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Golden Fleece Paperback – Nov. 5 1999
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- Print length224 pages
- LanguageEnglish
- PublisherTor Books
- Publication dateNov. 5 1999
- Dimensions13.97 x 1.47 x 21.59 cm
- ISBN-100312868650
- ISBN-13978-0312868659
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Product description
From Amazon
The reader is under no such illusions, however, since the story is told from the perspective of the murderer himself--or, rather, itself. The suspense builds as it becomes clear the murderer has more secrets to hide, and a second problem as well: the humans on the ship are about to vote on whether to continue their voyage or turn back to Earth. The murderer naturally has a vested interest in the outcome: he's the ship's computer.
Sawyer mixes the elements of SF and murder mystery with the touch of a master. If there is a problem with the novel, it is in the details of Aaron's life, which are necessary to understanding why he reacts as he does but are presented in a way that at first seems to distract from the main story. And it's pretty easy to see where Sawyer found his inspiration; few readers will miss the parallels to 2001: A Space Odyssey. In the end, though, a satisfying resolution establishes Sawyer as a writer well worth reading. --Greg L. Johnson
Review
"The prose, characterization, pacing, speculation, and storyline are so assured, it's hard to believe that this is a first effort."--Charles de Lint, Science Fiction Review
From the Publisher
"A wonderful science fiction novel, better than the movie 2001." --The Globe and Mail (Toronto)
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
ONEI love that they trusted me blindly. So what if it was ship's night? For centuries, astronomers had labored while others slept, and even if there was no way to see outside during our long voyage, Diana Chandler still hadn't broken the habit of not starting work until after I had dimmed the lights in the corridors.I'd suggested to Diana that she might be able to verify her startling findings by using some of the equipment stowed in the cargo holds. That no one had been down to the lower decks for almost two weeks didn't seem to bother her. That she was alone in the middle of my artificial night fazed her not in the least. After all, even with 10,034 people on board, I'm sure she felt safe as long as she was under my watchful eyes. Indeed, she seemed perfectly calm as she headed into a service corridor, its walls lined with blue-green algae behind acrylic sheets.I'd already wiped the files that contained her calculationsand notes, so there was just one more loose end to tie up. I slid the door shut behind her. She was used to that soft pneumatic hiss, but her heart skipped a beat when it was followed by the snick-snick of spring-loaded locking bolts sliding into place.Up ahead, a rectangle of red light spilled onto the sod from another open doorway. She walked toward it. Her paces were measured, but signs of nervousness were creeping into her medical telemetry. As soon as she passed through that door, I closed and locked it, too."JASON?" she said at last, her normally sunny voice reduced to a tremulous whisper. I made no reply, and eleven seconds later she spoke again. "Come on, JASON. What gives?" She started walking down the corridor. "Oh, be that way if you must. I don't want to talk to you, either." She continued to march forward, but the tappings of her heels concatenated into a rapid rhythm that matched her racing heartbeat. "I realize you're upset with me, but, well, you'll just have to trust my judgment on this." I quietly winked off the lighting panels behind her. She looked back, down the blackened corridor, then continued forward, her voice quavering even more. "I have to tell Gorlov what I've discovered." Wink. "The people on board have a right to know." Wink. "Besides, you couldn't have kept something like this secret forever." Wink. Wink. Wink. "Oh, shit, JASON! Say something!""I'm sorry, Diana," I said through speakers mounted on the crisscrossing pink metalwork of the ceiling. Those words were enough to tell Di that the crazy fears running through her head were not crazy, that she was very much in trouble.Dilating the valve on the pipe made a pleasing reptilian sound. Diana laughed nervously, found the strength for a final attempt at humor. "Don't hiss at me, you rusty heap of--" She gagged as the chlorine hit her. Covering her mouth with her sleeve, she ran, pounding on door after door. Not that one. No, not yet. Just a few more. On your left, bitch. Ah--swoosh! Sheburst into the cargo hold and the door slid shut behind her. I snapped on the wall-mounted spotlights. The floor was a simple open grating: the pink metal of the artificial-gravity field generators, bare of any covering. Through the small triangular openings made by the metal intersections she could see level after level of storage compartments, each filled with aluminum crates.She scrambled for one of the steel bars used to lever the lids off these crates and--"Damn you, JASON!"