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Footnotes in Gaza: A Graphic Novel Hardcover – Dec 22 2009

5.0 out of 5 stars 4 customer reviews

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Hardcover, Dec 22 2009
CDN$ 40.00 CDN$ 46.41

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Product Details

  • Hardcover: 432 pages
  • Publisher: Metropolitan Books (Dec 22 2009)
  • Language: English
  • ISBN-10: 0805073477
  • ISBN-13: 978-0805073478
  • Product Dimensions: 20.5 x 3 x 27.5 cm
  • Shipping Weight: 1.2 Kg
  • Average Customer Review: 5.0 out of 5 stars 4 customer reviews
  • Amazon Bestsellers Rank: #477,065 in Books (See Top 100 in Books)
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Product Description


“Solid, old-fashioned war reporting... a superb way into the truth of events, understanding different sides and poking around in people’s minds and houses. Unlike a war photographer, Sacco always gets the best shot, perfectly framed, sometimes years after the event. Unlike a writer, he adds facial expressions to each statement. And unlike a film maker, he can slip between past and present without the jolt of costumed docudrama.... I learned more about the Palestinians, war, the intifada and the best honey pastries in Gaza than I ever had from newspapers or television.”
The Times (UK)
“Having already established his reputation as the world’s leading comics journalist, Sacco is now making a serious case to be considered one of the world’s top journalists, period. His newest undertaking is a bracing quest to uncover the truth about what happened in two Gaza Strip towns in 1956… Sacco’s art is alternately epic and intimate, but it’s his exacting and harrowing interviews that make this book an invaluable and wrenching piece of journalism.”
Publishers Weekly (starred review)
“The first good news to report about the massive, fascinating new Footnotes in Gaza hardcover is that the cartoonist is in top form throughout. If there’s something that Joe Sacco’s done in a previous comic that you’ve liked or with which you’ve been impressed, then that same technique or approach is likely to be on display here in a comparable or more effective way… A story soaked to the marrow with heartbreaking insights… One of the best long-form comics of this decade, and Sacco’s greatest work to date.”
The Comics Reporter
“Joe Sacco’s brilliant, excruciating books of war reportage are potent territory.... He shows how much that is crucial to our lives a book can hold.”
The New York Times Book Review

About the Author

Joe Sacco, one of the world’s foremost cartoonists, is widely hailed as the creator of war-reportage comics. He is the author of, among other books, Palestine, which received the American Book Award, and Safe Area Goražde, which won the Eisner Award and was named a New York Times Notable Book and Time magazine’s best comic book of 2000. His books have been translated into fourteen languages and his comics reporting has appeared in Details, The New York Times Magazine, Time, and Harper’s. He lives in Portland, Oregon.

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By Ian Gordon Malcomson HALL OF FAMETOP 50 REVIEWER on Aug. 2 2010
Format: Hardcover
For anyone like myself who will likely never visit the Gaza region, home to millions of displaced Palestinians, Sacco's comic book, "Footnotes in Gaza", is an effective substitute. For close to four hundred pages, the award-winning journalist takes his readers through the recent war-torn history of life in a refugee camp at Rafah and its nearby village of Khan Younis. Sacco does an incredible job in capturing a sense of the pain, misery, betrayal, fear and hopelessness that has come to settle over this disputed territory involving the geopolitical interests of Israel and Egypt. To provide as complete and accurate a record as possible, Sacco treats the book as an opportunity to delve into to the recent experiences of Palestinians whose life has spanned a number of decades in Gaza. This comic reads as an oral history that focuses on people's haunted memories of one infamous event: the massacre at the Rafah camp in late 1956, when the Israelis were pulling back after agreeing to a truce with Egypt over the occupation of the Sinai Peninsula. What makes this study so meaningful for me is that Sacco pieces together in vivid detail the daily struggles of the Palestinians as they coped with the heavy hand of the Israeli army. Sacco and his guides faced enormous difficulties in finding evidence from bona fide witnesses to confirm this long-suppressed act of genocide. I became more aware of Palestinian culture and politics from reading the many ongoing dialogues between members in this community and absorbing the power of the artwork accompanying it:
1. Sacco makes a very strong case for believing that the present turmoil in the Gaza Strip has some deep roots in the past;
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Format: Paperback
An incredible, passionate and fair discussion of the situation that Palestinians in the Gaza Strip face on a day to day basis. I'm a political science nerd myself, and I learned more about the situation reading this book than any other. The kind of book that will pull you in, educate and probably make it a bit hard to sleep at night, but it's a must read. Joe Sacco is, in my mind, one of the best journalists in the world.
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Format: Paperback Verified Purchase
This remarkable book speaks to the horrors of Israel's occupation of Palestine. More Americans need to read this, to understand what is really happening in Gaza.
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Format: Paperback Verified Purchase
I wouldn't have learned the truth of Palestine without the realistic graphic journalism. Joe Sacco is brilliant!! Wonder if he would do a Nanking Massacre story.
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Most Helpful Customer Reviews on Amazon.com (beta)

