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Handmaid's Tale (Widescreen) (Sous-titres français) [Import]
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With "cool eroticism, intelligence and intensity" (Playboy), this eerie futuristic thriller,based on Margaret Atwood's controversial and critically acclaimed best-selling novel, is filled with "large themes and deep thoughts" (Roger Ebert). Boasting a phenomenal cast, including Natasha Richardson (Nell) and Oscar(r) winners* Faye Dunaway (Network) and Robert Duvall (Tender Mercies), this film "dazzles with its ingenuity and shocks with its outrageousness" (WNCN Radio)! In the not-so-distant future, strong-willed and beautiful Kate (Richardson) possesses a precious commodity that most women have lost and most men want to control fertility. Forced into a brain-washing boot camp that turns fertile women into surrogate mothers for social-elite men and their infertile wives, Kate thinks she's made out well when she's assigned to an eminent partyleader (Duvall). But when she learns that he's sterile, she's faced with the impossible choice: produce him an heir or die! *Dunaway: Actress, Network (1976); Duvall: Actor, Tender Mercies (1983)
Set in a time when a buildup of toxic chemicals has made most people sterile, Volker Schlondorff's film offers a disturbing view of a society under martial law in which fertile women are captured and made into handmaids to bear children for rich and infertile matrons. The film unfolds from the eyes of newly converted handmaid Kate (Natasha Richardson). She is trapped in this mysogynistic society which both deifies these fertile women as prized possessions and condemns them as whores. Throughout the story Kate has to cope with the jealousy of the woman she serves (Faye Dunaway), the advances of her sleazy military husband (the Commander, played by Robert Duvall), and the loss of her daughter, who has been shuttled off to a similarly aristocratic setting. She also falls in love with one of the Commander's security guards (Aidan Quinn), who sympathizes with her plight and potentially offers her a way out. Throughout The Handmaid's Tale, issues of feminism, abortion rights, male dominance, and conservative religious politics all come under fire. Some may view the film itself as antifemale considering its concepts, but it is quite the opposite. Instead it shows how only through solidarity can women bring down an overriding patriarchical mindset. The film, which works from Harold Pinter's screenplay adaption of Margaret Atwood's novel, features strong performances from those mentioned as well as Elizabeth McGovern and Victoria Tennant. --Bryan Reesman --This text refers to an out of print or unavailable edition of this title.
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A quick overview of the story: Offred is a Handmaid in a futuristic, dystopian society known as Gilead. The birthrate in Gilead is very low due to severe toxic pollution, and so the remaining fertile women are selected to be Handmaids whose sole purpose is to become pregnant by the upper class men (called Commanders). As soon as they provide their Commander with a child, they are packed off to another household to do it all again. If they are ever unable to bear more children, they will more than likely be labeled "Unwomen" and shipped away to a work colony to die. Handmaids are not allowed to read, and can only leave the house with permission. The book consists mostly of Offred's thoughts about her former life and her current position. There are hints of a resistance movement, but no one in this world can ever be sure that anyone else is trustworthy. Offred does not know what is real, or what is safe, and lives in constant fear. The regime has made it illegal for a man to be termed infertile, so if a Handmaid has no children, it is blamed on her without question. Offred's Commander is obviously incapable of fathering children, and she faces relocation to the colonies if she does not conceive. As her time runs out, the suspense builds to a crescendo of urgency and terror.
The film does not capture the full horror of the world Offred, the story's main character, lives in.Read more ›
Anyway, for anyone who cares to notice, the insignia (eye and pyramid) of the movie's Republic of Gilead (located somewhere in present day America) is what is commonly known as the sign of the Freemasons secret society as well as the New Age movement. Thus the Gilead in the movie is really a depiction of what could happen if a secret society with all its intra-society obligations and weird rituals, or the ever pervasive New Age movement with its own dogma, took control, politically, socially and militarily. Obviously, elements of Taliban or Iran-like regimes are also depicted, particularly regarding the subjugation of women.
Take note of the background news flashes throughout the movie - references to the war on the borders, insurgencies by Southern Baptist guerillas (!); but all carefully sanitized news pointing to state media control as was prevalent in the Soviet Bloc and is still present in many dictatorships today.
I don't really care about Margaret Atwood's "original intent" or the lefties' interpretations of her work. This movie was intriguing and enjoyable for its portrayal of the desire for freedom (personal, social, religious) that runs fiercely in any human being that cares. It's interesting that this movie came out the same year as Not Without My Daughter, based on the real-life experiences of an American woman trapped by her marriage to a Muslim in oppressive Iran.
This is the first movie I saw starring Nathasha Richardson, and she captivated me. Great beauty and talent. Robert Duvall was also excellent as the slimy Commander and Faye Dunaway as his disenchanted yet loyal wife.
Natasha Richardson has the starring role as a fertile handmaid for the Commander (Robert Duvall).Read more ›
Most recent customer reviews
I wanted this movie as I used to watch it when I was young but dint feel so great anymore!Published on April 10 2012 by Sandra
A cheesy, thoughtless rendition of one of my favorite books. The book contains some of the most beautiful narrative told in Atwood's unmistakable prose... Read morePublished on May 9 2004 by C. Elliott
'The Handmaids Tale' is a very god film/ a definite favourite of mine. I really like this film, and find the events that take place very interesting/ compelling and damn right... Read morePublished on May 2 2003 by Vanessa Ryan
The first time I watched The Handmaid's Tale I was hooked! Like Huxley's Brave New World, it is a scary vision of a possible future in which birth is regulated by the government. Read morePublished on Jan. 7 2003 by S. Smith
Great movie---but need to read the book to keep pace. Loved both the book and the movie.Published on Dec 15 2002
Don't judge a book by it's movie!...For the film, the book was contorted into a chronological sequence. Read morePublished on Nov. 1 2002 by Kelly Hall
I liked the concept of this movie and I really didn't think it was that bad. However,the acting was dry. The story itself was the compelling factor. Read morePublished on Oct. 4 2002
This film is a let down in one way and one way alone. It has been 'americanised'. Margaret Atwood wrote a fantastic monologue focussing on the struggles of an american woman, same... Read morePublished on Aug. 6 2002 by Darryl Williamson