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History of Beauty Hardcover – Nov 13 2004

5.0 out of 5 stars 2 customer reviews

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Product Details

  • Hardcover: 432 pages
  • Publisher: Rizzoli (Nov. 13 2004)
  • Language: English
  • ISBN-10: 0847826465
  • ISBN-13: 978-0847826469
  • Product Dimensions: 17.7 x 3.1 x 24.2 cm
  • Shipping Weight: 1.4 Kg
  • Average Customer Review: 5.0 out of 5 stars 2 customer reviews
  • Amazon Bestsellers Rank: #106,939 in Books (See Top 100 in Books)
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Product Description

From Publishers Weekly

This inspired book begins, after a little throat-clearing, with 11 verso-recto "comparative tables"—sets of contact-sheet–like illustrations that trace representations of "Nude Venus" and "Nude Adonis" (clothed sets follow) as well as Madonna, Jesus, "Kings" and "Queens" over thousands of years, revealing with wonderful brevity the scope of the task Eco has set for the book. What follows is a dense, delectable tour through the history of art as it struggled to cope with beauty's many forms. The text, while rigorous in its inquiries, is heavy on abstractions, which get amplified by stiff translation: "In short, the question was how to retable the debate about the Classical antitheses of thought, in order to reelaborate them within the framework of a dynamic relationship." The selections, however, are breathtaking—300 color illustrations, from Praxiteles to Pollock—and they grant the text the freedom to delve into their complex mysteries. Eco's categories for doing so (e.g., "Poets and Impossible Loves") and his historical breadth in elaborating them are creative and impressive respectively. Long quotations ranging from Plotinus and Petrarch to Xenophon and Zola allow each era to speak for itself, while Eco links them with his own epoch-leaping connections. Seen in terms of a timeless debate on the form and meaning of beauty, masterpieces like Titian's Sacred and Profane Loveor Cranach's Venus with Cupid Stealing Honey seem, if possible, even more immediate, and related to our own amorous profanities and thefts.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

Given the sophistication of Eco's celebrated novels, the most recent being Baudolino (2002), and his scholarly work in semiotics, readers will expect his "review of ideas of Beauty over the centuries," as he so modestly characterizes this brimming and provocative volume, to be at once intellectually elaborate and great fun, and, indeed, it is. Focused primarily on the human form as depicted in works of art, beginning with the ancient Greeks and striding confidently into the age of the machine; elegantly designed and, yes, beautifully illustrated, Eco's mapping of our ever-changing definition of beauty draws on philosophy, theology, poetry, and science as he tracks beauty's permutations under the influence of ideas, mysticism, social upheaval, economics, politics, and technological innovation. A lover of language as well as image, Eco showcases literary beauty in the clarion writings he so judiciously excerpts. Erudite and ardent, Eco contemplates the complex relationship between nature and art, beauty and love, and vigorously explicates depictions of ugliness, without which our sense of beauty would not exist. Donna Seaman
Copyright © American Library Association. All rights reserved

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By A Customer on Feb. 6 2005
Format: Hardcover
From the time of the Greeks "beauty" has excited and interested artists and philosophers. Eco's chronology of "beauty" and its meanings in art, philosophy and common life is richly illustrative. The examples of art and of writing on "beauty" bring clarity to the philosophies of the centuries he reviews. In particular, he demonstrates an admirable ability to interpret the role of art and the artist as the media for the philosophical expression of beauty and its cogeners. While the historical chapters are impressive, his interpretation of modernity and media are equally worth reading. If Kant and the Platypus reveals the inner workings of the human mind, then Beauty reflects the physical manifestations of our collective emotions.
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Most Helpful Customer Reviews on (beta) HASH(0xa839509c) out of 5 stars 35 reviews
91 of 98 people found the following review helpful
HASH(0xa859efb4) out of 5 stars An historical view of what moves "the eye of the beholder". Dec 1 2004
By David J. Gannon - Published on
Format: Hardcover
Dostoyevsky once observed that "beauty is the battlefield where God and the devil war for the soul of man". In History of Beauty Umberto Eco provides an historical context to how that battlefield has changed over the past 3000 years or so.

This is a sumptuous, unusually high quality coffee table book. While its over 400 photographs are extremely engaging, the introductions and essays Eco provides are absorbing and just as illuminating as the pictures. Eco lists himself as editor, but that is false modesty. His writing here is excellent, erudite and informative and provides a lot of food for thought as one peruses the visuals.