Amazon.com: HASH(0xa41c6a14) out of 5 stars 50 reviews
70 of 79 people found the following review helpful
HASH(0xa3f4cfe4) out of 5 stars A Challenging Work Full of Humanity Dec 3 2009
By A. Ross - Published on Amazon.com
Format: Hardcover Vine Customer Review of Free Product
The genre/form known generically as "graphic novels" has exploded across the publishing industry over the last five years or so. While most of this is fiction, there is a rich vein of autobiography, and a few other experiments with history and biography. What Joe Sacco has been doing since well before this trend emerged, is graphic journalism. He is a foreign correspondent, albeit one who works in cartoon panels rather than the pure written or spoken word.

This latest book of his is his biggest and most ambitious. His first book, Palestine, came out around 15 years ago and was an astonishing look at the lives of Palestinian life in the occupied territories and back into the start of the first intifada, with flashbacks to 1948. He then spent some harrowing time in Bosnia in the mid-1990s, resulting in his books Safe Area Goradze and The Fixer, which are vividly raw look at the horrors of that conflict. In 2001, he returned to Gaza with fellow journalist Chris Hedges (War Is a Force that Gives Us Meaning), looking into a reported massacre from the time of the 1956 war that he had seen mentioned in another Noam Chomsky's Fateful Triangle. A few lines in a U.N. Report from the era subsequently sparked his interest in another incident in Gaza, so he returned in 2003 to try and track down the truth of that incident and see what role, if any, it played in the collective memory of the town.

What results is a sprawling, complex, multifaceted work that demands attention and engagement from the reader. Broken up into short sections/chapters/scenes of a few pages, it tells the story of the 1956 Suez Crisis, the Khan Younis massacre and "incident" in nearby Rafah at the same time, and Sacco's own contemporary quest to trace survivors of both and record their oral histories, against a background Israeli army destruction of Palestinian houses along the border of Gaza. It's a challenging mix of his own observations, quotes from historical documents, eyewitness accounts, and more -- all of which combine into a sad story of how quickly time can erase the past.

Unfortunately, whether or not you find the book compelling probably depends on your existing views toward Palestinian-Israeli relations. Readers sympathetic to the plight of Palestinians will find in the book yet further evidence of past Israeli atrocities and contemporary Israeli brutality. Readers sympathetic to Israel will seize upon discrepancies in the memories of those recalling events 50 years past, the lack of an irrefutable paper trail, and Sacco's positioning the story from the Palestinian point-of-view, to dismiss the work as a smear job. Of course, neither reading is complete, and part of the whole point of the book is to demonstrate how time takes its toll objective truth.

Personally, I'm not sure what steps Sacco could have taken to placate those demanding the "Israeli side" of the two incidents: perhaps placed a newspaper ad saying "Were you involved in massacring Palestinians in Gaza in 1956? If so, please contact me so I can make your involvement a public part of the historical record." However, it does seem a little odd that he doesn't give the unit numbers or anything like that for the Israeli army forces involved. There are also one or two points in his recreation of the story where some officers and possibly foreigners take steps to mitigate the brutality, and I wished that more archival detective work had been done to try and track down these figures. It's not clear to me whether he tried and the IDF archives just didn't have that material, or what. However, ultimately, it seems pretty clear that some despicable actions were taken against unarmed civilians, including murder. It's telling to me that at the time, a few opposition members in the Knesset attempted to raise inquires into the incidents and were blocked.

Graphically, the book is another Sacco masterpiece -- from detailed facial portraits of those he interviewed, to several stunning two-page spreads of sweeping scope from a raised perspective. The ramshackle feel of the towns and refugee camps of the 1956 period stands in stark visual contrast to hustling, bustling, built-up modern Gaza. Sacco's hand-lettering isn't the easiest to read, and here it's chopped up into so many small boxes that it can be a bit of a chore to read. But this is a minor quibble for a book that is so amazingly immersive. I've lived throughout the Middle East and have been to the West Bank, Gaza, and Israel, and Sacco captures the urban and natural landscape wonderfully. The one disappointment is the cover, which is very bland and doesn't give much of a sense of the contents.

