Freedom of Choice Import, CD
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Frequently Bought Together
Customers Who Bought This Item Also Bought
|1. Girl U Want|
|2. It's Not Right|
|3. Whip It|
|5. Ton O' Luv|
|6. Freedom Of Choice|
|7. Gates Of Steel|
|8. Cold War|
|9. Don't You Know|
|10. That's pep!|
|11. Mr. B's Ballroom|
|12. Planet Earth|
Japanese only remastered pressing packaged in a paper sleeve. Warner. 2008.
While it was never determined whether those plastic things on their heads were flowerpots or collapsible drinking cups, the high-concept-minded Akron, Ohio, crew known as Devo had attracted mostly just the artsy new-wave crowd until this 1980 album brought them mass appeal. Way ahead of the video curve (they'd been making promo films since 1975), this band led by singer Mark Mothersbaugh and bassist Jerry Casale scored a huge hit with the jagged-rhythmed "Whip It," thanks in large part to a typically tongue-in-cheek video that MTV and dance clubs jumped on. The album also featured such cracked winners as "Girl U Want," "That's Pep," and the ever-caustic title track. --Billy Altman
Top Customer Reviews
time.Their influence is so widespread that it has become
impossible to see.I think most people just did'nt get
what the music and messages meant.Not my favourite Devo
album ( that would be probably "Oh No, it's Devo )overall,
although it does contain some of the Spud's finest.
Whip it, Freedom of Choice, etc. BUY THIS!!!!!!
Most Helpful Customer Reviews on Amazon.com (beta)
Even setting aside the radio hit ("Whip It," as if you didn't know), the album has so many of my favorite Devo songs: Girl U Want, Freedom of Choice, Gates of Steel, Ton O Luv, the weirdly touching Snowball... there's not a bad song on there.
What makes this album so perfect is that it keeps the weirdness and edginess of their previous albums, but adds in a few shades of pop. Regrettably, this mixture only succeeded for one more album (New Traditionalists) before they started leaning too far to the pop side of the fence. I think by the time the album "Shout" was released they had thrown away their guitars completely, which made me sad. Also, some of my favorite songs were written by Jerry Casale, whose compositions are notably absent from later Devo albums. I've always wondered about that.
The original LP also had the most hilarious (or was it serious?) record sleeve - a catalog of the oddest Devo products imaginable. To this day I regret not ordering the leisure suit.
I hear people compare this band with other supposed "new wave" bands, whatever that means. Two comparisons work for me - Oingo Boingo and Talking Heads. If you like them, you will most definitely like this.
Hallelujah, Freedom Of Choice has been remastered for CD. You can actually hear bass on the CD of this reissue and the remastering reveals so much more detail and clarity. Instrumentation sounds much more open and not the muddy mess evident on the previous CD release of this abum. It's as if a wet blanket has been lifted off your speakers. However, as with Q?A!, the remastering process has not entirely corrected everything and has even introduced a few glitches of its own.
Again, in going back to the "original analog recording tapes", all of the artifacts of 30 years of analog tape storage have once again come to the fore. There are numerous tape print through (ghosting) artifacts that detract from the overall enjoyment of this album. The worst examples of these is the end of Girl U Want where there is a persistent echo of "She's just a girl, she's just a girl" as well as a pre-echo of the bass intro to It's Not Right. Ditto between Mr. B's Ballroom and Planet Earth where there is a post echo on the former and a pre-echo on the latter. None of these artifacts were on any previous vinyl or CD release of this album. Hello remastering engineer, did you actually listen to this before signing it off? It's Not Right. Every one of these glitches should have been removed during the remastering process.
As for Deluxe, I don't think so. Maybe WB should've passed this one over to Rhino as well for the Deluxe treatment. Tacking the Dev-O Live EP onto the end of the album as Deluxe bonus material is plain lazy. For a format that can hold up to 80 minutes of content, this "Deluxe" disc still clocks in at just over 50 minutes. Where is the bonus material/disc of B-sides, demos and other oddities? Where is Turn Around (you know, the song covered by Nirvana) and the remix of Snowball that were also recorded during these album sessions? Where are the demos recorded during the FOC writing process that didn't appear on the Rhino Handmade Recombo DNA set: Red Shark (that became It's Not Right), Ton O' Luv, Freedom Of Choice and Don't You Know? What about Fountain of Filth that was recorded numerous times during the demo sessions? Or how about a DVD with the live TV appearances on Fridays or Don Kirshner's Rock Concert? And not a liner note in sight. As with Q?A!, this reissue offered a golden opportunity to release a Deluxe version of this iconic album by an iconic band that has been lost.
Devo truly were Pioneers That Got Scalped and now us long denied fans have been scalped as well. Hopefully the forthcoming Devo reissues from WB will have a bit more effort put into them in terms of both remastering of the audio and bonus materials.
I'm giving this five stars for simply because of the iconic nature of this album. If I could break it down between rating the audio quality, the bonus materials and the remastering the individual ratings for these categories would be a lot less.
Every time the line "And it rolled back down" is repeated there is a drum strike. On the original version the drum is louder than its surroundings and has a strong reverberation. On the remastered version the song has been so compressed that the drum strike does not stand out and is very anemic effectively flattening out the feel of the song. It took me a long time (and a lot of wasted money) to learn the lesson that 'remastered' is quite often not for the best, just for the loudness.
Artists can compress the life out of their new material all they want but please stop fooling with older stuff that has already been released with full (or fuller) dynamics. Just do the best straight transfer possible of the original master tapes and let it stand as it was originally recorded. Music can be remastered for clarity without smashing it into a loud, flat, slab of noise.
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