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Grace

4.8 out of 5 stars 425 customer reviews

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Product Details

  • Audio CD (Aug. 23 1994)
  • Number of Discs: 1
  • Label: Sony Music
  • ASIN: B0000029DD
  • Other Editions: Audio CD  |  Audio Cassette  |  LP Record
  • Average Customer Review: 4.8 out of 5 stars 425 customer reviews
  • Amazon Bestsellers Rank: #6,374 in Music (See Top 100 in Music)
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1. Mojo Pin
2. Grace
3. Last Goodbye
4. Lilac Wine
5. So Real
6. Hallelujah
7. Lover, You Should`ve Come Over
8. Corpus Christi Carol
9. Eternal Life
10. Dream Brother

Product Description

Product Description

Jeff Buckley was a prolific singer/songwriter, always striving for perfection. He would record many of his songs in various styles. Jeff also took time to record a number of songs by the artists who inspired him. Both of these aspects of Jeff's music are encompassed on Grace (Legacy Edition). Disc One features the original album newly remastered for a new sonically rich, crisp sound not heard before. Disc Two features previously unreleased live recordings & material recorded during the Grace sessions, including the highly sought-after track "Forget Her." Grace (Legacy Edition) also includes a bonus DVD featuring a newly expanded version of the original Grace documentary (included on the Live In Chicago DVD), now titled "The Making Of Grace."

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Resembling at times a soft-sung Robert Plant, Buckley was an intuitive vocalist capable of dizzying arabesques and choir-boy sweetness. He is joined here by a tight band for 10 tracks highlighting his stylistic range--Pearl Jam bluesy on "Eternal Life," impossibly serene on Leonard Cohen's "Hallelujah," art-school noisy on "So Real," Led Zep daring on "Mojo Pin." Unorthodox, this was the debut of '94. --Jeff Bateman


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Customer Reviews

Top Customer Reviews

Format: Audio CD Verified Purchase
Brilliant. Jeff's voice and guitar work are both amazing. How sad I was to find out that he died from drowning, and only released one studio CD while he was alive, and has one posthumous studio CD. Highlights include Grace, So Real, THE definitive Hallelujah, Eternal Life and Dream Brother. He is so many styles rolled into one, thanks to his amazing voice, which seems capable of anything.
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Format: Audio CD Verified Purchase
He died far too soon, but not before he left this masterpiece with the best version of Hallelujah that is ever likely to be recorded. Most people cover this version because it is that good. If for no other reason, that makes this a must own.
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Format: Audio CD
Nearly ten years after it was released, Jeff Buckley's first and only official release, Grace retains its power and nearly mystical quality. Grace is perhaps the best album of the nineties in terms of sheer power. Even the most talented group of the grunge movement, Nirvana failed to deliver an album this musically interesting, lyrically accomplished, and just downright incendiary.
Sadly, this was Buckley's only official release, save "Sketches," a double disc which captured Buckley's sessions for his second album. His career was cut short short due to a drowning accident that left him dead at age 31. Particularly tragic is that Buckley's father, the equally prolific Tim Buckley died young as well and haunted Jeff throughout his short life. For further insight into both men, the book "Dream Brother" by David Browne is particularly knowledgeable and well-researched.
It might be easy to remember the handsome, staggeringly charismatic, and tragically fatalistic Buckley as an iconoclastic figure of Rock 'N' Roll; the Kurt Cobain who never was. But the music Buckley left behind is far more dominant than any iconoclastic quality he had.
Jeff Buckley left the musical world with a collection of 10 moody, spirited, brutally honest, even touching reflections on love, spirituality, and most chillingly, given his tragic fate, mortality. The title track is particularly lugubrious, with Buckley ruminating over the appeal of death: "And the rain is falling/I believe my time has come/It reminds me of the pain/I might leave behind."
Many have described Buckley's voice as "angelic." Perhaps this description can be attributed to his lack of natural limitations. The uniqueness of his multi-octave range was simply otherworldly; in fact, no note was out of reach for Buckley.
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Format: Audio CD
Any attempt I have made so far to describe this album to those who have never heard it has fallen far short of the power of actually playing it, but I must try again, I always do... it is not music for the background, or for a party... It is haunting, it is sweet, it is perfect and flawless and yet broken and, at times, heavy with the emotion of a sinner. Yet also it is light, in songs such as "Hallelujah", a constant favorite. Every song is full of various emotions, and they are not simple or wonderously happy. They are the feelings of one who lived a life, however short, full of misery and yet found a way to leave that behind. Buckley was different from the rest of us, its true. Everything he felt was hundreds of times stronger than a normal person should feel. And yet, his music is not complaining, it is just feeling. You can adapt the beautiful lyrics and quavering,(perfect) voice to any feeling you may be having, and be immediately lifted by the beauty you hear.
It is beauty. It is perfect. It is also ironically indescribable.
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Format: Audio CD
Jeff Buckley has garnered massive priase from critics and fans alike. Much of it is deserved, but much is not.
Buckley has one of the most powerfully emotive voices I've ever heard. It is a light, clean, and high tenor, and he shows notable control, filling every word with tremendous feeling. His barren interpretation of Leonard Cohen's 'Hallelujah' is an emotional masterpiece, the finest cover of this much-remade song I have ever heard. His guitar-playing is also varied and effective.
His songwriting, however, leaves something to be desired. While he pens several good lines, an equal number of them are inscrutable stuff like "Born again from the rhythm screaming down from heaven / ageless, ageless and I'm there in your arms" (from 'Mojo Pin'). Melodies seem to come and go as they please, and the production, while adequate, is fairly uninteresting. Buckley's interpretive talents are wasted on his own material.
Jeff Buckley is, to me, much like Enrico Caruso. Like Buckley, Caruso had uniquely powerful and moving voice that could salvage mediocre material but, when applied to great songs, produced authoritative works that still leave listeners in awe. Caruso was perhaps the greatest singer of his time, but he was wise enough to recognize his own finitude and chose to only bring life to the works of others, not try to create his own. Buckley, also a great talent, is best when he follows that same course.
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By A Customer on Dec 28 1999
Format: Audio CD
Apart from the odd Christian friend that looked at me side ways for owning a Pink Floyd CD, I doubt that any recording has caused more tension among visitors than this album. Because Jeff Buckley is so expressive when he sings, those looking for pure entertainment and mindless catchy tunes seem to freak at this weirdo with the falsetto that God took so much time in making. What are they afraid of, having to think about what they're listening to? Me thinks so. This album is no mistake. I believe he released it knowing the love/hate effect it would have on people. The variety of songs and styles reflect that. He achieved much in a short time and caused many peole around the world to convert to thinking Music.
Lover You Should've... is a personal dream song for me. I just love the way it builds up. Mojo Pin is an ecclectic but very satisfying song that takes me on journey's rarely managed by other bands (early U2 and Radiohead are the exceptions here) and Last Goodbye is so damn sad! (but very good)This is truly a great album.
If you no have, you loose. Simple really.
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