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I, Fatty: A Novel Paperback – Jun 16 2005

3.0 out of 5 stars 1 customer review

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Harry Potter and the Cursed Child
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Product Details

  • Paperback: 256 pages
  • Publisher: Bloomsbury USA; Reprint edition (July 5 2005)
  • Language: English
  • ISBN-10: 1582345821
  • ISBN-13: 978-1582345826
  • Product Dimensions: 14 x 1.9 x 21 cm
  • Shipping Weight: 272 g
  • Average Customer Review: 3.0 out of 5 stars 1 customer review
  • Amazon Bestsellers Rank: #1,007,388 in Books (See Top 100 in Books)
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Product Description

From Publishers Weekly

Dedicated as ever to exploring life's dark and deviant sides, Stahl shows his heart in this sad, wild, uproarious faux memoir of silent film star Roscoe "Fatty" Arbuckle. Presented as if told to Fatty's butler—who wouldn't dispense his employer's heroin unless he coughed up the dirt—the book hews closely to the undisputed facts of Arbuckle's life. The forerunner of fat man comic actors ranging from Jackie Gleason to Horatio Sands, Arbuckle was most famous for being the center of one of the first celebrity trials: at the height of his film career, he was accused of raping an aspiring actress. The prosecution claimed that he crushed her with his weight during the act and she later died of the resulting internal injuries, while the papers suggested that when his "manly equipment" failed to function he reached for a Coca-Cola bottle. Arbuckle was acquitted at trial—but even the apology issued by the jury did him no good. Stahl's deep dedication to the whacked-out and marginalized helps him inhabit Arbuckle's character sharply and convincingly. Poor, huge, articulate Fatty realizes at one point, "Success and adulation turned out to be just a vacation from the jeers and ire I'd known before."
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

From Booklist

Roscoe "Fatty" Arbuckle's life is the quintessential Hollywood rags-to-riches-to-rags story, following the silent-film actor from his youth in a one-room Kansas shack to wealth and international fame that rivaled that of Chaplin and Keaton (his proteges), from addictions to alcohol and heroin to his public disgrace in a rape-murder case of which he was ultimately found innocent. There is probably not much new material here--most of the author's sources are widely published--but in this "novel," told in Fatty's voice, Stahl gives Arbuckle a hard-earned humanity as well as explains the actor's incalculable contributions to film comedy. Along the way, Stahl also gives a good sketch of the early years of Mack Sennett's Keystone film studios, where Arbuckle got his biggest breaks: "Mack and the gang worked off a simple formula: create mayhem, and film it." And his account of the media hysteria over Arbuckle's criminal case, which led to the destruction of a man's career, not to mention the creation of reactionary and longstanding movie-censorship laws, finds harrowing resonance with our own modern-day obsessions with sex and celebrity. Alan Moores
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.

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Top Customer Reviews

Format: Hardcover
Jerry Stahl seems to be able to find the sarcastic and sardonic humor in even the most downtrodden lives. "I, Fatty" is a firsthand account of Fatty Arbuckle's tumultuous life. It's written very simply and helps us to imagine the inner turmoil of being an outsider in a judgemental society.
Born to an abusive father in Kansas, Arbuckle turned to theatre as an escape from a bitter life. He rose to fame in the cinema and at one point was more popular than Chaplin. He was the first screen actor to make a million dollars a year.
But in 1921 he was accused of the rape and murder of actress Virginia Rappe. He was slandered by the press and not even his acquittal could save his career. He eventually lost everything.
Stahl emphasizes the mental anguish of being fat, impotent, and presumed guilty. He also shows the role that heroin played in Fatty Arbuckle's life. Heroin was readily available and legal at the time, and he became addicted using it as a pain killer after a botched medical procedure. Towards the end of his years, his servant used heroine as a tool to get Arbuckle to divulge all of his secrets.
I had the pleasure of hearing Stahl read from the book and it was quite entertaining. He joked that it is obligatory for him to include heroin in every one of his novels. He emphasizes the public outcry against Fatty as being led by a conservative anti-Hollywood element. I would agree, but would also like to point out that in the 1920s journalists had more leeway to embelish the truth and print it as fact. Even today, the press chooses to emphasize some facts over others and often slanders people in the process.
If you are interested in the life of one of Hollywood's first stars, and if you like dark humor, "I, Fatty" is for you. It's a good read that will make you think and give you a laugh or two.
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Most Helpful Customer Reviews on Amazon.com (beta)

