting and unique novel but found the pacing a little too slow for me. Definitely not a bad read though.
Unfortunately, after this initial interest, I personally found the pacing a little slow, and felt one of the main revelations is pretty obvious quite early on. However, I did enjoy the ending.
Overall, I found this to be an interesting and unique novel but found the pacing a little too slow for me. Definitely not a bad read though.

Aya
3.0 out of 5 stars
Good but could've been better
Reviewed in the United Kingdom on May 3, 2020Verified Purchase
I started this book with no idea what to expect. Judging by the title I had expected there to be some sort of rivalry between characters or something but I was definitely surprised to say the least. I gave the book 3 stars because while the story line was interesting sort of a teaser of future dystopia I thought the characters could have been a bit more developed. It sort brushes the surface of what really makes a human but then doesn't go any further than that. The writing can be a bit choppy at times and repetitive but I suppose that's good in emphasising the repetitiveness of the characters lives. All in all I liked it but the characters could have had more depth, the story line could have been a bit more developed and the book could've been longer
One person found this helpful
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A L H
5.0 out of 5 stars
Weird and unsettling
Reviewed in the United Kingdom on December 14, 2020Verified Purchase
I enjoyed reading Foe, the first book I have read by this author. I loved the unsettling claustrophobic tone of the novel and knew that something was going on under the surface. I thought the characters seemed well fleshed out and the twist was unexpected. I will definitely read more from this author.
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