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Immanuel's Veins (International Edition) Paperback – Sep 6 2010

3.0 out of 5 stars 5 customer reviews

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Product Details

  • Paperback: 384 pages
  • Publisher: Thomas Nelson; Int edition (Sept. 6 2010)
  • Language: English
  • ISBN-10: 1595547622
  • ISBN-13: 978-1595547620
  • Product Dimensions: 13.9 x 2.7 x 21.3 cm
  • Shipping Weight: 358 g
  • Average Customer Review: 3.0 out of 5 stars 5 customer reviews
  • Amazon Bestsellers Rank: #389,939 in Books (See Top 100 in Books)
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Product Description

About the Author

Ted Dekker is the New York Times bestselling author of more than 25 novels. He is known for stories that combine adrenaline-laced plots with incredible confrontations between good and evil. He lives in Texas with his wife and children. --This text refers to the MP3 CD edition.

Excerpt. © Reprinted by permission. All rights reserved.

Dreams are true while they last,
and do we not live in dreams?

Lord Alfred Tennyson

Tennyson had a point. I spent most of my childhood alone, cavorting within the boundaries of my own imagination. The mind is not an unusual sandbox for a child to play in. Because both my mother and father drank and swallowed numerous colorful pills, I escaped more and more into the walled-up refuge of my silent thoughts.

My father, Stanley Perlman, was a huge bear of a man, six feet five inches, with hands as big as hams and a smile as bright and caressing as sunlight. I loved to climb up in his lap, put my arms around his tree trunk of a neck, and settle into the warm pillow of his cheek. His bulk and personality could fill any room, leaving that room more than empty when he was gone.

He was gone a lot.
Before my father decided to attach our financial fate to the quixotic Florida real estate market, he was a traveling salesman, constantly on the road peddling his family's line of housecoat dresses. As dads often do, he would promise to someday take me on the road with him, but then he would leave before I woke without so much as saying good-bye.

I would stand in the living room for hours on end, staring out the window hoping to see his car coming around the corner. My mother, Germaine, or as she called herself, Gerry, too young and ill-equipped to handle two babies and long periods of self-sufficiency, would finally become exasperated with my forlorn face and send me to my room. Why was I punished for exhibiting honest emotion, I couldn't fathom. Looking back, I'm quite certain that she watched me in such a rattled state of longing for my father that she suffered the very human daggers of jealousy.

My mother was nothing if not extremely human.
With the pressures piling on her shoulders over the years, my mother housed herself inside a brick exterior. In the eyes of a child, she was powerful and unrelenting, much like an armored tank. I took her deportment at face value, which, as we all come to learn as we grow older, has little to do with true value.

If anything, a tough outer shell is usually a sure sign that the soul inside is drowning in a whirlpool of pain and self-doubt. At a very tender age I figured out that what you see is half of what you get. In sharp contrast to my own emotional personality, I do remember that my mother allowed herself the luxury of tears one time, when her own mother died.

Most children who find themselves alone in that same situation would quickly conjure up an imaginary friend. Someone who, though invisible, would love them, understand them, and, best of all, never leave them suddenly for business trips out of town. Why I never bothered to whip up an imaginary friend I don't know. In retrospect, it would have been nice to have someone under the same roof that was always on my side. However, my root personality made that impossible. It always seemed that the apple dangling from the highest limb of the tallest tree is what I found the most tantalizing.

As I look back on it now, I feel that the core reason why I didn't fantasize about an invisible friend is because I felt so terribly invisible myself. Rather than play jacks in my room with a best friend who didn't exist, I spent those lonely hours believing that I was put on this earth with a mission: I was a messenger of God.

I'm more than a little embarrassed to admit that I don't remember exactly what that message was; I do know that I refused to write it down for fear someone else may find it and then that person would become the messenger of God.

Nevertheless, I do remember how believing that I was handpicked for this all-important task down here on Earth made me feel blessedly important. If only in the backstreets of my own imagination, I was a somebody.

When I was very young, my mother made me say my prayers before going to bed. 'Now I lay me down to sleep, I pray the Lord my soul to keep. If I should die before I wake, I pray the Lord my soul to take.' It's questionable whether any prayer with the word 'die' in it should be the last thing on a child's lips before nodding off, but I don't remember feeling any shiver of panic as I snuggled my small frame beneath the thick covers. In fact, the opposite proved to be true. Long after my mother kissed me on the forehead and turned out the light, I would remain awake, and in my childlike way, I would ponder the meaning of death and the soul.

