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Fraktur Mon Amour Imitation Leather – Oct 1 2008

3.5 out of 5 stars 2 customer reviews

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Product Details

  • Imitation Leather: 648 pages
  • Publisher: Princeton Archit.Press; 1 edition (Oct. 1 2008)
  • Language: English
  • ISBN-10: 156898801X
  • ISBN-13: 978-1568988016
  • Product Dimensions: 14 x 5.1 x 20.3 cm
  • Shipping Weight: 907 g
  • Average Customer Review: 3.5 out of 5 stars 2 customer reviews
  • Amazon Bestsellers Rank: #422,476 in Books (See Top 100 in Books)
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Product Description

About the Author

Judith Schalansky is a graphic designer based in Berlin.

Customer Reviews

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Top Customer Reviews

Format: Imitation Leather Verified Purchase
I love the idea. There are tons of blackletter fonts not included - inevitably, of course - and I'd have been happier if the description had been clear that the fonts on the CD are all free fonts.

The index of designers lists both the modern designer and the original in the case of a revival, which is a nice touch, and the designs on facing pages are a lot of fun. The intro is in both English and German.

The book has the physical appearance of a prayer book or Bible, complete with pink and black bookmarks.

Definitely one of the more interesting font samplers I've seen and should be on the shelf of anyone serious about blackletter, and especially Fraktur type.
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Format: Imitation Leather
If you are an artist and want inspiration from the old black letter that are always hard to find, this book is just full of what you want.
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Most Helpful Customer Reviews on (beta) HASH(0xa0292234) out of 5 stars 14 reviews
7 of 7 people found the following review helpful
HASH(0xa02a2fb4) out of 5 stars Amour fatal = You'll become addicted Oct. 11 2008
By Kindle Customer - Published on
Format: Imitation Leather
If you like typefaces, typography, books, printing, or even if you just like beautiful and interesting design, cough up the rather pricey asking-price and buy this book immediately. You will love it. At first glance, it looks like a missal or prayerbook. Unlike missals, however, the page edges are done in PINK rather that red, and that little fillip more or less sums up what this book is about: why serious and foreboding typefaces have become the badge of gangs, rappers, and super-hip types everywhere. And why blackletter is now commonplace in packaging, storefront awnings, and endless other sites.

In addition to the thorough presentation of some 300 typefaces with dates, designers, and origins, you will find a facing-page design using the typeface. Many quite well done and some even exciting. Of course, I'm not the first to find the book spectacular. It won the Type Directors Club of New York's 2007 Award for Typographic Excellence. It should also get some kind of prize for campiest title for a typography book ever.

The book was originally printed in Germany, and at the bottom of each typeface sample page, there is a German text (translated in the introduction). It is quite a ridiculous text, something about a diplomat eating a pie, but in fact many pages have variations on the text, some of which are even more hilarious. Of course, you'll have to be able to read German to appreciate these, so you might want to consult Amazon's selection of German instruction books.

In short, this book is a classic "sleeper." When I ordered it I was expecting a rather straightforward, perhaps dry book about blackletter typefaces. What I got was a thoroughly delightful and entertaining romp through type and design. Yet a book that was also full of information and even scholarly in its details. Not to mention a CD-ROM with 100+ blackletters.

Just be careful, you may find it addictive. I did.
8 of 9 people found the following review helpful
HASH(0xa02a4024) out of 5 stars Delightful collection Oct. 2 2008
By David Lemon - Published on
Format: Imitation Leather
I read a review of this book months ago in Eye magazine, and waited impatiently for the new edition to come out. The wait was worth it. Judith Schalansky's love of blackletter is clear on every page. Each spread shows one blackletter font - the character set and a pangram on the right side, and a graphical arrangement on the left. The new edition contains 333 such spreads, which is an astounding collection. (Who knew there were so many blackletter fonts?) Anyone interested in typography or calligraphy will find this book a delight to page through.

I have only two complaints. First is the paper. It is less opaque than I'd wish, so there's substantial show-through from page to page. (This is hard to avoid; in a book with 720 pages, the paper must be fairly thin.) Additionally, there is a disappointingly high number of flecks in the paper, which can be rather distracting when looking at the type. Second, many of the graphical compositions fail to give much sense of the specific font's "feel", and some are little more than wasted space. However, there are also some which are both intriguing and informative.

I'm glad I got a copy, and thank Ms Schalansky for her dedicated work!
3 of 3 people found the following review helpful
HASH(0xa02a445c) out of 5 stars Caligraphy Bank Feb. 21 2010
By Daniel E. Layne - Published on
Format: Imitation Leather
I bought this book from Prairie Lights in Iowa City for $60 and it is worth it! I practice calligraphy every day and was looking for a new set of exercises as most of the books of such tutorials are rather shallow. Months later, not yet have I delved the depth of this tome! Inspiration bon appetit!
1 of 1 people found the following review helpful
By BeForSure - Published on
Format: Imitation Leather Verified Purchase
I first saw this book at a graphic art store. I pulled it off the shelf because it looked so mysterious, like a very thick old bible. At the time, I did not have the funds to purchase it. I waited patiently and then saw it was on Amazon and I ordered it straight away. I will never regret getting this book. It has been so well laid out, the colors, the style, the mood, it is truly exceptional work. Just flipping through it I have learned so much about layout/pattern design, as a letter from each font has been used to create a graphic on the left, and the full font is displayed on the right. I had no problems seeing the mood of the fonts whatsoever, besides, the book comes with a CD so you can easily see the fonts on your computer. I have already shared this book with several others who were also impressed by the magnitude of fonts and the work that must have gone into the research alone. There was much love put into the creation of this book, and it shows!
1 of 1 people found the following review helpful
HASH(0xa02a47c8) out of 5 stars What a screamingly cool book! May 17 2011
By James Sanderson - Published on
Format: Imitation Leather Verified Purchase
Interesting essays, a wonderful selection of typefaces, almost half of which are on the enclosed CD, and two sewn in bookmarks in the signature colors - what's not to love? This is a really fun resource for graphic design artists as well as calligraphers. In addition to some fairly out-there fonts, there are a number of truly classic one, including the typefaces used by J Gutenberg and Wm Morris. Many thanks to all concerned!