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Green Original recording remastered

4.2 out of 5 stars 89 customer reviews

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Product Details

  • Audio CD (Nov. 10 1988)
  • Number of Discs: 1
  • Format: Original recording remastered
  • Label: Universal Music Canada
  • ASIN: B000002LFU
  • Other Editions: Audio CD  |  Audio Cassette  |  LP Record
  • Average Customer Review: 4.2 out of 5 stars 89 customer reviews
  • Amazon Bestsellers Rank: #12,704 in Music (See Top 100 in Music)
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1. Pop Song 89
2. Get Up
3. You Are The Everthing
4. Stand
5. World Leader Pretend
6. The Wrong Child
7. Orange Crush
8. Turn You Inside-Out
9. Hairshirt
10. I Remember California
11. Bonus Track 1

Product Description

Product Description

When R.E.M. graduated from I.R.S. to Warner Bros., they also graduated from clubs and theaters to stadiums. Their 1988 Warner debut reached #12, thanks to the hits Stand and Pop Song 89 .

Green catapulted R.E.M. from campus cult favourites to rock stars of the highest order. The album contains three of the Athens, Georgia, quartet's most popular radio hits ("Pop Song 89", "Stand", and "Orange Crush"), punching up the big rock hooks and letting the spooky independent production slip away. Some diehard fans cried "Sellout!" but that's a strange attitude given singer Michael Stipe's environmental activism. "I'm very scared of this world," he sings above jangling mandolins on "You Are the Everything". It's still unclear what he's trying to say, but at least we can understand the words this time. --Steve Knopper

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Customer Reviews

Top Customer Reviews

Format: Audio CD Verified Purchase
I ordered this one so that the song 'Stand' would get out of my head and be heard in full by my own choice. The rest of the album is wonderfully done and very memorable, especially Orange Crush. What a nice bonus.
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Format: Audio CD
The fourth R.E.M. I have owned really was a different one. The three preceding ones I owned (Auto, OOT and Hi-Fi) all have complex, moody songs (ignoring the likes of Shiny Happy People, obviously)... but this cd is all about catchy, radio friendly tracks, and they're guaranteed to put a smile on your face, even if half of the tracks aren't too good...
The two opening tracks, Pop Song 89 and Get Up, are both fun pieces of pop... I love them both. They're catchy and they'll stick in your mind, and if you're not into overly complex songs, these will have you hooked.
Stand and Orange Crush, the two main singles of this album, are certainly very catchy, though it may alarm some fans of the IRS days (as this is a VERY big swing from, say, Fables...) But I'm sure even they are grinning whenever they play Stand!
World Leader Pretend is awesome, period. This is the best track on this album, and it should have got more recognition. I also love the heavier Turn You Inside Out. There's not much to not like about this album...
Except the remaining tracks didn't really appeal to me, they seemed a bit dry. Maybe it's because they're not bouncing off the walls like the other songs, but still, You Are The Everything just annoyed me for some reason, and The Wrong Child just leaved me uninspired. The last three tracks are good, but they just don't compare to the better songs this album offers.
So what I'm basically saying is that half of this album is great... fantastic even, if you're into the happier, poppier stuff. But half of the tracks just don't really cut it for me.
Well, try it out. It's definatly a good album that's worthy of purchase (especially when you consider how cheap it is to buy these days), but be sure to pick up their higher rated albums first, before jumping straight into the Green.
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By A Customer on May 27 2004
Format: Audio CD
Ok, I didn't read all 89 reviews, but...
It seems that a great many reviewers have missed several points about this album. A dash of context and a little hindsight might help. First, of all, if you are familiar with Mr. Stipe, then you know how much interest he has in Andy Kaufman, having produced "Man On the Moon; " another of his film productions is "Being John Malkovich." Stipe is interested in the cult of celebrity and a type of channeling various/varied personalities, a loss of self to some social "other".
Green's disparate songs and lyrical "personalities" fit these tendencies. Stipe has always been inward and obtuse; his newfound "outwardness" is a mask--it's him trying on these different personas. He denounces cultural social graces and indifference by channeling vapidity right on the first song, "Pop Song 89"...
Then he goes on to channel the political aspirant ("World Leader Pretend"), the handicapped ("Wrong Child"), the narrow-minded and politically oblivious ("Stand"), military leaders ("Orange Crush")--almost all in the first person. What he controls, rather brilliantly, is how these personalities are perceived: the "stupid pop songs" are clearly cultural parody, but others are more genuine in their tone ("Hairshirt"). "World Leader Pretend" is really one of his best--a non-topical political commentary (hard enough to do by itself, really) that reveals insecurities and questioning beneath the bravado.
He tried it again--stylistically, without as much social commentary-- on Monster...

And that's Agent Orange "covering" the "green" on the cover.
Remember what it was initially used for?
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Format: Audio CD
If you look at the stock market, even during bearish times, it peaks and valleys a bit.
R.E.M.'s album quality is akin to this -- if you line graphed it, with the midpoint being average, all of their albums would come in above average. However, there a couple that, while good, definitely lag behind the others.
"Green" is one of those. While I think I'd actually give the album 3.5 stars rather than just three, I'd say that "Green" represents a dip between "Document" and "Out of Time." It certainly has a few great songs, my favorite being Orange Crush, a song that holds up very well to this day.
But the quality of the album is uneven. There are few songs on "Green" that really don't move me one way or other, which is unusual when it comes to R.E.M. Also, I agree with those who've said the pacing of the album is odd -- I don't really like the interspersing of slow with up tempo here.
Since R.E.M. has set such high standards for itself, "Green" can come across as a disappointment in some ways. Yet it is hardly a bad album (it beats quite a few other bands' best efforts) and it does give hints of what's yet to come in subsequent R.E.M. albums.
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Format: Audio CD
I read somewhere that Michael Stipe at one time refused to use personal pronouns in his lyrics; no "I" or "me," no "you," none of that. Well, he damn sure changed his mind, especially on this release. In so doing, he taught us all a lesson about powerful songwriting, but he didn't necessarily do himself any favors.
See, there are two kinds of songs on "Green," straight ahead pop songs and more artsy sorts of offerings. The boundaries between the two get real slim (this being R.E.M.), but they're there. And it's on the "stupid pop tunes," as the band members called them (Pop Song 89, Get Up, Stand) that those personal pronouns work. The songs have definite beats and drum lines, short phrases and simple lyrics. They say things like "I think I can remember your name," "Your head is there to move you around," "I believe in what you do," lyrics that carry an interesting load of meaning but don't give the musicians too much time to indulge themselves. Rock music is, after all, at its best when it's got a good beat and you can dance to it.
Other songs drift. You can't just count "1-2-3-4" and end up on the same beat you started with. Cuts like "The Wrong Child" and "Hairshirt" require several listenings before you can really get what these guys are up to.
Which wouldn't be so bad - in fact, some of these tunes are among the most beautiful R.E.M. ever laid down - except that on many of these cuts, Michael Stipe turns completely inward and sings exclusively about himself, like the State of Michael Stipe was of overwhelming interest to you and me. "I've a rich understanding of my finest defenses," "I'll try to sing a happy song," "I am not the type of dog that could keep you waiting for no good reason"; notice how long those lines are?
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