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Idolon Mass Market Paperback – Jul 25 2006

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Harry Potter and the Cursed Child
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Product Details

  • Mass Market Paperback: 464 pages
  • Publisher: Spectra (July 25 2006)
  • Language: English
  • ISBN-10: 0553588508
  • ISBN-13: 978-0553588507
  • Product Dimensions: 10.8 x 2.6 x 17.5 cm
  • Shipping Weight: 204 g
  • Average Customer Review: Be the first to review this item
  • Amazon Bestsellers Rank: #3,605,009 in Books (See Top 100 in Books)
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Product Description

About the Author

Mark Budz lives in northern California with his wife, fellow author Marina Fitch. His short stories have appeared in Amazing Stories and The Magazine of Fantasy and Science Fiction. He is the author of four novels, Clade, Crache, Idolon, and, most recently, Till Human Voices Wake Us.

Excerpt. © Reprinted by permission. All rights reserved.

Chapter One

White-hot fog. It boiled over the halogen-lighted streets--scalding to look at but cool against the skin.

Kasuo van Dijk pulled his overcoat tighter against the dank mist, shut the door to his unmarked car, and stepped onto gritty concrete.

This part of North Beach was philmed in classic noir. Most of the storefronts and apartment building facades were a melange of grays and blacks lifted from The Maltese Falcon, Raw Deal, and half a dozen other celluloids from the 1930s and '40s. In places, some of the architectural and decorative elements had been colorized. Vivid greens, reds, and blues bled from the shadows, saturating the landscape with flamboyant contusions of color borrowed from Romare Bearden and Warhol.

Nothing was ever what it seemed, he reminded himself. Nor was it otherwise.

A few blocks east of Hyde, toward Telegraph Hill, the decor changed abruptly to the delirious exuberance of Gaudi and Hundertwasser. Organic transmogrifications not unlike the Peter Max-, Bob Masse-, and Roger Dean-fueled psychedelia of Haight-Ashbury. To the southwest, van Dijk could just make out the staid browns and clean, if somewhat stark, Edward Hopper lines of Pacific Heights.

Van Dijk took a moment to philm himself in a composite image of Toshir Mifune, from Kurosawa's Yojimbo, and Hiroyuki Sanada from Yaji Yamada's The Twilight Samurai. The pseudoself--humble demeanor hiding implacable, barely restrained violence--was what people not only expected from him, given his first name, but respected. It was part of the job, like wearing a tie and an HK 9mm minicentrifuge.

He started toward the small brick-and-corrugated-sheet-plastic warehouse that had been converted into low-income apartments. A uniformed officer stood guard outside the first-floor entrance, the tip of a cigarette flaring from time to time like the beacon in a lighthouse.

The uniform's name appeared in front of him: Kohl, Peter. Van Dijk cleared the eyefeed with a quick mental Delete and turned his gaze on the street cop.

"Detective." Kohl pulled himself out of his slouch.

"Who else is here?" van Dijk asked.

"My partner. Janakowski. He's inside, waiting for you and the crime-scene boyz to show." Kohl took a final calming pull on his Hongtasan, then flicked it nervously away. The butt hissed as it arced to the ground, sputtering out before it struck the damp concrete. Oily steam snaked up from a half-empty cup of black coffee at his feet.

"Who found the body?"

"One of the residents." Kohl blinked as he accessed an online police log. "Girl named Lisette," he said, reading from the plog. "Age eleven. Lives in the apartment just down the hall, supposedly with her mother. But Mom ain't around. Hasn't been for a while, by the look of it."

The victim's apartment was on the second floor. Van Dijk checked the elevator for obvious evidence. It was out of order. That left the stairs. Stairwells tended to collect all kinds of DNA-marinated detritus. Cigarette butts, half-empty plastic bottles, crushed cups, pinched bubble caps, shattered eye droppers, and dermadots for those who couldn't afford or didn't want direct deposit via mechemical assembly. As he mounted the concrete steps, a number of crumpled candy wrappers chirped to life, regaling him with cheerful play lists and animated nanoFX.

