Heat (Widescreen) (Bilingual) [Import]
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De Niro/Pacino/Kilmer/Voight/V ~ Heat (1997)
Having developed his skill as a master of contemporary crime drama, writer-director Michael Mann displayed every aspect of that mastery in this intelligent, character-driven thriller from 1995, which also marked the first onscreen pairing of Robert De Niro and Al Pacino. The two great actors had played father and son in the separate time periods of The Godfather, Part II, but this was the first film in which the pair appeared together, and although their only scene together is brief, it's the riveting fulcrum of this high-tech cops-and-robbers scenario. De Niro plays a master thief with highly skilled partners (Val Kilmer and Tom Sizemore) whose latest heist draws the attention of Pacino, playing a seasoned Los Angeles detective whose investigation reveals that cop and criminal lead similar lives. Both are so devoted to their professions that their personal lives are a disaster. Pacino's with a wife (Diane Venora) who cheats to avoid the reality of their desolate marriage; De Niro pays the price for a life with no outside connections; and Kilmer's wife (Ashley Judd) has all but given up hope that her husband will quit his criminal career. These are men obsessed, and as De Niro and Pacino know, they'll both do whatever's necessary to bring the other down. Mann's brilliant screenplay explores these personal obsessions and sacrifices with absorbing insight, and the tension mounts with some of the most riveting action sequences ever filmed--most notably a daylight siege that turns downtown Los Angeles into a virtual war zone of automatic gunfire. At nearly three hours, the film qualifies as a kind of intimate epic, certain to leave some viewers impatiently waiting for more action, but it's all part of Mann's compelling strategy. Heat is a true rarity: a crime thriller with equal measures of intense excitement and dramatic depth, giving De Niro and Pacino a prime showcase for their finely matched talents. --Jeff Shannon --This text refers to an out of print or unavailable edition of this title.See all Product Description
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Top Customer Reviews
It's difficult to hold the interest of an audience for almost three hours, especially in an age where people can't go five minutes without checking their text messages or tweeting about what's happening in a movie. Heat was made in 1995 when it was much easier to forget the outside world for three hours, and that's part of its strength.
The most obvious thing to mention is that Al Pacino and Robert De Niro appear on screen together for the first time, and it's the first time they two have appeared in the same film since The Godfather: Part II. Both actors are close to their best and their two meetings are memorable.
Lt. Vincent Hanna (Pacino) works for the LAPD. His job is his passion and he places it above personal relationships. He's on his third marriage and that is failing because he only gives his wife a fraction of his attention if he's home at all. Neil McCauley (De Niro) also has a passion, but he's on the wrong side of the law. He heads a group of thieves who are professional and extremely effective. Unlike Hanna, McCauley doesn't want any personal ties preventing him from being the best he can be.
McCauley has a favorite quote:
"Have no attachments. Allow nothing to be in your life that you cannot walk out on in 30 seconds flat if you spot the heat around the corner."
The movie shows us how effective McCauley's crew is when they rob an armored truck early in the movie. One of the crew, Waingro (Kevin Gage), is a loose cannon. His behavior leads to three unnecessary deaths so McCauley decides to kill him. Unfortunately, a passing patrol car distracts McCauley and allows Waingro to escape. He's a constant source of trouble for the remainder of the story.Read more ›
The film's mood is set from the very first camera shots, following Neil McCauley (Robert De Niro) from a subway station to a hospital, to drive off with an ambulance he'll be using in his crew's next score. While we don't hear him speak a single word, his movements alone are unquestionably those of a leader; a man in absolute control of every situation. Like many of "Heat"'s crucial scenes (including the two lead characters' sole face-to-face encounters in a coffee shop and during the grand finale), the opening shots are set at night; and the hard contrast between almost black darkness and brightly shining neon lights thus established from the start is soon revealed as a hallmark of the movie's cinematography. One of the next shots shows McCauley's adversary-to-be, homicide Lieutenant Vincent Hanna (Al Pacino) making love to his wife (Diane Venora). But afterwards there is no coziness; no conversation and no joint breakfast. Their relationship is disintegrating and, although fully aware that his obsession with his job is turning his life into a "disaster zone," it is ultimately Vincent who sacrifices it to that very obsession.Read more ›
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