--smashed the splayed end into my wall-mounted camera unit. Shards of glass cascaded to the floor, falling on and on through the open gratings. Undaunted, I swiveled an overhead camera pair to look down on her. This angle foreshortened her appearance. From here she didn't look like an entirely adequate astrophysicist, a shrewd collector of antiques, a recently separated but passionate lover, or--by all accounts--a great cook. No, from here she looked like a little girl. A very frightened little girl.Di's wrist medical implant told me that her heart was pounding loudly enough to thunder in her ears. Still, she must have heard the electric hum of my overhead camera swiveling to track her because she turned and hurled the metal bar at that unit. It fell short, bouncing with a whoomp on the lid of a crate. For a moment, she stared up into my camera eyes, horror and betrayal plain on her face. Such an attractive woman: her yellow hair separated so well from the shadows. Given the lighting in the hold, she could probably see her own reflection, a fun-house parody of her fear, spread wide over the curving surface of my twin lenses.She ran on, but stopped again to evaluate her alternatives when she came to a four-way intersection between rows of crates. As she stood, she fingered the tiny pewter cross she wore on a chain around her neck. I knew it was her mannerism when she was nervous. I knew, too, that she wore the cross not for its religious significance--her Catholicism wasnothing but a field in a database--but because it was more than three-hundred years old.She decided to run down the aisle to her left, which meant she had to squeeze past a squat robot forklift. I set it after her, the antigravity force from its pink metal base lifting it four centimeters off the floor. As it hummed along after her, I let loose a blast from its horn. I looked at her now from the forklift's point of view, seeing her from behind. Her hair bounced wildly as she ran.Suddenly she pitched forward, tumbling onto her face. Her left foot had caught in the open floor grating. I cut power to the forklift's antigravs, and it immediately dropped back to the floor a few meters behind her. It wouldn't do to crush her here. She got up, epinephrine surging, and took off down the corridor with two-meter strides.Ahead was the hatch I'd been shepherding her toward. Di made it through into the vast hangar deck. She looked up, desperate. Windows into the hangar control room, thick panes of glass, began ten meters above the floor and covered three sides of the bay. They were dark, of course: it would be six subjective years before we would arrive at Colchis, where the ships stored here would be used.On either side of the hangar were twenty-four rows of silver boomerang-shaped landing craft, the nose of one ship tucked neatly into the angle of the next. Names mostly associated with the Argonauts of myth were painted on their hulls.Ahead was the plated wall that separated the hangar from vacuum. Diana jumped at the sound of groaning metal. The wall jerked loose in its grooves, and air started hissing out.Di's hair whipped in the breeze, a straw-colored storm about her head and shoulders. "No, JASON!" she shouted. "I won't say anything--I promise!" Foolish woman. Didn't she know I could tell when she was lying?A thin stripe of deadly black appeared at the bottom of the hangar's outer wall. Di screamed something, but the risingroar drowned her words. I swung a spotlight onto the lander Orpheus, its outer air-lock door open. That's right, Diana: there's air inside. The wind fought her as she climbed the stepladder into the tiny, lighted cubicle, the growing vacuum sucking at her back. Her nose had begun to bleed from the sudden drop in pressure. Grabbing the manual wheel in both hands, she forced the lock to cycle. When she was safely within the body of the lander, I slid the hangar wall all the way up.The view of the starbow was magnificent. At our near-light speed, stars ahead had blue-shifted beyond normal visibility. Likewise, those behind had red-shifted into darkness. But encircling us was a thin prismatic band of glowing points, a glorious rainbow of stars--violet, indigo, blue, green, yellow, orange, and red.I fired Orpheus's main engines, a silent roar in the vacuum, clouds of greenish gold exhaust billowing from the twin cones. The boomerang lifted from the deck and moved with gathering speed across the expanse of hangar and through the open space door.My remote cameras inside Orpheus's cockpit focused on Diana's face, a mask of horror. The telecommunications link crackled with static--radio-frequency interference from the ramfield. As soon as the lander darted past the overhang of the ramscoop funnel, Diana's body would begin to convulse: the hard radiation pelting into it would scramble her own nervous system. Almost instantly she would undergo cardiac arrest and her brain, its neurons firing spasmodically for a few seconds, would cease to function.The feed from my remote cameras flared brightly for an instant as the lander roared out into the sleet of hydrogen ions, and then the picture died. The communications link had given out before Diana's body had. A pity. It would have been an interesting death to watch.Copyright © 1990 by Robert J. Sawyer.
