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|Price:||CDN$ 22.01 & FREE Shipping on orders over CDN$ 25. Details|
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The superb orchestral music for this powerfully affecting film is by Philip Glass, whose spellbinding 1999 score for Martin Scorcese's Kundun (also on Nonesuch) added an aura of portent and sweep that contributed significantly to the film's impact. The film stars Meryl Streep, Julianne Moore, Nicole Kidman & Ed Harris. Slipcase. 2002
How better to score a movie that takes place in three tangentially related time periods than with music that strives for timelessness? The hallmarks of Philip Glass's minimalism serve The Hours well. The film, based on Michael Cunningham's novel, tells the stories of three women--Virginia Woolf in the early 1920s, a housewife just after World War II, and a book editor in the present--whose days relate in different ways to Woolf's novel Mrs. Dalloway. Yet rather than construct a sonic montage of these three time periods (perhaps some Ravel for Woolf, some Max Steiner for the housewife, some Enya for the editor), Hours producer Scott Rudin turned to Glass, a contemporary-classical composer who has had a substantial side career in film, most notably with Koyaanisqatsi. The familiar Glass sounds--the endlessly layered violins, the static melodies, the glacial rhythms--all lend a consistent aural foundation to a story that moves fluidly back and forth in time. The music is scored for orchestra, string quartet, and piano. Those plentiful strings lend a thick cushion, a triumph of tonal suspension, for the piano part, which Michael Riesman plays coolly, emphasizing what are often single notes separated by thoughtful silences, as well as short sets of scales cascading in slow motion. Not only will these compositional themes be familiar to fans of Glass's work, so too will several of the melodies. Some sections of the score are derived from his albums Glassworks and Solo Piano and from his opera Satyagraha--which, incidentally, involved the stories of three legendary men active in different eras. --Marc Weidenbaum
Top Customer Reviews
To begin with- he breaks all the rules. I bought the piano sheet music to "Dead Things" and where I naturally felt I should crescendo, he purposely demands pianississimo- very, very quiet. He purposely silences the most moving elements, as if to say "wait. just feel it first- dont take it."
I hate when people think his music is plain - if one understands music, they know that his work is composed of silk-thin layers of delicated melodies- triplets with one hand, doublets with the other. For those of you out there that dont read music, try to divide a second into 3 equal time frames and tap that beat with your left hand. Then take the same second and divide it into 2 equal time frames and tap that beat at the same time with your right hand. Intuitively, its difficult to do. This is his trademark- he forces musicians to play against their intuition.
As another example, try to tap your pinky and middle finger at the same time. Then tap your ring finger and thumb at the same time. Now alternate quickly. Try to do it for 5 minutes and when you have got that down- do it with your other hand. But use different fingers. And do that 3-2 ratio beat thing.
Confusing? I would certainly think so.
It seems as if such a product could only be made by an eccentric and unyielding mathematician- but when you listen, it has a depth of emotional delicacy that could only be compared to trying to hold onto something you truly love over the edge of the world, with a gradually thinning silver string.
I guess what Im saying is- pay the 10, 15 bucks. Its worth it.
I am not a fan of Phillip Glass - simply because I had never really heard of him. Now that I have heard this I will HAVE to check out his other works.
I am not a writer (and I am not sure really how one can accurately translate the transcendant majesty of music into words anyway) so I am not sure that I can review this music in a just way. But it definately speaks directly to your spirit! There is nothing cliche in this work, nothing old and stale. It is fresh, profound, transcendant, breathtaking! Morning Passages makes my DNA swoon!
If you haven't seen the movie, I am not sure I can reccommend it or not, but this music stands alone! Pure genius! Buy it! NOW!
Furthermore, unlike some film scores, when you listen to "The Hours", you're not consumed by the emotion of the film, but you're made very aware of it. I make the differentiation, because a score like "Requiem for a Dream" easily puts you into an intense emotional state, practically throwing you into that despair. But with "The Hours", that emotion is present, but it doesn't burden the experience of listening to the score.
I would higly recommend this to anyone -- even if you're not a fan of Philip Glass, this is different from many of his other works (specifically film scores).
A lot of critics of Glass say he is boring, but I don't think so. I think he is meditative and melancholy, haunting and introspective, and even tragic, and that is exactly what this score needed. Every time I listen to this CD I am awed by the depth of feeling Glass was able to achieve with so little. That, I think is the mark of a genius.
Water is an important element in the film, THE HOURS, and Glass' score is a fluid as water, moving back and forth through time with seeming effortlessness. The cello and the violin are especially flowing and beautiful. I didn't find this music a bit intrusive when I saw the film at the cinema, yet I find it stands on its own as well. I listen to it often, especially when I want to achieve a very calm and balanced state of mind. I don't find it in the least depressing, yet I do find it very introspective and very sad. But even the best loves contain an element of sadness, for all lovers will eventually be parted...by death, if not by some other means.Read more ›
Most recent customer reviews
One of the most beautiful and unique soundtracks i've ever heard, Phillip Glass' score for the film is definitely, if not better than the film itself.. Read morePublished on July 4 2004 by Susan J. Cloherty
I absolutely adore this soundtrack. Its fluid movement and simple melody is haunting, beautiful, and positively breathtaking. Read morePublished on March 25 2004 by Amanda Alfano
The film was a masterpiece and the soundtrack is incredible. Phillip Glass's repetitious musical style takes hold here in true genius form. Read morePublished on March 23 2004
I watched this movie and instantly fell in love with the music. I just had to purchase the soundtrack. This music is so soothing, yet sad, and even joyful at times. Read morePublished on Jan. 21 2004 by Jenni
An exquisite backdrop to the marvelous novel by Michael Cunningham and movie. Tenured fans of Glass will immediately recognize his minimalist yet powerful orchestrations. Read morePublished on Dec 25 2003 by Jenny
The Hours is one of my favorite films and books, as well. The music composed by Philip Glass is indeed beautiful. But you cannot listen to it without being fully concentrated. Read morePublished on Nov. 20 2003 by Menelaos
I got this soundtrack yesterday and fell in love with it. Philip Glass has a way with composing that I have never heard before every song had its signature and special attitude... Read morePublished on Nov. 15 2003