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Gotterdammerung [Import]

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Product Details

  • Actors: Mario Hoff, Tomas Mwes, Renatus Mszr, Christine Hansmann, Marietta Zumblt
  • Directors: Brooks Riley
  • Format: AC-3, Classical, Color, Dolby, DVD-Video, Subtitled, Widescreen, NTSC, Import
  • Language: English, German
  • Subtitles: German, English, French, Italian, Spanish
  • Region: All RegionsAll Regions
  • Aspect Ratio: 1.77:1
  • Number of discs: 2
  • MPAA Rating: NR
  • Studio: Arthaus Musik
  • Release Date: Aug. 25 2009
  • Run Time: 277 minutes
  • Average Customer Review: Be the first to review this item
  • ASIN: B002ED6UVE
  •  Would you like to update product info, give feedback on images, or tell us about a lower price?

Product Description


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Most Helpful Customer Reviews on Amazon.com (beta)

Amazon.com: HASH(0xa2660780) out of 5 stars 12 reviews
31 of 33 people found the following review helpful
HASH(0xa24c6384) out of 5 stars An incredible experience March 8 2010
By Earl G. Bean - Published on Amazon.com
Format: Blu-ray Verified Purchase
I just finished watching this entire cycle and wanted to review Gotterdammerung first. A few comments about the cycle as a whole to begin: This is the most consistently sung, marvelously played, conducted, and beautifully produced cycle I have ever seen! I am a big fan of the Copenhagen Ring, a devout disciple of the Bayreuth/Chereau Cycle, and, yes, even an admirer of the ultra-traditional Met staging. This cycle, as a whole, blows all of the competition out of the water.

Across all four operas the filming is well done and the Blu-ray imaging is wonderful. The sound, as heard on my Boston Acoustics surround system, is very realistic and detailed with the orchestra in front of the singers. There is no spotlighting of the voices and one hears a realistic opera house sound. This is very important since Zubin Mehta draws powerful, passionate, and incredibly accurate playing from the Orquestra de la Comunitat Valencia. This is no small feat since, as a former orchestral musician, I can attest to the extreme difficulty of these scores. The orchestra plays this music as if it is in their blood. All the more amazing if one considers that this is a brand new ensemble made up of players who appear to be mostly very young. Of course, Mehta is an old hand in the pit. His interpretation is sweeping and dramatic.

Gotterdammerung clocks in at about 4 hours and 30 minutes. It always seems just right. The brass playing is spot-on with special mention going to the horn section and individual horn players who perform the various horn calls with a tremendously brassy tone. No mellow horns here! The wind section is amazing...especially the great clarinet duet at the beginning of Act One, Scene Three: beautifully phrased. The orchestra always plays in tune, even the first E-flat minor chord that opens the piece, often a tragedy even in good cycles, is right on pitch. There is never any scrappy ensemble in this performance.

The singers are all top notch. The Norns are appropriately mournful, the Rhine Maidens are sexy and sound great, and the fabulous Waltraute of Catherine Wyn-Rogers is menacing instead of resigned. What a voice. The Cor de la Generalitat Valencia is powerful and well-disciplined. The summoning of the Vassals (in Act Two) is quite an aural experience. I was a little disappointed that the horn calls (on trombones) for this scene weren't more primitive and overbearing.

The Gunther of Ralf Lukas is well sung. He plays Gunther as a real whimp, which is appropriate for this production. Ultimately, he is a helpless and sympathetic character. The Gibich clan inhabits a modern, technological, money obsessed, polluted world, that is a far cry from the rough and tumble, wilderness retreat of Siegfried and Brunnhilde. One moment of humor occurs when Gunther reacts to the smell of Siegfried (who probably hasn't bathed in years). I enjoyed the trash in the Rhine River as Siegfried approached the Gibich Hall. By the way, there is a boat and it does go up river. Well done. Gutrune is a modern woman who seems obsessed with staying in shape and looking just right. Elisabete Matos sings and acts well.

Hagen is portrayed by the incomparable Matti Salminen. He looks and sounds terrifying. He is the Hagen of our day. I can't imagine anyone else in the role. He is impassive and yet he manipulates the action that leads up to Siegfried's death with the accuracy of a surgeon. His acting is never less than very good. His huge voice always comes over the orchestra with ease. When he calls the Vassals it is a hair-raising experience. The terrible, brooding night watch scene is Act Two brought a tingle to my spine. Alberich, who has aged horribly, floats in above Hagen's head. Truly frightening.

