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Horse You Came in On Hardcover – Jan 16 1995

2.4 out of 5 stars 13 customer reviews

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Hardcover, Jan 16 1995
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Harry Potter and the Cursed Child
--This text refers to the Paperback edition.
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Product Details

  • Hardcover
  • Publisher: Random House Value Publishing (Jan. 16 1995)
  • Language: English
  • ISBN-10: 0517137550
  • ISBN-13: 978-0517137550
  • Product Dimensions: 22 x 15.2 x 3.1 cm
  • Shipping Weight: 612 g
  • Average Customer Review: 2.4 out of 5 stars 13 customer reviews
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Product Description

From Publishers Weekly

In her latest Richard Jury novel (after The Old Contemptibles ), Grimes sends her Scotland Yard superintendent to the States to investigate a murder but assigns most of the sleuthing to his pal Melrose Plant. Jury and Inspector Wiggins take a busman's holiday in Baltimore to look into the murder of a young American, the nephew of a friend of Jury's acquaintance Lady Cray, at a cabin in Pennsylvania. Plant has come along to visit his friend Ellen Taylor, a novelist whose student at Johns Hopkins was recently murdered near the grave of Edgar Allan Poe. The intricate plot also involves the murder of a homeless man in a Baltimore alley and unfolds in oblique, unexpected turns, hinging on the partial manuscript, found by the dead student, of what might be a lost Poe short story and on the ambitions of descendants of an old Baltimore family. Jury and Wiggins talk to local police and shopkeepers; Plant tours Baltimore with Hughie the cabbie, picking up clues; and Ellen writes (while chained to her chair) the sequel to her first novel while agonizing over its near plagiarism by another writer. Notable for its themes of authorship and authenticity and for the cast of delightfully eccentric characters--who gather each day at a blue-collar bar called The Horse You Came In On--this mystery, with its feathery plot and fey, lighthearted tone, moves in quite a different direction than earlier Jury tales. Not bad, just different. 100,000 first printing; Mystery Book Club main selection; Literary Guild and Doubleday Book Club alternates.
Copyright 1993 Reed Business Information, Inc. --This text refers to an alternate Hardcover edition.

From Kirkus Reviews

Is any mystery writer more generous than Grimes in spinning out subplots and a supporting cast? In bringing Scotland Yard's superintendent Richard Jury to America to investigate the murder of young Philip Calvert, who worked in Philadelphia's Barnes Foundation, she provides not only two other murders (Baltimore street person John- Joy and ambitious Johns Hopkins Ph.D. candidate Beverly Brown) that might be connected--and just how they're connected is the best surprise here--but also a newly discovered story that Brown insisted was by Edgar Allan Poe (yes, we get to read the whole thing); a minimalist novelist, Brown's teacher, who chains herself to her writing desk; Jury sidekick Melrose Plant's swooping excursion into early Baltimore genealogy (courtesy of a riotously misinformed cabbie); and much, much more. As in Jury's recent cases (The Old Contemptibles, 1990, etc.), the high-spirited feast of episodes, settings, and allusions--from Chatterton to Barry Levinson to a secondhand store called Nouveau Pauvre--is too sumptuous for Jury or his fans to digest fully. But if some readers will complain that Grimes has left a million loose ends, nobody will rise from this table still hungry. (First printing of 100,000) -- Copyright ©1993, Kirkus Associates, LP. All rights reserved. --This text refers to an alternate Hardcover edition.