In the hall, van Dijk made his way past Teflon-white doors set in gray cinder block. Janakowski waited on the left, at the far end. As van Dijk passed the next-to-the-last door on the right, it opened a fraction, revealing a pair of luminous blue eyes. The eyes met his for a beat, then retreated. The door snicked shut.


Van Dijk moved past the door, dropping the thin smile from his face. He greeted Janakowski with a curt nod.

"You need me for anything, Detective?" The officer stepped away from the sealed door and hitched up his belt, anxious to get going.

Van Dijk tipped his head back down the hall. "That the girl?"

"Yeah." The officer nodded, his jowls ruddy under the strident LED ceiling lights. Someone had taped red paper, printed with white flowers, to the panels. The black desiccated shadows of dead bugs speckled the underside of the paper and the dim lantern glow.

"Keep the kid company till I'm finished in here."

"I gotta take a leak."

"In that case, you better get Kohl to relieve you."

"Very funny, Detective." The officer ambled down the hall, his brow furrowed in concentration as he messaged his partner.

Van Dijk logged into SFPD central data, allocated a new library for the case, then pushed open the door to the victim's apartment.

The body was philmed in vintage Hollywood. It had that silver-screen patina, glam even in death. Angelic hair, sassy red lips, gold-sequined gown, a cheap diamond necklace and earrings. Except for the costume jewelry, it was all high-end ware, all programmable.

Van Dijk mentally queried the SFPD datician assigned to him. Image ID?

"The philm appears to be a composite of Barbara Stanwyck and Gene Tierney," the sageware said after a moment.

The woman lay on a tempergel futon against one wall. Glossy satin sheets covered the mattress. A fluffy down comforter, white as snow, spilled off the end of the bed like a glacier.

Record, van Dijk thought, activating the nanocams embedded in his retinas. Visual. Audio. Ambients. Auto upload. Save.

There was a brief delay as the microvilli array of nanoelectrodes in his skull picked up the neural firing pattern for each command and relayed it to a brain-computer interface interpreter, which in turn routed it to a datician for implementation.

He panned the room slowly. Intermittent temperature, humidity, and time readings blinked along the bottom of his field of view. Other than the futon, there wasn't much. A table and chair. A graphene d-splay screen, tuned to some ambient meditation channel soft-focused on lotus leaves. A collapsible plastic shelf, bare except for several pairs of shoes, loose jeans, large hats, and a cheap canvas jacket big enough to lose herself in.

Lose herself from who? van Dijk wondered. All that nice philmware. Why would she want to hide it, even if it was ripped?

Through the window opposite the futon he had a clear view of Telegraph Hill, all blue-striped trees and green-scaled buildings.

Where she was headed--or what she was running from? Either possibility seemed likely.

Nothing in the bathroom. The usual assortment of toiletries, hair- and toothbrushes, patchouli-scented soap. No makeup, but then she wouldn't need it with the philm she was waring. Nothing in the tiny kitchenette, either. There was no stove, only a hot plate on the countertop. The refrigerator was small, barely large enough for the six-pack of bottled water and jar of Cajun simmer sauce. It wasn't the kitchen of a chef. Which meant she'd eaten out a lot, probably at the fast-food franchises along the Marina and the Embarcadero.

Van Dijk turned his attention to the body. It looked as if the woman had been dead for several hours. Exactly how long was hard to tell at this point. Her skin was cool, but electronic skin skewed all of the normal postmortem signs of death, everything from body temp to lividity and rigor. E-skin typically slowed the rate at which a body cooled, but not always. He wasn't even sure of her age at this point. 'Skin had a way of overwriting not just the physical but the perceived. The mind filled in blanks it shouldn't, the way it did a missing word, supplying implicit meaning rather than explicit.

"ID," he said out loud, scanning the victim's DiNA code. There was a brief pause as the datician searched for the information.

"Unknown," it replied over his earfeed. "Not On File."

NOF meant one of two things: either the bar-code-encrypted concatenation of her DNA had been tweaked, or she was an unchipped and undocumented immigrant.