My parents tried to give their children formal religious training. My brother and I attended Jewish Sunday school. Even though they insisted that my brother have a bar mitzvah, neither their hearts nor their temperaments were suited to rigid theology. I had been raised Reform, which, in the Jewish faith, is considered barely being Jewish at all. The more Orthodox branches of my religion grudgingly admit that we believe in God, although they wonder if we have trouble remembering His name.

My religious training can best be summed up as hit-and-miss, and though we celebrated the holidays of my faith, God was treated just like an easygoing patriarch, without the customary obedience and reverence He was accorded in more Orthodox homes. My mother held firm to the belief that the soul was eternal and that you could reach God no matter where you were or what you'd done. My dad also believed that each individual had a direct line of prayer to God. Having been a prisoner of war (POW), my father had learned the importance of individuality and inner strength, and, added to his natural streak of rebellion, he had no interest in any religion that was organized and tidy. He was convinced that once the more base and basic of man's foibles got involved, religion and its dogma lost the fundamental foundation of love.

My parents' beliefs pushed open the doors to my own youthful exploration, which reached its pseudointellectual zenith when I was fourteen and pompously wrote a school paper that stated with certainty that religion is nothing more than an opiate for the masses (as Karl Marx called it), a crutch to avoid confronting the finality of death. With all the conviction of youth, I stated that 'true strength' was to face and acknowledge that this life is all there is, and that the universe is benignly indifferent to our little piping dreams, and that we all eventually become dust. At this age, I considered myself quite the expert on death, having devoured the works of heavyweights such as Elie Wiesel, Albert Camus, Franz Kafka, and Jean-Paul Sartre. The result of all this was that, while my contemporaries busied themselves sniffing out a date for the prom, I poured my energies into waving a flag for existentialism.

I realize now that I was one of those annoying teenagers who figured that if a word had enough syllables in it, it had to be deep, and I grabbed a seat on that bandwagon. Soon I came around again, this time with Hermann Hesse. Growing up in a household where the Almighty was so malleable, fluid, and unboxed by doctrine, it didn't take any great leap of ­imagination on my part to assign myself the role of His assistant.

It was a safe and loving hole for me to climb into. I never believed that my parents ever really heard me. I felt I had to prove them wrong by justifying my existence. I couldn't conceive of a showier, more exalted position to land than being the messenger of God. I told no one of my new calling, realizing that my mission was best kept under wraps until the proper moment when God and I were ready to spring it on the world.

But like an envelope stamped and ready to mail—and then overlooked and forgotten—the moment my father would walk through the front door, all was right with the world. I wisely chose not to discuss my bedroom revelation with my parents, as they were too busy struggling their way through this life to pay much attention to whatever may come after.

My mother's concern was paying the grocer's bill, while my father spent sleepless nights wondering why women across America were suddenly no longer wanting to wear housecoat dresses. My father's business predicament wasn't that he always found himself in the wrong place at the wrong time. It was more heartbreaking than that. He always seemed to land in the right place just as the right time was ending.

I would put down my bombastic revelation to a child's flight of fancy soaring out of a lagoon of loneliness if not for the emotions it stirred within me. Those emotions still exist, but no longer as shields to protect me from a reality too cold and harsh to deal with. Over the years, they've solidified into a belief system that encompasses all the realities that life has to offer.

What I had unknowingly unearthed was an innate belief system that there was a very real and definite connective tissue that binds us to the unseen world,where hearts and minds travel after their stay on this planet has been completed. This was my first connection with that gossamer thing we call the soul. Let's see an imaginary friend do that!

Perhaps all of the emotional contortions I put myself through could have been avoided had my mother scooped me up in her arms and given me warm kisses of understanding. Maybe if my father had not left so many times on business without saying good-bye. Perhaps he thought this silent departure would be easier on me, or, with his own ego in such a fragile state, maybe he thought I wouldn't notice. I don't know. Maybe it was all just to keep me in communion with heaven. When you are that lonely, you rely on what love there is—even if you cannot see it.

I do know, as the cliché so aptly puts it, you can't un-ring a bell. But there does come a time when we have to stop listening to the clanging in our ears. I don't blame any aftermath my emotions may have suffered on their actions or lack thereof. As I have learned since giving birth, parenthood is not an exact science, and no matter how pure and positive your intentions, the odds of actually hitting your mark are somewhere below that of bowling ... --This text refers to an out of print or unavailable edition of this title.

Customer Reviews

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Top Customer Reviews

By Canadianladybug TOP 50 REVIEWER on Sept. 6 2010
Format: Hardcover
I was excited to review my first ever Ted Dekker book. I have never read one of his books before and was looking forward to it. I got warned to not to read it at night as some of his novels can be frightening. I loved the cover and was intrigue by the title.

