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Ice Harvest

4.3 out of 5 stars 21 customer reviews

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Product Details

  • Audio Cassette
  • Publisher: Blackstone Audiobooks; Unabridged edition (Feb. 1 2005)
  • Language: English
  • ISBN-10: 0786127392
  • ISBN-13: 978-0786127399
  • Product Dimensions: 17.8 x 11.4 x 3 cm
  • Shipping Weight: 136 g
  • Average Customer Review: 4.3 out of 5 stars 21 customer reviews
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Product Description

From Amazon

For all that it involves organized crime, naked women, grumpy bouncers, a serious snowstorm, and a hero with a profound drinking pattern, The Ice Harvest is a quiet little book--noir-ish, certainly, but never to excess. As the novel traces Charlie Arglist's trail around his small Kansas hometown on Christmas Eve, 1979, the lawyer's literal footprints are clear enough, given the whopper of a blizzard that's descended, but his metaphorical path is far less obvious. He's killing time before leaving town, but where is he going? And why?

Scott Phillips' sketch of a crooked lawyer on the lam is amusingly ironic: though there's violence aplenty in the novel--including a morbidly comic finger-breaking scene starring Spencer, a philosophical bouncer at the Sweet Cage, one of the strip clubs Charlie oversees for Bill Gerard--this is Waiting for Godot rather than Goodfellas. Phillips masterfully sets up the reader's expectations for action and adventure, dropping cryptic hints about Charlie's past, present, and future, then gleefully keeps Charlie in a holding pattern, circling from one strip club to another, from bars to massage parlors to his former in-laws' house.

But when the world isn't scripted by Beckett, all waiting games must come to an end. Charlie's gamble--it would be cheating to tell you more than that it involves a little cocaine, a beautiful woman of indeterminate origin, a Christmas package full of cash, and an embarrassing photograph--pays off, and he heads out of town. How far does he get? Well, that's another story--and another opportunity for Phillips to show off the mordant humor that may brand him as the Cohen brothers' literary heir apparent. In his hands, Kansas doesn't seem far at all from Fargo. --Kelly Flynn --This text refers to the Audio CD edition.

From Publishers Weekly

Everywhere you look, trashy people are doing trashy things in this darkly delicious debut comic thriller. Set in the middle of a Christmas Eve blizzard in 1979 Wichita, the novel opens with lawyer-turned-petty-mobster Charlie Arglist marking time before an important meeting with his shady partner, Vic Cavanaugh. After this meeting he plans to leave Wichita hurriedly with a load of cash and, presumably, the enmity of its rightful owner, Bill Gerard, the local head of a larger regional crime syndicate. Charlie and Vic run a string of strip bars around Wichita for Gerard, from which they have been skimming cash on the sly. But Charlie, who sets out to visit all the outposts in his "empire" one last time, lets a drunken spirit of Yuletide sentimentality (or maybe spite) trigger an unprecedented (and therefore highly visible) string of improvisations. He comps some of his dancers' shakedown money, causing a riot at a club; he unwisely lets his would-be girlfriend in on one of Gerard's blackmail scams. Then he and his ex-brother-in-law crash the Christmas gathering of their cumulative ex-family, setting off a whole new string of disasters. For Charlie there is only the imminent future of his escape with Gerard's money, and it isn't until he discovers a fresh corpse buried behind Vic's empty house that he realizes that his future isn't what it used to be. Newcomer Phillips's seedy characters are skillfully developed, particularly the semiremorseful Charlie. The frigid Midwestern setting is the perfect frame for Charlie's wretched situation; the time period emphasizes the low-level viciousness of Charlie's contemporaries, and Phillips wastes no time in piling up the bodies. Charlie's final confrontation with Gerard will likely leave readers nauseated with laughterAaltogether not a bad way to debut in crime fiction. Agent, Nicole Aragi at Watkins-Loomis. Rights sold in the U.K., Germany, Italy, Japan and Spain. (Oct.)
Copyright 2000 Reed Business Information, Inc. --This text refers to the Audio CD edition.

