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Glittering Images: A Journey Through Art from Egypt to Star Wars Hardcover – Oct 16 2012
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“Daring…. Beautifully written and rich in details…. A unique mixture of political candor, professional critique, gossipy details, and the author’s trademark inflammatory ideas…. Supports her assertion that the definition of art is already changed. It begs the question, ‘Has anyone else in the art world noticed?’…. Extols the value and enduring legacy of Star Wars as it stands at the forefront of a new definition—a new era—in fine art.” —iFanGirlBlog
“[Paglia is] an art-for-art's-sake worshiper of art and literature whose close readings, influenced by Walter Pater and Sigmund Freud, are pyrotechnic and passionate.... Particularly pleasing are Paglia's sketches on Donatello's still-shocking 15th century sculpture of Mary Magdalene as a starved ascetic, and on Titian's voluptuously sensual ‘Venus With a Mirror’ (c. 1555), two nearly diametrically opposed works that Paglia makes speak to each other by noting curiously androgynous elements in both figures…. The relentlessly austere Caspar David Friedrich's ‘The Sea of Ice’ (1823-24)...is juxtaposed in surprising fashion by the following image, Manet's 1879 ‘At the Cafe,’ a subtle study of ordinary Paris street life. The paintings, as well as the artists and their eras, thereby achieve a collage-like mutual illumination.”
—San Francisco Chronicle
“Paglia's scintillating prose, acute analysis and perceptive assessments of five millennia of art history make her tour a joy to take, to argue about and to learn from…. A perceptive and enthusiastic guide on this journey to see and experience fully works of art from ancient Egypt to today.”
“It is her prose, jargon-free, muscular, and fearlessly opinionated, that ought to grab readers of any age. Once pulled into the Grand Foyer for her tour through the centuries, the reader is in complete thrall to the masterpieces on view. Paglia opens with an essay about the murals of Nefertari's tomb in Egypt's Valley of the Queens, and right out of the gate—make that grave—her interdisciplinary command of history, archaeology, and even cinema is evident…. [Paglia has] an honesty and enthusiasm that, when wedded to a profound intellect, one can't put a price on.”
—The Barnes & Noble Review
“The book's subtitle—‘A Journey Through Art From Egypt to Star Wars’—highlights Ms. Paglia's impressive range and famously eclectic tastes. . . . Ms. Paglia chooses well, from works both celebrated and obscure. She is especially good at the difficult trick of providing context for the newcomer to art history without being tedious for a more experienced reader. She is no dreary docent. . . . She is also adept at helping readers to see the radical original impulse in now familiar art forms.”
—The Wall Street Journal
“A magisterial, poetically composed, and masterly study of 29 great works of Western art. . . . Paglia writes rhapsodically of art's power . . . [she is] one of the most erudite public intellectuals in America.”
—The Philadelphia Inquirer
“The ever-provocative Paglia returns with a survey of Western art, captured in 24 essays that move from Egyptian tombs to Titian’s Venus with a Mirror to Eleanor Antin’s conceptual art project 100 Boots. The provocative part? In the end, she proclaims that the avant-garde is dead and that George Lucas is our greatest living artist. This will get the smart folks talking.”
“[A] highly reflective and imaginative history of images in Western art. . . . Paglia writes with energetic lucidity, and her entries on the Laocoön and Donatello’s Mary Magdalene are standouts in this absorbing volume. Both a valuable cultural critique and an elucidating history, Paglia’s latest would suit the general reader, as well as those looking for an alternative approach to contemporary ways of seeing.”
“Critic/provocateur Paglia applies to the visual arts the same close scrutiny she lavished on poetry in Break, Blow, Burn (2005). . . . An intelligently detailed examination of 29 works of art, ranging from a tomb painting of Egyptian Queen Nefertari to George Lucas’ film Revenge of the Sith. . . . The author cogently locates individual pieces within a cultural continuum and eloquently spotlights the artistic qualities that make them unique. . . . Paglia gives a vivid sense of the sweep and scope of art history. The author loves pop art (Warhol’s Marilyn Diptych), but sections on Eleanor Antin’s 100 Boots and Walter De Maria’s Lightning Field display a surprising fondness for conceptualism and minimalism as well. African-American artists get their due in essays on John Wesley Hardrick’s sensitive portrait, Xenia Goodloe, and Renee Cox’s witty Chillin’ with Liberty. . . . Paglia is a wonderful popularizer of art history and art appreciation.”
“Paglia, an ardent and often controversial defender of the arts and creative freedom, argued for the value of poetry in Break, Blow, Burn (2005). She now presents an equally commanding case for reclaiming the visual arts as a necessary and nurturing cultural force in a time of alarmingly diminished support for arts education. Given our ‘screen’ habit, we are awash in a ‘sea of images,’ mostly commercial in origin, that threatens to drown our ability to focus and think critically. The best way to regain our visual acuity, Paglia believes, is to focus on paintings, sculpture, and the decorative arts within art’s rich continuum. So this interdisciplinary firebrand and die-hard populist showcases 29 outstanding works, each representative of a certain style or period, beginning with a tomb painting of Queen Nefertari and working up to Andy Warhol’s portraits of Marilyn Monroe. Paglia’s succinct, lively, and illuminating essays combine aesthetics and social considerations ad she recalibrates our perception of, say, Renaissance artist Donatello’s ‘harsh and imposing’ depiction of Mary Magdalene, or Jamaican performance artist Renee Cox’s Chillin’ with Liberty. The book’s climax is Paglia’s bound-to-be-inflammatory assertion that filmmaker George Lucas is ‘the world’s greatest artist.’ Paglia’s bold and rigorous, handsomely illustrated and welcoming art iconography will accomplish her mission to provoke, enlighten, and inspire..”
—Booklist, starred review
About the Author
Camille Paglia is University Professor of Humanities and Media Studies at the University of the Arts in Philadelphia. She is the author of Break, Blow, Burn; Sexual Personae; Sex, Art, and American Culture; and Vamps & Tramps. She has also written The Birds, a study of Alfred Hitchcock.See all Product Description
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Top Customer Reviews
names in the history of visual art. Some of her choices are insightful and
the writing at times brilliant i.e. cycladic figurine (page 11) and Donatello's Mary Magdalene (page 43). One gets the feeling she is trying to live up to her reputation as a maverick, especially with her grand finale.
George Lucas, the greatest artist of our time ? and his masterpiece...?
Revenge of the Sith. If this is where technology leads us God help future
dwellers in this cold, robotic, souless world.
There is no connectivity. We see no linkage between the art pieces or the periods that they represent, no sense of progression and how different cultures influenced each other. We get brilliantly described islands of knowledge in a sea that seemingly totally isolates these islands from each other. I expected more from Camile Paglia.
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