If you have any interest in the history of the Israeli-Palestinian conflict, or the present-day situation in Gaza, I definitely recommend picking this up and challenging yourself to grapple with it. The format and discursive style offer a different lens on events and issues that will always be controversial. Even if you disagree with the approach or perspective, I think there's a lot of humanity display in the pages, and that alone is worth engaging with.
25 of 30 people found the following review helpful
HASH(0xa3f4da20) out of 5 stars Out of the Footnotes Dec 16 2009
By Valerie J. Saturen - Published on Amazon.com
Format: Hardcover Vine Customer Review of Free Product
In a decades-long conflict, the details often get buried beneath the rubble of unending strife. Unfortunately, buried along with those details are the lives, sufferings, and losses of real human beings. In this intricately rendered and heart wrenching tome, graphic novelist/journalist and PALESTINE author Joe Sacco unearths one such historical footnote, recreating it through the eyes of those who survived.

Amid the 1956 Suez crisis, Israeli soldiers killed a large number (the exact figure is, of course, disputed) of Palestinian refugees from Gaza's Khan Younis and Rafah camps. According to a UN report, 275 Palestinians died in a November Israeli operation in Khan Younis; around the same time, scores of men were shot in Rafah.

FOOTNOTES provides the historical context for these incidents mainly through interviews with Israeli historian Mordechai Bar-On--General Moshe Dayan's personal assistant during the Suez crisis--and an unnamed Palestinian fedayee who took part in raids against Israel. Illustrating the contents of these interviews, Sacco sets the scene: a cycle of fedayeen raids and Israeli retaliation; Egypt's arms deal with Soviet-satellite Czechoslovakia; Nasser's dramatic nationalization of the Suez Canal; and the tripartite collusion between Israel, France, and Britain to gain control of the Suez.

Though he painstakingly researches the official documentation of the Khan Younis and Rafah incidents, most of the book comes from oral history interviews conducted with survivors and witnesses. FOOTNOTES tells not only their stories, but the story of Sacco's experience of getting those narratives. Interspersed with the oral histories are scenes of daily life, particularly during Sacco's March 2003 visit to Gaza. We experience his frustration with the fallibility of his sources, who are prone to forgetting things or going on tangents. We witness the large-scale demolition of Palestinian homes along the Egyptian border--part of Israel's effort to disrupt smuggling networks--and the Palestinian reaction to the start of the Iraq War. The book also offers us a glimpse into the grinding poverty of life in the Strip.

FOOTNOTES' major drawback is its one-sidedness. Sacco provides the official Israeli accounts of the Rafah incident and the home demolitions, but these appear--ironically--as a footnote, relegated to the back of the book. Entirely absent are first-person narratives from Israelis who were there. Since the Israeli documents paint a very different picture of what happened, such narratives would have added credibility either by telling a conflicting side of the story or by confirming the Palestinian testimonies. They would have also allowed readers to glean something about why these shootings happened.

The graphic novel format makes for a unique reading experience, one that is more immersive than a text with words alone. One becomes absorbed in each panel, from two-page panoramas of the camps to the expressive faces of Sacco's interviewees. The combination of Sacco's remarkable 400 pages of illustrations and the first-person accounts allow him to dredge both incidents out of the impersonal footnotes and restore their human realness.
39 of 50 people found the following review helpful
HASH(0xa3f4d4f8) out of 5 stars War and Remembrance Oct. 22 2009
By Best Of All - Published on Amazon.com
Format: Hardcover Vine Customer Review of Free Product
"Well, I'm a newspaperman at heart, and for me it's never been a term of disparagement. A newspaperman wants the facts, the definitive version, not a bunch of `on the other hands,' and `possibilities,' or even `probabilities,'" writes Joe Sacco in Footnotes in Gaza: A Graphic Novel (December 2009, Metropolitan Books), a moving exploration of two brutal incidents in November 1956 during the Suez Canal Crisis, when Britain, France and Israel faced Egypt in the "Tripartite Collusion."

Fighting began on October 29 and followed Egypt's decision in July to nationalize the Suez Canal, after the withdrawal of an offer by Britain and the United States to fund the building of the Aswan Dam, which was in response to Egypt formally recognizing the People's Republic of China (during a period of mounting tensions between China and Taiwan).

