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Forty Words for Sorrow Paperback – 2002

4.0 out of 5 stars 21 customer reviews

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Paperback, 2002
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Harry Potter and the Cursed Child
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Product Details

  • Paperback
  • Publisher: Harper Collins Pod (2002)
  • Language: English
  • ISBN-10: 0007115776
  • ISBN-13: 978-0007115778
  • Product Dimensions: 11.1 x 2.8 x 17.8 cm
  • Shipping Weight: 222 g
  • Average Customer Review: 4.0 out of 5 stars 21 customer reviews
  • Amazon Bestsellers Rank: #769,033 in Books (See Top 100 in Books)
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Top Customer Reviews

Format: Mass Market Paperback
I haunted the same streets of North Bay as did the author at about the same age and time. For me, reading this book was like going home...but what a place. Far less interesting things happened in our home town and for Giles to turn the place into the fictional Algonquin Bay is amazing. His writing (and note..this was his second novel...not his first) is tight, the characters believeable (and angst-ridden) and the story line interesting without being far-fetched. I enjoyed immensely this book and can't wait to read the new one.
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Format: Mass Market Paperback
Unable to sleep one winter night, I began reading this book at one a.m. while wind whistled and wailed outside the windows. At five a.m., I was nearly finished, having been completely entranced by Giles Blunt's story and its fascinating-yet-flawed characters. Granted, the real-life weather outside helped promote the story's atmosphere of relentless cold, but I think the keen writing and pace would have achieved the same effect had I been on a beach at high noon.
John Cardinal was originally assigned to the missing person's case of 13-year-old Katie Pine. Leads turned up no evidence of foul play, and, after an exhaustive search, Cardinal was told he had spent too much time and money on the case. As punishment, he was reassigned to work on burglary cases. The discovery of Katie Pine's mangled body sets him once again on the now-cold (literally and figuratively) trail of her murderer. The process of finding those responsible for her death, and the death of other children whose disappearance mirror Katie's is the path of Cardinal's vindication and absolution.
Cardinal is exactly the kind of protagonist a reader can relate to, yet pity. His interactions with his clinically depressed wife, his bright and talented daughter, and his would-be partner, Lise Delorme, are believably awkward, and his inner voice, rife, by turns, with turmoil, determination, and self-loathing, is painfully true. His need to find the killers is hypnotic; his quest becomes ours.
Blunt's decision to introduce us to the killers midway through the novel is a master stroke of suspense. Once we find out who they are, and we begin to understand their perverted obsessions, we become helpless voyeurs to their crimes.
Whether you're Canadian or from the Lower 48, it's well-nigh impossible not to become engrossed in this tale of serial killings in the dead of winter.
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By Toni Osborne TOP 100 REVIEWER on June 29 2007
Format: Mass Market Paperback
A terrific book, superbly paced, with vivid and complex characters, and detailed police work. This is the first in a series of spine-chilling thrillers featuring detective John Cardinal. I loved it.
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Format: Mass Market Paperback
Algonquin Bay in northern Ontario is not just bitterly arctic---it spends the long winter snowbound and the cold is a living force that invades like a sledge hammer. Could-be, dirty cop John Cardinal has spent a fruitless, expensive five months trying to locate missing 13-year old Katy Pine. His credibility is suspect with his superiors. When Cardinal finds the missing girl brutally murdered in a mineshaft near an isolated lake, he is given the dubious honor of leading the investigation of this clueless, highly publicized crime. He is assigned a partner who may or may not be investigating his background. The killings increase in number along with the frustrations of the police force.
The pace picks up a bizarre momentum when the killer is brought into the narrative. His machinations always are two jumps ahead of the authorities, and he seems hopelessly invincible. This tale is for the steely of heart, for the violence is graphic and horrific. Yet there are light moments as when the police are questioning a well-known burglar and asking him about his known associates. Burglar says in tones of disgust "If I wanted to MEET people, I'd be a mugger." One of Cardinal's fellow detectives is a constant complainer, and his rants about everything from the Mounties to his ex-wife are brilliant, ferocious and unending.
"Forty Words For Sorrow" has an "it's not over till it's over" gambit that enchants me every time. The suspense becomes well nigh unbearable, and entirely unpredictable. I'd nominate this book for best title of the year and certainly one of the very good reads.
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Format: Mass Market Paperback
Unable to sleep one winter night, I began reading this book at one a.m. while wind whistled and wailed outside the windows. At five a.m., I was nearly finished, having been completely entranced by Giles Blunt's story and its fascinating-yet-flawed characters. Granted, the real-life weather outside helped promote the story's atmosphere of relentless cold, but I think the keen writing and pace would have achieved the same effect had I been on a beach at high noon.
John Cardinal was originally assigned to the missing person's case of 13-year-old Katie Pine. Leads turned up no evidence of foul play, and, after an exhaustive search, Cardinal was told he had spent too much time and money on the case. As punishment, he was reassigned to work on burglary cases. The discovery of Katie Pine's mangled body sets him once again on the now-cold (literally and figuratively) trail of her murderer. The process of finding those responsible for her death, and the death of other children whose disappearance mirror Katie's is the path of Cardinal's vindication and absolution.
Cardinal is exactly the kind of protagonist a reader can relate to, yet pity. His interactions with his clinically depressed wife, his bright and talented daughter, and his would-be partner, Lise Delorme, are believably awkward, and his inner voice, rife, by turns, with turmoil, determination, and self-loathing, is painfully true. His need to find the killers is hypnotic; his quest becomes ours.
Blunt's decision to introduce us to the killers midway through the novel is a master stroke of suspense. Once we find out who they are, and we begin to understand their perverted obsessions, we become helpless voyeurs to their crimes.
Whether you're Canadian or from the Lower 48, it's well-nigh impossible not to become engrossed in this tale of serial killings in the dead of winter.
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