Amazon.com: HASH(0xa4e996b4) out of 5 stars 53 reviews
12 of 13 people found the following review helpful
HASH(0xa4de224c) out of 5 stars The real Hollywood Aug. 19 2004
By Lilly Marlene - Published on Amazon.com
Format: Hardcover
'A little tramp stops being a tramp when the camera

stops rolling. But a Fatty stays fat'

Until I read Jerry Stahl's almost unbearably

beautiful faux memoir on Fatty Arbuckle, all I knew

about the silent movie star was what I'd read in

'Hollywood Babylon' many years earlier. The first

Movie-star in history, ruined by the accusation that

he raped and murdered a young starlet with the help of

a Coca-Cola bottle. Stahl crawls into the mind of a

battered, dirt-poor little boy, hated by his father.

After ditching school to watch vaudeville shows, he

soon stumbles on the stage himself. But he becomes

famous for what he loathes himself most for: for being

fat. He stuffs himself in baby-clothes and drag and

soon matches Charlie Chaplin's and Buster Keaton's

popularity and public adulation. But he becomes

famous for what he loathes himself most for: for being

fat.

It is well known that he drank too much. But his

Heroin-addiction was something that is not that well

known. Even though he was acquitted after three trials,

he never recovered. Stahl draws a brilliant parallel

to the first victim of the media driven Hollywood

scandal. No matter what's the truth; the public has

decided that this fat and disgustingly funny troll did

it.

Stahl makes you feel the anguish and the self-hatred

like nobody else, but he also makes us love Fatty Arbuckle.
26 of 33 people found the following review helpful
HASH(0xa4de22a0) out of 5 stars Brings Arbuckle to life. A good laugh and a fast read. Enjoy July 19 2004
By Mark - Published on Amazon.com
Format: Hardcover
Jerry Stahl seems to be able to find the sarcastic and sardonic humor in even the most downtrodden lives. "I, Fatty" is a firsthand account of Fatty Arbuckle's tumultuous life. It's written very simply and helps us to imagine the inner turmoil of being an outsider in a judgemental society.
Born to an abusive father in Kansas, Arbuckle turned to theatre as an escape from a bitter life. He rose to fame in the cinema and at one point was more popular than Chaplin. He was the first screen actor to make a million dollars a year.
But in 1921 he was accused of the rape and murder of actress Virginia Rappe. He was slandered by the press and not even his acquittal could save his career. He eventually lost everything.
Stahl emphasizes the mental anguish of being fat, impotent, and presumed guilty. He also shows the role that heroin played in Fatty Arbuckle's life. Heroin was readily available and legal at the time, and he became addicted using it as a pain killer after a botched medical procedure. Towards the end of his years, his servant used heroine as a tool to get Arbuckle to divulge all of his secrets.
I had the pleasure of hearing Stahl read from the book and it was quite entertaining. He joked that it is obligatory for him to include heroin in every one of his novels. He emphasizes the public outcry against Fatty as being led by a conservative anti-Hollywood element. I would agree, but would also like to point out that in the 1920s journalists had more leeway to embelish the truth and print it as fact. Even today, the press chooses to emphasize some facts over others and often slanders people in the process.
If you are interested in the life of one of Hollywood's first stars, and if you like dark humor, "I, Fatty" is for you. It's a good read that will make you think and give you a laugh or two.
1 of 1 people found the following review helpful
HASH(0xa4de26d8) out of 5 stars Some of This May Be True Oct. 12 2012
By Barry Sharpe - Published on Amazon.com
Format: Hardcover Verified Purchase
Some of this book may be true. Jerry Stahl has thoughtfully included an impressive bibliography for us to mull over.
But a lot of this is known to be untrue. So I had to drop a couple of stars off what otherwise is a pretty readable biography of Roscoe. He didn't like the sobriquet 'Fatty' you know.
Stahl has a breezy pitter-patter style that keeps you turning pages even though it wears thin occasionally.But the real problem I have with the book is it seems apparent to me he just doesn't like Arbuckle very much. He gives the misfortune of the great fat man too much credence, as if Roscoe deserved what he got.
In the mid 70s I was in Hollywood trying to break into acting. For amusement my girlfriend and I chased down infamous old Tinsel Town addresses as we boned up on the angst their former owners had experienced. Arbuckle's house on West Adams is still there but by then no one believed any of the stories about Roscoe's 'parties'. He had become a tragic figure, an example of Moviedom overreaction to what should have been page 6 minor news.
I respect Stahl for researching and writing this book. I just wish he'd stuck closer to the truth.
1 of 1 people found the following review helpful
HASH(0xa4de26c0) out of 5 stars An Incredible Read March 10 2013
By Terri G. - Published on Amazon.com
Format: Hardcover Verified Purchase
Nowadays many do not remember the tragedy and the fiasco of Fatty Roscoe Arbuckle's trial. But for those who do or learned of it through their history classes in college and want to read more, this book will have you mesmerized. It is a fictitious narrative from Arbuckle's point of view. But it will have you page turning until the wee hours of the night.
It will have you crying and cheering for this now-little-known entertainer and comedian of the era of silent movies. At his height of fame he was making more than Charlie Chaplin. If you want a good historical read, treat yourself to this book!
7 of 9 people found the following review helpful
HASH(0xa4de2a80) out of 5 stars Funny Ha-HA and Funny Peculiar Feb. 24 2005
By Bill Keeth - Published on Amazon.com
Format: Hardcover
`I love this book,' reads Johnny Depp's comment on the front dust jacket of I, FATTY. `I like it,' is mine. It's a great title for a book and a tremendous tale of early Hollywood, told with a verve and flair reminiscent of that which E L Doctorow's RAGTIME applied to the eastern seaboard of the US of A.

