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The Hundred Secret Senses School & Library Binding – Mar 1997

4.3 out of 5 stars 165 customer reviews

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School & Library Binding, Mar 1997
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Harry Potter and the Cursed Child
--This text refers to the Paperback edition.
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Product Details

  • School & Library Binding: 406 pages
  • Publisher: San Val (March 1997)
  • Language: English
  • ISBN-10: 0613032098
  • ISBN-13: 978-0613032094
  • Product Dimensions: 16 x 17.6 x 2.8 cm
  • Shipping Weight: 272 g
  • Average Customer Review: 4.3 out of 5 stars 165 customer reviews
  • Amazon Bestsellers Rank: #3,719,558 in Books (See Top 100 in Books)
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Product Description

From Publishers Weekly

Again grounding her novel in family and the workings of fate, Tan (The Kitchen God's Wife) spins the tale of two sisters, two cultures, and several acts of betrayal. Kwan, who came to San Francisco from China when she was 18, remains culturally disjointed, a good-natured, superstitious peasant with a fierce belief that she has "yin eyes," which enable her to see ghosts. Kwan's younger half-sister Olivia (or Libby-ah, as Kwan calls her) is supremely annoyed by Kwan's habit of conversing with spirits and treats her with disdain. Despite herself, however, Libby is fascinated by the stories Kwan tells of her past lives, during one of which, in the late 1800s, she claims to have befriended an American missionary who was in love with an evil general. Kwan relates this story in installments that alternate with Libby's narration, which stresses her impatience with Kwan's clinging presence. But Kwan's devotion never cools: "She turns all my betrayals into love that needs to be betrayed," Libby muses. When circumstances take Kwan, Libby and Libby's estranged husband, Simon, back to Kwan's native village in China on a magazine assignment, the stories Kwan tells?of magic, violence, love and fate?begin to assume poignant?and dangerous?relevance. In Kwan, Tan has created a character with a strong, indelible voice, whose (often hilarious) pidgin English defines her whole personality. Needy, petulant, skeptical Libby is not as interesting; though she must act as Kwan's foil, demonstrating the dichotomy between imagination and reality, she is less credible and compelling, especially when she undergoes a near-spiritual conversion in the novel's denouement. Indeed, some readers may feel that the ending is less than satisfactory, but no one will deny the pleasure of Tan's seductive prose and the skill with which she unfolds the many-layered narrative. Major ad/promo; BOMC and QPB main selections; author tour.
Copyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From School Library Journal

YA?Olivia, the narrator of this story, was born to an American mother and a Chinese father. She meets her 18-year-old Chinese half sister, Kwan, for the first time shortly after their father's death. Kwan adores "Libby-ah" and tries to introduce her to her Chinese heritage through stories and memories. Olivia is embarrassed by her sibling, but finds as she matures that she has inadvertently absorbed much about Chinese superstitions, spirits, and reincarnation. Olivia explains, "My sister Kwan believes she has Yin eyes. She sees those who have died and now dwell in the World of Yin..." Now in her mid-30s, Olivia, a photographer, is still seeking a meaningful life. The climax of the story comes when she and her estranged husband Simeon, a writer, go to China on assignment with Kwan as the interpreter. In the village in which she grew up, Kwan returns to the world of Yin, her mission completed. Olivia finally learns what Kwan was trying to show her: "If people we love die, then they are lost only to our ordinary senses. If we remember, we can find them anytime with our hundred secret senses." The meshing of the contemporary story of Olivia and the tales Kwan tells of her past life in late-19th century China may confuse some readers. Although this story is different from Tan's previous novels because of the supernatural twist, YAs will find some familiar elements.?Carol Clark, R. E. Lee High School, Springfield, VA
Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Top Customer Reviews

Format: Mass Market Paperback
We've heard of Amy Tan with great respect but I was unsure "The Joy Luck Club" was for me. A fan of mystique, "The Hundred Secret Senses" was a title that drew me. I expected Amy's work to be very good ~ she plays keyboard in a band with Stephen King for Pete's sake. The journey I discovered is so epic and multifaceted, I doubt a blockbuster film could do it justice. The numerous storylines are dynamic and none you will forget.