In 389 chunky pages of drawings and text, Sacco - through blowing dust and debris off the hidden past, interviews and research on currently available documents - delves into the Israeli military incursions into Khan Younis and Rafah refugee camps in the Gaza Strip after routing the Egyptian army through merging the past with the present and by reaching out to a number of historical signposts. The disturbing facts and theories surrounding the beatings, shootings and collaborators when the Egyptian-ruled area was briefly occupied by Israeli forces are accentuated by Sacco's observations as he strides across the bridge of official pronouncements to the truth.

"Well, like most footnotes, they dropped to the bottom of history's pages, where they barely hang on," writes Sacco. "While we feverishly dig away at 1956, daily events are shovelled back at us, obscuring our finds, making it that much harder for our subjects to focus on the stratum in question.

"That woman we met in the last chapter, for example, 80- or 82-year-old Ta'ah Khalil Outhman...her leg was broken when her house was demolished on top of her a few days before we talked."

A modern meeting of international journalists after a day of filing stories begins the journey, with a twist to what is spoken, but actually meant, when a hot deadline is turning colder by the minute: "Waitress! What's on the menu? Bombings! Assassinations! Incursions! They could file last month's story today - or last year's, for that matter - and who'd know the difference?"

It quickly moves to following Sacco and Abed, a respected individual in Khan Younis, who can open very slightly the closed doors to many reporters, based on a special trust that cannot be won through good deeds by outsiders: "We believe there is a hidden agenda behind each Western donor - especially American donors. Their idea is to make us focus on how to democratize ourselves and to forget that we are still slaves."

Some interviews with eyewitnesses flow with a candidness that the many years did not erase, but Sacco meticulously goes through a number of recollections and juxtaposes the remembrances with knowledge that was unearthed through a variety of other sources. Patience was oftentimes the hardest part, which is shown as Sacco attempts to ask specific questions to a former guerilla fighter, who actually provides amazing background information that sheds new light on a number of issues. The rocky road of the reporter leads to tangible snapshots at the two locations and the slaughter that took place.

"The U.N. report presents two incompatible versions of the Khan Younis `incident,' and so in this case, as in many others, history-by-document drops us into a muddied soup of `on the other hands' and `possiblies' seasoned, perhaps, with a few `probablies,'" Sacco writes. "But, clearly the refugees' claim in the U.N. report dovetails the eyewitness testimony Abed and I gathered many years later. Namely: the fighting had stopped; the men were unarmed; they did not resist.

"And I remembered how often I sat with old men who tried my patience, who rambled on, who got things mixed up, who skipped ahead, who didn't remember the barbed wire at the gate or when the mukhtars stood up or where the jeeps were parked, how often I sighed and mentally rolled my eyes because I knew more about that day than they did."
19 of 24 people found the following review helpful
HASH(0xa3f4de4c) out of 5 stars Gaza: Israel's Ant Farm Feb. 1 2010
By EyamZemman - Published on Amazon.com
Format: Hardcover
Sacco's graphic novel allows readers to see Gaza present and past for what it really is, we're not fooled by the normal transgression of events like people celebrating the holidays or writing their application statements
that Gaza is like any other place on this planet. Gaza Is Israel's modern day Warsaw ghetto. Gaza is Israel's ant farm where the food supply is strained and in some cases like last year's war on Gaza, Israel set the
UNWRA storage facilities ablaze. Israel and its watchtowers are the maniacal child whose joy is to step on the ants and destroy their natural day to day activities. Israel's policy in the Gaza strip are set by madmen
who have lost all touch with their humanity. Where are they going with this and how far will they go is quite clear for anyone who reads Sacco's graphic novel.
7 of 8 people found the following review helpful
HASH(0xa3ec8024) out of 5 stars A hefty, eye-opening read that will tug at your heart Aug. 27 2010
By Indian Prairie Public Library - Published on Amazon.com
Format: Hardcover
How can we take time to learn from the past during a dire and urgent emergency? As both war journalist and cartoonist, Sacco depicts the bleak existence of Palestinians living in the Gaza strip with incredible skill. He documents his interviews and the situation in contemporary Gaza while trying to piece together the events of a massacre in 1956.

The entire investigative tale, with its demolished homes and weathered inhabitants, is illustrated in jaw-dropping, painstaking detail. Sacco captures the omnipresent grief, pain and anger, along with occasional moments of humanity and levity.

Over 400 pages long, this is not a mere comic book. This is a hefty, eye-opening read that will tug at your heart.