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Customer Reviews

Top Customer Reviews

Format: Mass Market Paperback
Martha Grimes usually writes complex, thoughtful mysteries notable for their memorable characters and atmosphere; consequently, THE HORSE YOU CAME IN ON--which finds Jury and his friend Melrose Plant visiting Baltimore, Maryland to investigate a double homocide--will be a great disappointment her many fans.
The story is at once very slight and very, very convoluted, involving both an "art" novelist who is struggling to finish her latest work and a student who may or may not have forged a manuscript attributed to Edgar Allen Poe. After a certain point, Grimes also relies upon genealogy for a plot twist--and while I grant that she certainly knows a great deal about writing novels and is at least credible on the subject of Poe, her commentary on genealogy will not pass muster with even the mildest amateur genealogist. In the process we are also treated to chunks of the book the novelist is writing and chunks of the Poe story that may or may not be an elaborate hoax, and by the time the novel winds to its rather tedious conclusion we feel we have read everything except a novel by Martha Grimes. Which is a great pity indeed.
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Format: Mass Market Paperback
I've read most of her books, but this one in a word is 'crap.'
On the back cover of my paperback, the Chicago Sun-Times calls this book 'a juicy stew of a plot.' The New York Times is even worse, calling it 'clever.' Excuse me? Who's paying these guys to say this? You would think after 100 or so years of reviewing, they could at least be honest.
I stopped at about page 169 after a complete mish-mash of bad character development: Plant engaging in fairy tales with pre-teen booksellers, some other forgettable character droning on about someone called 'Sweetie,' and the thing with Poe (??) - forget this one, it's even worse than 'Rainbow's End,' which was pretty sad in its own right (at least the Jury/Sante Fe side of the book) and move on to 'The Lamorna Wink' - now that's 'entrancing' (The Orlando Sentinel).
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Format: Mass Market Paperback
This one is her 12th book about Richard Jury, an English police superintendent. That's why I picked it up -- love an English mystery. However, it is so much more than that. There are murders, detecting, excellent characterization, humor and great dialogue but even better are all the stories within this story. There is a novel being painfully torn from one characters' soul and we get to read not only parts of her novel, but also parts of someone else's who has tweeked it a bit but obviously plagerizing her prior novel.
Someone discovers a long lost manuscript of E.A. Poe's (or is it?) And we get to read that too. There are verbal stories told, and dreams. I've never read such an abundace and variety of prose wrapped up in one little mystery!
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By A Customer on Sept. 6 2001
Format: Mass Market Paperback
Once again, Martha Grimes demonstrates the richness and diversity available only in character-driven novels such as this one. In fact, such is probably her major contribution to the modern murder mystery, a genre that has been excessively dominated by plot-driven tales. As is often the case in her novels, and is especially true of all involving Richard Drury and the other regulars (e.g., Wiggins and Plant), the plot resolution (who-dunnit and why) is the least significant and satisfying aspect of The Horse You Came in On. Rather, it is the unfolding and subtle interplay of characters that engages and enriches the reader. That being said, this novel will probably not be the correct cup of tea for those who seek only the puzzle and the solving of the crime.
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By A Customer on Jan. 2 1999
Format: Mass Market Paperback
I was surprised to find that Grimes was willing to take her ensemble cast on the road and try her hand at mystery in America. Although Grimes is not always good at clearing up the loose ends that she begins, she is true to her characters. Her descriptions are vivid and accurate and her gang of do-gooders are delightfully consistent. Frankly I would be disappointed if some young lady didn't win the heart of confirmed bachelor Melrose Plant in each novel. Grimes entertains if only because her characters have a self-depracating sense of humour and a rollicking good time. I was thrilled on a trip to Baltimore, MD when I stumbled across the tavern "The Horse You Came In On." It was a piece of my world crossing Richard Jury's path.
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Format: Mass Market Paperback
Having spent the last six years working two blocks from Cider Alley and Poe's grave, I found this book a very enjoyable read. I can imagine for some folks that this degree of familiarity does not apply, but I can say I've had a beer at the Horse You Came in On, and various other familiar stops that Plant visits with Hughie the hack.
I do feel that this particular edition of Richard Jury is not as satisfying or complex as some of the other mysteries and that the local color somewhat distracted from the plot. But, having said that, it was a good three hour light read that I did enjoy. Other novels Grimes of course rate much more highly with me, such as the The Blue Last, and The Grave Maurice.
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Format: Mass Market Paperback
I've put this book down so many times in the last week in frustration. A book of this length usually only takes me a day or two to read, but this one makes so little sense that it's taken forever. The author jumps from thing to thing and place to place with little regard for her reader, who ends up lost and confused. I still have no idea who half the people in this book are or why they were in it, or how they relate to anyone else. The book is horribly hard to follow and therefore lost my interest far too often. I've not read anything else by this author, and using this book as a guide, I doubt I will in the future.
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