The Siegfried of Lance Ryan is amazing from a vocal standpoint. He never sounds tired and always looks heroic and handsome. Listen to that "high C" in Act Three, Scene Two...solid as a rock. No strain at all. He is a natural Heldentenor. He plays Siegfried as a simpleton; an immature teenager. I thought some of his acting was a bit much (he plays to the audience several times) but it was consistent with his interpretation. The scene with the Rhinemaidens is, for once, truly funny (and looks great). The scene leading up to his death is sung with perfect musicality and his death is truly touching. The funeral march, played to perfection, is especially moving as the Vassals carry Siegfried's body off of the stage and into the hall.

The highlight of this production is the AMAZING Brunnhilde of Jennifer Wilson. Her voice is powerful across a wide range and her high notes have razor sharp precision. There is never a wobble of any sort in her voice. Her voice just never flags. She is an excellent actress. Her Brunnhilde is not a perpetual victim. Her valedictory performance of the Immolation Scene is the crowning jewel in an impeccable interpretation. She will be the Brunnhilde of our age.

The production is a feast for the eyes and the ears. Realistic fire and water, shifting colors that project the inner world of the characters, and costumes that powerfully illustrate the clashing worlds of this story. I have never, never, never seen the final scene done as well...incredibly moving. Vahalla literally comes apart amid the flames. The multi-media projections are always used to grand effect. This production, though very modern, never does violence to Wagner's conception. A must see and hear for all Wagnerites. DON'T MISS THIS!
15 of 16 people found the following review helpful
HASH(0xa24c65d0) out of 5 stars stupendous wagner March 3 2010
By Ivor E. Zetler - Published on Amazon.com
Format: Blu-ray
I am a Wagner fan of long standing; I have attended Bayreuth as well as various other international Ring performances. I also have seen most the generally regarded Ring versions on DVD. Excluding the less impressive Valencia Siegfried, my conclusion is that the Rheingold, Walkure and Gotterdammerung performances from this source(as seen on DVD) must stand as my most exciting Wagnerian experience in years.

The performance under discussion sees a continuation of the virtues that I have described in my previous reviews of Rheingold and Walkure. Mehta's conducting is dynamic and his shaping of the musical line is unerring. The singing is generally excellent; Matti Salminen is an appropriately malevolent Hagen and Lance Ryan (a name new to me), while hardly a Melchior or a Windgassen, turns in a solidly sung Siegfried. It is a pleasure to newly encounter a firm voiced heldentenor; this is certainly a rare species in today's vocal firmament. The undoubted star of the show must be Jennifer Wilson's powerful and steely singing in the role of Brunnhilde.

The production in this last opera of the cycle becomes very modern. It is punkish at times and is peppered with humorous and sardonic touches. The filmed projections, somewhat busy but always appropriate, adds tremendously to the visual experience. The amazing final scene is a fitting ending to wondrous production. The busy realisation of the action might not appeal to those that like their Wagner in the style of old. It is worth noting that a friend,who is a great Wagner buff, found the business on the stage during the live performance quite distracting. I think that the filmic production on the DVD version might be an improvement.

I generally have an antipathy towards "modern" productions but here I feel that everything works. Compared to the oft lauded Copenhagen Ring (which is less well sung, conducted, produced and filmed to my mind), the Valencia Ring is a far superior experience visually and musically.

The quality of the sound and filming are excellent. If you watch this on a good home theatre system the experience should be sensational. Bravissimo.
10 of 10 people found the following review helpful
HASH(0xa24c6810) out of 5 stars An end of the Gods to end them all! May 8 2010
By John Chandler - Published on Amazon.com
Format: Blu-ray Verified Purchase
I was doubtful about this before watching, how on earth could these Spaniards, with no significant Wagner history, keep it up. I had had reservations over the visual casting of Brünnhilde in both Walküre and Siegfried and just felt this last gigantic conclusion might prove a bit too much. I need not have worried! In fact Brünnhilde was one of the two highlights of the event. Her mighty physique and non nubile appearance may have been of some concern in the earlier parts but not here. As a weary and worldly wise Walkyrie preparing for the doom laden inferno her power and gutsy determination to see it through was an asset. Her scene with the equally aging Waltraute was magnificent. Two over the hill maidens perhaps but they were NOT going to be outdone by Hagen! The other tour de force was Matti Salminen as the evil Hagen. His scene with Alberich was particularly well done. The Rhein daughters were their ever sexy selves and the rest of the cast were all up to the mark.

I did not care very much for the stockbroker suits of the Gibichungs although Hagen's make-up was particularly stunning. More like a Yakuza gangster or an up to no good Oyakata than a Shanghai stockbroker in my view! The special effects were similar in style to the earlier dramas and even if they could not quite match the jaw-dropping impression made by Rheingold they were still pretty good. Again I felt the orchestra and Mehta struggled to deliver that last punch but aided by a splendid recording they were more than adequate. I did not care for the way Siegfied's funeral march was handled - too much of Mehta - but that is just a personal view.