As is to be expected from Eco, his essays cite philosopher that run the gamut from Aristotle and Plato through to Xenophon (though I did not see any Dostoyevsky references though that dark soul was seemingly compulsive about the mesmerizing qualities of beauty) and thusly provide an all encompassing review of differing concepts of what is beautiful by both geographically and chronologically.

This is a rich, beautiful book that will please the dedicated reader as well as the casual surfer who might flip through it.

If you want to upgrade the ambiance of your coffee table, this would be an excellent choice.
40 of 43 people found the following review helpful
HASH(0xa8aae93c) out of 5 stars Thinking made clear Feb. 5 2005
By John Seybold - Published on
Format: Hardcover Verified Purchase
Only Umberto Eco could write a book that defines beauty through the ages of western culture as this one does. He looks at the great contemporary writers for insight into the great contemprary artists. Umberto brings Plato to the front to explain early Greek art, and brings in Hume to explain humanist style. It is a classical book that should be used in colleges to not only introduce people to art but to thinking about art and words. The color plates are wonderful. What I wish is that the Italian CDrom was available in English. One can see from the style used that this book was a great interactive CDrom.

Reading Umberto's insights and looking at great art..what a wonderful way to spend a morning at starbucks!
17 of 18 people found the following review helpful
HASH(0xa8cc90c0) out of 5 stars Excellent introduction to the Aesthetics of Beauty Nov. 23 2006
By Greg - Published on
Format: Hardcover
Umberto Eco is one of the world's leading experts on aesthetics and art, as well as being an outstanding novelist in his own right.

This work on the history of beauty is aimed at a general audience rather than a specialised one, and as such it abounds more in beautiful works of art and illustrations rather than scholarly analysis of art itself. However, it still contains an excellent history of the idea of beauty, and how artists through the ages have tried to implement somewhat abstract ideas, while philosophers and theologians have abstracted from art to apply artistic and creative terms to entities such as Platonic Forms or God.

One of the most interesting developments in the history of beauty was the identification of beauty with reality as it was in itself. Platonists identified the beautiful with the Good or the One, and Christians planted these ideas onto God. The notion that God was the most beautiful entity that existed, that God could be represented in art, and also that the cosmos in many ways is God's work of Art, expressed itself in many great works of art, poetry and architecture in the medieval period.

With the Renaissance, the concept of beauty became more grounded in human and earthly realities, and one sees far more focus on the beauty of material objects, nature, and people, as they are rather than their ideal nature. Art becomes more and more focused on the material world until the 20th century when in the era of late capitalism, art itself has become a consumable commodity and the chief virtue of art seems to be to cause pleasant feelings to arise in the consumer (something Andy Warhol satirises a lot in his works of art). Yet even in this period, artists still manage to create works of creative beauty which capture both the beautiful and the ugly, as we now see them.

This work is essential reading for anyone curious about Art and its history, and its relation to abstract ideas.
22 of 25 people found the following review helpful
HASH(0xa851bc78) out of 5 stars A Superb Reference Aug. 2 2005
By Alfred Eppens - Published on
Format: Hardcover
This is Umberto Eco at his most restrained, and yet he remains profound. The breathtaking range of photos and their sequence speak for themselves, and his comments add immeasurably. This is a book which I will not keep on the shelf, but instead on my desk for frequent reference, refreshment and inspiration.
11 of 12 people found the following review helpful
HASH(0xa853c5f4) out of 5 stars A delightful catalog and tease Aug. 15 2006
By Arnold V. Loveridge - Published on
Format: Hardcover
This wonderful collection of art work History of Beauty edited by Umberto Eco attempts to answer the questions: What is beauty? What is art? What is taste and fashion? and Is beauty something to be observed coolly and rationally or is it something dangerously involving? With literally hundreds of reproductions of fine art works speaking to these questions, this book would be a joy even without the words. But of course the words tell the deeper story and attempt to give at least partial answers - sometimes directly, more often indirectly.

The chapters cover such things as the aesthetic ideal in ancient Greece, light and color in the Middle Ages, magic beauty between the 15th and 16th centuries, and romantic beauty. The reader and observer sees that the depiction of beauty has both changed and remained constant over the centuries. The symmetry, the color, the poetry might change with the art form while it is clear that the characteristics of the human bodies (both female and male) have not changed.

History of Beauty would make a wonderful coffee table book in any home except maybe those who find the naked body distasteful.