'Olivia' learns of her Dad's previous family. They locate the 18 year-old and sponsor 'Kwan' from China. Gregarious, not shy for a second, she's thrilled with a sister in particular, upon whom she lavishes love. Olivia finds this awkward from a stranger, whose shaky English embarrasses her around school friends. There are two young brothers, mentioned less than her Mom. Olivia's treatment of Kwan is poor. I understand being bombarded with a nearly-grown girl in the family but many of us accept relatives who were jerks. Kwan was affectionate and loyal all along, even in the face of rudeness, so that element bothered me.

One story centers on Olivia's husband 'Simon', bizarre circumstances with a university girlfriend. It is a fierce memory that affects their relationship. Kwan convinces them to accompany her to China, her first time in three decades. Events there reach a whole other magnitude. The novel wasn't very metaphysical until that point. There we get into ghosts, body-switching, and a great deal of reincarnation. While Olivia was growing up, Kwan shared her room. She chattered nightly about sharply remembered past lives and Olivia inadvertently found herself learning Chinese. On the trip back to her home town, those story snippets come together with an impact that is impossible to doubt.
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Format: Mass Market Paperback
The world is full of many superstitions. Some people believe that breaking a mirror leads to seven years of bad luck. If a black cat crosses your path, then you'll have bad luck. Putting a hat on the bed can bring bad luck. And oh yea, standing chopsticks in a rice bowl is a sign of death. Of course, I don't believe any of these things, as they have no sound basis for belief. Yet, many people hold these things to be true, for whatever reason. One of the most widespread beliefs that people have is that the spirits of the dead survive in a spirit world. Not only do they reside there, but they can also take trips to our world, the world of the living. Different lands have different concepts of this idea. Isn't it odd though, that only some people get to see these ghosts?

Amy Tan's book, The Hundred Secret Senses, is a tale about the living, the dead, and the connections they share. The main character is a woman named Olivia. When she is nearly four years old, her life takes a turn; she loses one family member, but learns that she has another that lives across the world. Well, sort of. She learns that her father had a daughter before he married her mother, and that she lives in China. Two years later, her half-sister, Kwan, arrives in America and begins to live with her. Olivia doesn't quite like that idea. Why? "I would have preferred a new turtle or even a doll, not someone who would compete for my mother's already divided attention and force me to share the meager souvenirs of her love," she says. Yet, she eventually realizes that her fear was unnecessary, as she and Kwan are the ones that become close, almost like mother and daughter. They become so intimate that Kwan decides to tell Olivia a secret: she can see dead people, because she has "yin eyes.
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Format: School & Library Binding
Once again, Amy Tan has managed to blow my mind. I have read "The Bonesetter's Daughter" and was deeply impressed by how well Tan can weave a multi-dimentional story..."The Hundred Secret Senses" is no different.
The main character is Olivia. She is likeable but extremely self-absorbed. Her half sister Kwan is more than just an annoyance in Olivia's life, but is the one who ultimately shows her what life is about; what's truly important.
The book deals with reincarnation and zigzags between the past life that Kwan recalls in China and her present one in the U.S. This may sound hokey to some who have not read the book but it is done in a wonderful way that makes you want to suspend disbelief as a reader and wonder "what if?"
The text is wonderfully fast moving and the dialect she uses for Kwan is absolutely amusing and touching at the same time (her poor English is absolutely adorable and you can almost hear her talking when you read the book.)
All in all, it is a coming of age story for a very late bloomer (Olivia), who up until now, has forgotten to turn around and notice the rest of the world.
If you've never read Amy Tan, you don't know what you are missing. Her ability to tell a complex story with ease is unparalleled.
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Format: Mass Market Paperback
I read this book a few years ago now. I actually picked it up as a "Rock Bottom Remainder" at the local supermarket. I had already read Joy Luck Club. Once I started reading, I enjoyed The Hundred Secret Senses, and had such a difficult time putting it down, that I returned to the supermarket the next day to buy the remaining five copies, which I gave to friends. I normally read Hemingway, Fitzgerald, Faulkner, Steinbeck, etc. (aka Dead White Men). So, in an effort to expose myself to both contemporary fiction and fiction from a woman's voice, I first read Joy Luck Club. I am currently reading The Bonesetter's Daughter. I am just about halfway through and enjoying it very much. I am especially impressed with Tan's ability to take me from the Present Tense to Flashbacks. I often don't even realize that I've read several pages of flashback until she brings me smoothly back to the present. Reading Tan's books, for me, is a free trip through space & time, seeing other cultures, other times. As I said, I read this book a long time ago, so I cannot relate any specifics with authority.
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