As a set this Ring is remarkable and the bar has been lifted to unforseen heights for any future Blu-ray Rings. I watched this Götterdämmerung straight through, something I have never done before and felt very satisfied at the end. Overall this is by far the best overall Ring set on video disc and can be highly reccommended. If only Blu-ray had been around when Solti did his Ring and just think what Wagner would have demanded!
1 of 1 people found the following review helpful
HASH(0xa24c69b4) out of 5 stars Fine end to this challenging modern concept July 29 2012
By I. Giles - Published on Amazon.com
Format: Blu-ray
This staging of Gotterdammerung by Fura Dels Bausto owes much of its success to the consistently high standard of singing and orchestral playing throughout. The musical values of the singers in this production can only be described as outstanding and, in my opinion, there is not a weak point to be noted anywhere in this regard. It therefore seems to me that it would be invidious to single out particular performers for particular praise in this review. Sufficient to comment that the remarkably consistent high quality achieved in the previous issues in this cycle are fully maintained in this latest issue.

The use of high quality projected backdrops to create scenarios or to imply long journeys, such as the descent from and return to the world of the Gods, are also very impressive and surely an advance in technology that would appeal to Wagner himself. This sense of realism would be hard to match in any `normal' stage production without using this modern technology.

The use of mechanical hoists to move the Gods about on raised platforms by on-stage scenery movers during the singing and as mentioned at the beginning of this review are, for me, the most invasive parts to my enjoyment of this production. However, I have found that upon repeated viewing, one adjusts and accepts the concept given the wealth of virtues otherwise present.

The camera work and imaging are both of a very high standard as one would expect from an HD recording and the same can be said of the sound which is frequently spectacular. The sound is presented in DTS 7.1 and stereo. There is also a 27 minute bonus feature that focuses on the making of this episode of the Ring.

A most enjoyable production overall therefore, but not, in my opinion, sufficient to entirely replace the Barenboim/Kupfer version on DVD complete with bleeding colours at all points of fast movement (and there are many)which still reigns supreme. Buy both if you can. The differences between the two are such that this is musically justifiable even if financially stretching!

Despite my preference for the earlier Barenboim version therefore, I still feel that this is well-worth the full 5 stars as such a preference may be more of a personal response. Both versions are equally worthy of 5 stars on any even-handed basis and we can be grateful that such a high quality choice has been put before us.
1 of 1 people found the following review helpful
HASH(0xa24c6d80) out of 5 stars Worthy conclusion of brilliant, thought provoking Ring. March 25 2010
By dongiovanni - Published on Amazon.com
Format: DVD
Similar, but not identical review is published on The Wholenote Magazine website, [...] (by myself) and under Copyright The WholeNote media 2010.

The last, cataclysmic installment of Wagner's monumental Ring from Weimar is very much a vision of the director, Michael Schultz. His strong philosophy is most manifest here where his pessimistic views are aided by the apocalyptic story. "There are tears in the world/as though God had died..." The grief is never ending.

To the cruelty and murder so prevalent in the drama the director adds his own issues: cruelty to women and even to defenseless animals. The 2nd act turns into a pandemonium of mass rape by the Gibichung thugs (reminding us of British soccer hooligans). Brunnhilde's horse, Grane is portrayed by a wonderful pantomime actress with flowing white hair much abused throughout by Hagen and the adolescents also added to the production. The Director believes that children of the world are cast out, helpless therefore alienated and aggressive. They witness all major turn of events but unable to participate and move around in curiosity, with blood-stained hands.

Difficult to describe this theatrical experience with words, one really has to see how powerfully it's handled by sparse visual means. . Stage background is black throughout; there are virtually no sets and lighting pays a prominent role. So memorable to see Siegfried tenderly mourned by Grane, the long suffering horse and at the final scene water is cascading from above over the abused women, who are reborn & cleansed by Brunnhilde's self sacrifice and redemption. I recommend for anyone to read the very intelligent and detailed program notes where Schultz explains his viewpoint for the production.

Young American conductor, St. Clair keeps tight control and never lets the tension sag . The cast is very strong. Renatus Meszar as Hagen, is a formidable presence and even more formidable voice .English Soprano Catherine Foster easily conquers the endurance test of Brunnhilde's role.(It's interesting to note that she started out her career as a nurse in Birmingham!) Siegfried, Norbert Schmittberg, is treated as vulnerable, somewhat naïve plaything for the evil Gibichungs, a fine choice for not being the typical beefcake Wagner tenor. Gunther, portrayed as weak and somewhat tragicomical, sung and acted wonderfully by Mario Hoff.
Great theatre, a moving production that will give you food for thought. .