I, FATTY is a first-person narrative fictional reconstruction of the life and times of Roscoe "Fatty" Arbuckle, the first Hollywood star to earn $1M a year, only to find his fame turn to infamy and fortune slip from his grasp after a party resulting in the death of a female partygoer in Room 1221 of San Francisco's St Francis Hotel.

Revisionist in the sense that this is Arbuckle's personal take on his career and eventual disgrace, there is still no way the fat boy wasn't "at it" - whatever "at it" may mean, of course. He was not a rapist (for reasons revealed in the book), and he was certainly no murderer. But the precise details of Virginia Rappe's demise remain as unclear as they ever were. Fact: Fatty Arbuckle - a definite dipso and occasional drug addict - is caught in flagrante with a damsel in dire distress who subsequently dies.

So what is Fatty Arbuckle exactly? A voyeur? Maybe. A raver? Well, yes: he's no angel, that's for sure. But neither is Virginia (-in-name-only) Rappe, the professional lady who expires subsequent to Fatty's alleged ministrations with a Coke bottle. And neither are the press and public any more angelic than they.

Thanks to the concentrated attention of the Hearst press in the main (Buster Keaton apart, Fatty's friends are the kind best described as "fair weather") Fatty Arbuckle is a condemned man from the start, and his world caves in completely until, exonerated at last (after a trial and retrials), he makes a lacklustre, partial, almost hand-to-mouth comeback as William Goodrich.

On the minus side, Jerry Stahl's narrative is a bit too magazine-speak smooth for my liking. Personal pronouns appear to be anathema to him: a hostile witness instantly becomes "madcap Mabel", Fatty's car is christened "Big man-mobile", and an ill-favoured acquaintance attracts the soubriquet "Old Onion-Breath". Nor is the odd anachronism outside the author's remit: Fatty (dead by 1933) bewails the lack of the GUINNESS BOOK OF RECORDS 20-odd years before its time. But on the plus side, though Chaplin is somewhat neglected due to Fatty's dislike of the man, there are wonderful characterisations here of Mack Sennett and Buster Keaton - in addition to which a young Bob Hope is glimpsed on stage with Fatty in Cleveland, Ohio - and Bogart on Broadway.

As I say, I like I, FATTY: it's a good read about interesting people in an exciting time and place. Still, I'd draw the line at love. Accordingly, I hereby draw that line unhesitatingly under Ted Heller's FUNNYMEN. Now there's a book I love: a Dean Martin and Jerry Lewis-type showbiz scenario that romps entertainingly, mellifluously, and quite unstoppably from front cover to back. I rate it a real tour-de-force! A true American masterpiece! Read it, please read it - and read I, FATTY too.


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