The cause of death wasn't immediately obvious. There were no external injuries--strangle marks, suspicious discolorations, blunt trauma contusions, knife or bullet wounds. No blood or other fluids.

That left the less obvious. Drug overdose, or viral or bacterial infection from dirty e-skin were the most common. Internal injuries were possible, as were natural causes, but not likely under the circumstances.

Which were . . . ? Van Dijk had no idea.

Footsteps echoed in the hallway. Van Dijk stood. End, he thought, terminating the superimposed readout just as the crime scene unit, led by Leslie Apodaca, appeared in the doorway.

"All yours," he said.

"What have you got?" Apodaca said. She was a petite woman, short in both height and temper. Even her hair, as close-cropped as that of a soldier or Buddhist monk, sent a clear don't-mess-with-me.

"What you see." Van Dijk nodded at the body. "I just got here a few minutes ago."

"Who is she?"


"Figures." Apodaca messaged her team to scan for finger- and blood-prints, residual heat. They sprayed every bare millimeter of the room with chemical tweezers in the hunt for soft DNA, fibers, hazmat, and biomat.

Van Dijk headed for the door. "Don't forget to copy me on the report."

"You're not gonna stick around?" Apodaca didn't bother to look up from the body.

"I'm saving myself for the autopsy."

The door to the kid's apartment stood open a crack. As he stepped inside, a toilet flushed. The small studio apartment was sparsely furnished--none of the furniture matched, he noted--and empty. The door to the bathroom opened and Janakowski came out, zipping up. "I was gonna bust a pipe," he ...

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Most Helpful Customer Reviews on (beta) HASH(0x9db1d198) out of 5 stars 6 reviews
15 of 16 people found the following review helpful
HASH(0x9e0b1bc4) out of 5 stars Trope Overload May 4 2007
By Paul Cook - Published on
Format: Mass Market Paperback
I've been reading science fiction since 1957 and have watched it go through several changes. This novel is part of a change that began happening right after William Gibson published NEUROMANCER where editors (then later readers) started to prefer stories PACKED with all kinds of science fiction tropes. Gibson did this and it's one of the main features of cyberpunk. This is also the kind of short fiction Gardner Dozois advocated when he was editor of Isaac Asimov's Science Fiction Magazine. The stories he selected tended not to be about "story" or focus on narrative, but on ambience. Hence, novels such as Mark Budz's extremely well-written IDOLON arise out of the perceived need to pack in as much ancilliary detail as possible. Forget story. Describe all the gizmos and fantastic technology that abounds in this future world. This, Budz does and I'm sure there are going to be tens of thousands of readers out there who like this kind of writing. But I got half-way through the book and realized that I didn't know what the central conflict of the story was nor did I know much about any of the characters. But the "world" Budz creates fairly sparkles. There are quite a few novels on the market that sparkle in this way. Stephenson's DIAMOND AGE is one of the best of these. Karl Schroeder's LADY OF MAZES or Ken MacLeod's NEWTON'S WAKE are examples of this kind of "ambience-building" (as opposed to world-building) science fiction that's coming out now. To new readers of SF, these are probably going to be classics, but I miss the simple story-oriented science fiction novel, where character is examined through an unfolding narrative that isn't weighted down by the sexiness of the gizmos involved. I thought that DIAMOND AGE was, basically, ALL gizmos and couldn't finish it. EIDOLON begins so slowly that I couldn't get past the middle of the book. I just couldn't keep up with trope after trope or conceit after conceit. These are like movies with incredible special effects, with little detail paid toward story and character development. I know there will be hundreds of fans out there who'll disagree with me. But they are of a new generation of reader who seeks different things in their fiction. So consider the two stars I've given this book to be a very personal reaction to a well-written book by an author who will most definitely go far, just as all of the Asimov writers are now prospering.
10 of 11 people found the following review helpful
HASH(0x9e0b1f00) out of 5 stars The Past is New Again! Dec 18 2006
By David - Published on
Format: Mass Market Paperback
If you could look like anyone else, or make yourself look like a completely new person, clothing and all, would you do it? Mark Budz says that not only would you do it, but everyone else would, too, and individual identity would become a thing of the past. That's the premise for this new novel by Mark Budz, whose work seems well-celebrated, but hard to find in book stores. Idolon is a great near future read, set in the San Francisco Bay Area (and Santa Cruz) where pretty much everyone has their skin imprinted with a nanomolecular treatment that allows them to look like anyone they wish. Many people opt to look like celebrities, both past and present (There's a great scene in the book about a shop where everyone dresses as Judy Garland character from a different movie. You can guess the original gender of the employees!) Some people just change their looks and clothes all together. The industry that creates this "skin" is booming and looking for new ways to get people to try new treatments, while avoiding government regulation. And if you get everyone to look the same and act the same, you can predict what they'll do, or buy next! Or even control it!