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Customer Reviews

Top Customer Reviews

Format: Paperback
As an avid reader of crime/hardboiled/noir fiction, I can say so little attention is paid to the actual craft of writing in these genres. Hence, certain schlockmeisters prevail, while real writers, artists, are marginalized. ICE HARVEST is a classic. The writing is sharp, brutal and taut. It allows the plot to build. It gives depth to the character so you can see the world he exists in, dissolve, and implode. What has been described in one review as a slow first half to this novel is what is usually missing in most crime novels, i.e.. character development and the creation of a believable fictional world. There are very few greats out there writing today. Elmore Leonard is NOT one of them. Crumley, George V. Higgans, Ruth Rendell, John Flood and K.C. Constantine, these writers make the grade because unlike the schlockmeisters who focus only on a labyrinthine plot, these writers understand the importance of good writing and character development. Too ofter lazy readers wish to be whisked along by a "page-turner" on a beach and become indoctrinated into the lazy reader mindset, such as clichés are okay and a stint of 10 pages without a 9mm going off is bad. The only author who can truly get away with Byzantine plot structure subjugating realistically rendered heroes with depth is James Ellroy, and only because he plots like Tolstoy and has such twisted, deranged cops for heroes that the reader would be chilled to the bone to know more.
I highly recommend ICE HARVEST. With so many mediocre talents like Patterson, Ludlum, etc. who appear on the bestsellers lists, it would be nice to see ICE HARVEST get its just do.
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Format: Paperback
The Ice Harvest is a very short book, barely clocking in at 200 pages. And yet, reading this was the most fun I've had in a while. This is a noir story that goes back to the earlier times of crime fiction, where the likes of Raymond Chandler ruled the genre.
This gritty tale of crime is full of twists and turns and surprises. The book has everything you'd dream of finding in a crime novel; sex, drugs, alcohol, violence and, of course, lots and lots of money. Here, we have an attorney, Charlie, who's spending his last night in the city. Christmas eve, during one heck of a freezing rain/snowstorm (and you can imagine the many great gags that emerge out of this situation).
Charlie works for people with lots of money, who own lots of bars and strip joints all across town. But Charlie has a secret. He's stolen a great deal of money from his bosses, and now he wants to leave his life behind and take the money with him. Of course, many people do not want to see him succeed and will try to stop him at all cost.
The Ice Harvest has a very simple plot. And yet, you can't help yourself, you just want to keep on turning the pages. I loved the characters in this book, especially Charlie, who's your anti-hero par excellence. There is as much to hate as there is to love in him. His choices are often amoral and yet, you also feel sympathy for him in the strangests of times.
The book is full of very colorful characters who all end up serving purpose to the plot. Phillips is a born storyteller; from the very first page, he takes you by the hand to bring you along a very wild and very fun ride. He knows when to end a storyline and starts a new one, when to end a joke before it gets old, or when to make a character disappear because he or she simply isn't needed anymore.
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Format: Hardcover
"The Ice Harvest" is a slim little novel that knows precisely what it wants to do and does a fine job of doing it. The narrative takes place over the course of a long Christmas Eve (and the first part of Christmas Day) in Wichita in 1979, and during that time the main character, Charlie Arglist, prepares to leave town forever and to take with him a huge bundle of money he has helped to swindle. Before he goes, Charlie has a bunch of errands to run and some loose ends to tie up. In the twisted moral universe of this novel, Charlie, despite his bad deeds and near complete neglect of his children, is kind of a stand-up citizen, only blackmailing, for example, for the cause of good. His world is a gauntlet of cheap bars, strip joints, massage parlors, and it is inhabited by only the most base, corrupt and clueless specimens of the human race.
This novel, in other words, is steeped in the noir tradition, and it both takes from that tradition and adds to it in interesting ways. It is frequently disturbing, but often quite funny. I found most the characters implausible (maybe I am naïve, but I just found it hard to believe that so many immoral people could lead seemingly ordinary lives), but they were believable in the context of the story, so that isn't too much of a problem. In fact, I found their amorality entertaining.
My only real problem with this book has to do with its narrative structure. The idea of the story taking place over the course of a single night is fine, but it needed more flashbacks or other sorts of distractions.
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