Turns out I brought the book on vacation with me recently and I must say that I dislike the story. I love the idea behind the story don't take me wrong. But to incorporate the "vampire" style in it was a bit too much for me. The whole time I read it, I talked about it with my husband and told him I was somewhat uncomfortable with this whole book. But I persevere and continued until I was at the end of it. Will I read another Ted Dekker in the future? I don't know. For a newbie on this author, this book definitively didn't help on making me wanting to read more novels from him.

When I started to read it, I read the reviews inside the book and saw that one person had read the books numerous times in a period of two weeks. Will I do the same? NOT. I have not enjoyed this book and it is beyond my understanding how someone can read the same book 7 times in two weeks. Maybe I missed something. I don't know but I did understand the sacrifice of a life to save another and I appreciate the fact the Christ did that for me. But to include vampire style in this novel was a bit too much for me. OH! There is a love story as well so be aware of the bizarre mix of things in the book before buying it.

Personally I wouldn't not recommend Immanuel's Veins but if you are into the vampire kind of books, you might like this book.

This review was possible because I received a free copy of Immanuel's Veins from Thomas Nelson.
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Format: Hardcover
Another great read from Ted Dekker. He makes you feel for the characters in this book. The forbidden romance between the lead characters, the warning at the beginning of the book to protect but not to love. Ted Dekker manages to keep you guessing about the royalty who would steal Toma's beloved and what they actually are until the end, you have an idea but still aren't sure. I would recommend this book.
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Format: Hardcover
The story is the first person tale of Toma Nicolescu, a warrior in the service of Catherine the Great, empress of Russia during the Russo-Turkish War in 1772. It is also the third person account of Lucine Cantemir, the woman Catherine sent Toma to protect. But Toma doesn't know what he is to protect Lucine from.

Lucine lives with her mother and sister in Castle Cantemir in Moldavia. All three women had led a life of wanton sexuality, but Lucine had learned a few things to give her a more mature outlook on life. Toma falls for the beautiful Lucine but cannot speak because of his oath to his empress.

Soon a strange group of Russians visits from a nearby castle, led by one Vlad van Valerik. Toma seems the only one to be suspicious of these smooth-talking, enticing men and women, but he's not certain it isn't just his jealousy at work. Lucine's sister succumbs immediately to their charm, and the next morning Toma finds her with blood on her face and no memory of what happened, other than it was wonderful.

Various of them visit the nearby castle, and Toma discovers the Russians to be inhuman. One who had died is now alive again. They also have a taste for blood, and Toma himself nearly succumbs. But when Vlad van Valerik begins to woo Lucine, Toma senses true danger and begins to act.

That's about all of the plot I'm willing to give away. I'll just say that (to me) that first part of the book took too long, seemed too slow. Things definitely picked up after that, and took some surprising turns on its way to the conclusion.

Two things stand out about this book, besides the voice of Toma. One, it addresses today's fascination with vampires in a fictional but Christian manner.
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By Nicola Mansfield HALL OF FAMETOP 100 REVIEWER on Sept. 26 2010
Format: Hardcover
Acquired: Received a review copy from Thomas Nelson's Book Sneeze Program.

Reason for Reading: I've been a fan of Dekker's for a few years and am reading each new book that comes out.

A warrior, Toma, and his companion are sent to guard a Lady and her twin daughters as the Empress feels they may be in danger and the daughters are suitable to be used for marriage negotiations. His companion has an affair with one daughter and Toma falls in love with the other but keeps his feelings to himself as he is duty bound not to become involved. Through his companion's escapades though, Toma, becomes aware that the nearby neighbours living in what one would call more a fortress than a castle are not only dangerous but downright evil. Ultimately, this is another take on the vampire tale, though the V-word is never used. Instead the mythology is taken from fantastical Biblical interpretations of the Nephilim. The story is a sensual one, full of lust and enticing senses. It is a story of Good vs. Evil, of the Passion of Christ, God's Love and redemption. However, the book would also read as a paranormal by non-believers.

The first half of the book has a very strong Gothic feeling with dark castles in the night, women wandering alone, long musky tunnels underground and strange portraits hung on the wall. Typical of that genre is the melodramatic love story that would match any Victorian Gothic. Ted Dekker once again writes another book that keeps you turning the pages with an eerie atmospheric suspense. This book, though, is quite different than anything I've read by Dekker at this point. I won't say it's my favourite but the story was certainly gripping and intriguing.

I did have a some theological problems with the book though.
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