This is the plot for the book, such as it is. This premise starts very strong, but finishes weak. Nevertheless, it was a fun book to read, wholly original and very interesting. I enjoyed it a great deal and recommend it. The book bogs down towards the end and some of the science is difficult to follow (quantum mechanics is not my strong point, but others may not care), but it's a worthwhile read and is not a cookie cutter off the shelf sci-fi book. Getting everyone in the world to look like someone else is an original and enjoyable concept. I can think of a few people I'd like to see wearing this "skin". Now, if the author could only appear as an exact replica of Robert Heinlein, his world may become an even more interesting place!!
1 of 1 people found the following review helpful
HASH(0x9dc264e0) out of 5 stars A Phantastical Phuture Oct. 13 2013
By CyberDad - Published on
Verified Purchase
I place this novel in the same general area as Neil Stephenson's ones such as "Cryptonomicon". Heavy cybernetic involvement in our future. The concept is dazzling and unique. The author immerses you in a future where people wear designer electronic "skins". The "science" aspect of the story is explained and woven well into the everyday thoughts and speech of the characters.

But something is amiss. And there may be dastardly deeds by sinister forces at work behind the scenes. You follow a few different characters. One is a detective investigating a death. The dead girl pulls us into another plotline. And so on.

I found the book engrossing and satisfying without being overly complex.
HASH(0x9e5de720) out of 5 stars Compelling ideas, confusing characters March 27 2007
By James King - Published on
Format: Mass Market Paperback
The title says it all. If you have never found yourself interested in nano technology, this story will certainly pique your interest.

Slow start, about a third of the way in, I was finally hooked.

The character names are so obscure that you have a hard time remembering who they are from event to event. You can't really determine gender from the names. Basically the names given to the characters do nothing to describe any attribute of the character and hinder the progression of the story.
2 of 4 people found the following review helpful
HASH(0x9ecc6534) out of 5 stars Idolon--Shortlisted for The Philip K. Dick Award Jan. 13 2007
By Tom Rogers - Published on
Format: Mass Market Paperback
"Whenever anyone complains that American science fiction is dying, one of the first names I tend to mention is Mark Budz." That's how Cheryl Morgan opened her review of 'Idolon' in the penultimate edition of Emerald City, and I agree heartily with the sentiment, as well as the substance of her review. I've already made my case for Budz in my review of 'Crache', and after googling through the reviews of 'Idolon' I saw that there wasn't a whole lot I could add, so this will be a very short review by my normal standards. Some other worthy reviews out on the net are the Niall Harrison or Paul Di Fillipo pieces that offer thorough and balanced considerations of the novel's story and its world.

One aspect of the book that I'd like to comment on is an elaboration of the one word reaction one of my friend's had to the book "trippy". Although Budz was trying to work through some implications of hyper-reality in building his near future, he succeeded rather in realizing a filmic, sometimes surreal world, where the boundaries between our inner fantasies and the real world are battered down. The resulting effect ends up somewhere between the edgy pop sensibility in Gibson's 'Count Zero' and the surreal atmosphere of Cocteau's 'The Beauty and the Beast'.

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