Product details
- Publisher : Tor Books (Nov. 5 1999)
- Language : English
- Paperback : 224 pages
- ISBN-10 : 0312868650
- ISBN-13 : 978-0312868659
- Item weight : 272 g
- Dimensions : 13.97 x 1.47 x 21.59 cm
- Best Sellers Rank: #1,922,154 in Books (See Top 100 in Books)
- #101,858 in Science Fiction (Books)
- #604,753 in Genre Fiction (Books)
- Customer Reviews:
About the author

Robert J. Sawyer is one of only eight writers ever to win all three of the world’s top awards for best science-fiction novel of the year: the Hugo, the Nebula, and the John W. Campbell Memorial Award. He has also won the Robert A. Heinlein Award, the Edward E. Smith Memorial Award, and the Hal Clement Memorial Award; the top SF awards in China, Japan, France, and Spain; and a record-setting sixteen Canadian Science Fiction and Fantasy Awards (“Auroras”).
Rob’s novel FlashForward was the basis for the ABC TV series of the same name, and he was a scriptwriter for that program. He also scripted the two-part finale for the popular web series Star Trek Continues.
He is a Member of the Order of Canada, the highest honor bestowed by the Canadian government, as well as the Order of Ontario, the highest honor given by his home province; he was also one of the initial inductees into the Canadian Science Fiction and Fantasy Hall of Fame.
Rob lives just outside Toronto.His website and blog are at sfwriter.com, and on Facebook, Twitter, and Patreon he’s RobertJSawyer.
Customer reviews
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Top reviews
Top reviews from Canada
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The story begins as JASON murders crew member Diana Chandler and is nearly successful in making it look like suicide. Diana's ex-husband Aaron Rossman believes that Diana has killed herself because of his actions. His affair during the final months of their marriage was not a secret as he believed. Aaron gradually sees past his grief and deduces that Diana was murdered. Eventually we all learn the secret she was murdered to protect.
JASON is a bit like HAL from 2001: A Space Odyssey , but has more humans to talk with. And lie to. Sawyer gives us a consistent and intriguing portrayal of an advanced AI program with nearly unlimited observational data about human beings and limited experience with which to interpret it. Telling the story from JASON's point of view was a good decision and is well executed.
This is a good story, well told. Like some of Sawyer's other books, this one was written to explore an idea--artificial intelligence, in this case--as well as to entertain. It does both well. It is interesting to compare JASON's malevolent influence in this book to Heinlein's more benevolent but equally secretive Mike that controls Luna City in The Moon Is a Harsh Mistress . Both have similar spans of control and are naïve in their understanding of humans. But they act quite differently.
Top reviews from other countries
I doubt that should something similar occur the machine intelligence would bother to have the confrontation.
The story starts out in dramatic fashion, then drags on until about 60 pages before the end. Where it picks up and gets interesting.
What I found most interesting about it are Sawyer's ideas of the advanced technology in the year 2175.
A minor dislike is that even though it takes place nearly 200 years ahead of the date of writing, he places too much emphasis on events of the latter half of the 20th Century. For instance, a bust of Mikhail Gorbachev as a legendary world leader.
The physics, of course, is dead on. As is normal with Sawyer's works.
The pacing was slow. At 240+ pages, it probably could have been reduced by a hundred pages without losing much (would be improved actually). I'm thinking he stretched a good story idea out to novel length. Probably would have been better as a novella.
[Note: all pages are for the Kindle version, which apparently has different pagination than the print versions.]
Recommended but not his best writing.





