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Interview with the Vampire Paperback – Mar 18 1997

4.3 out of 5 stars 481 customer reviews

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Product Details

  • Paperback: 368 pages
  • Publisher: Ballantine Books; 20th ANNIVERSARY ed. edition (March 18 1997)
  • Language: English
  • ISBN-10: 0345409647
  • ISBN-13: 978-0345409645
  • Product Dimensions: 13.8 x 2 x 20.9 cm
  • Shipping Weight: 386 g
  • Average Customer Review: 4.3 out of 5 stars 481 customer reviews
  • Amazon Bestsellers Rank: #66,434 in Books (See Top 100 in Books)
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Product Description

From Amazon

In the now-classic novel Interview with the Vampire, Anne Rice refreshed the archetypal vampire myth for a late-20th-century audience. The story is ostensibly a simple one: having suffered a tremendous personal loss, an 18th-century Louisiana plantation owner named Louis Pointe du Lac descends into an alcoholic stupor. At his emotional nadir, he is confronted by Lestat, a charismatic and powerful vampire who chooses Louis to be his fledgling. The two prey on innocents, give their "dark gift" to a young girl, and seek out others of their kind (notably the ancient vampire Armand) in Paris. But a summary of this story bypasses the central attractions of the novel. First and foremost, the method Rice chose to tell her tale--with Louis' first-person confession to a skeptical boy--transformed the vampire from a hideous predator into a highly sympathetic, seductive, and all-too-human figure. Second, by entering the experience of an immortal character, one raised with a deep Catholic faith, Rice was able to explore profound philosophical concerns--the nature of evil, the reality of death, and the limits of human perception--in ways not possible from the perspective of a more finite narrator.

While Rice has continued to investigate history, faith, and philosophy in subsequent Vampire novels (including The Vampire Lestat, The Queen of the Damned, The Tale of the Body Thief, Memnoch the Devil, and The Vampire Armand), Interview remains a treasured masterpiece. It is that rare work that blends a childlike fascination for the supernatural with a profound vision of the human condition. --Patrick O'Kelley

From Library Journal

Rice turned the vampire genre on its ear with this first novel (LJ 5/1/76), which evolved into one of the most popular series in recent history. Though the quality of the books has declined, this nonetheless is a marvelous, innovative, and literate tale of the longing for love and the search for redemption. This 20th-anniversary edition offers a trade-size paperback for a good price.
Copyright 1997 Reed Business Information, Inc.

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Top Customer Reviews

Format: Mass Market Paperback
This was a great novel. I wish I would have read this first, before I saw the film, that didn't even come close to doing the novel justice. Although I think Brad Pitt does make a great Louis. Interview is told from the perspective of Louis, a lone vampire who tells the story of his life to Daniel, a reporter (though you don't know the name of the 'boy' until the next book). He speaks of his relationship with Lestat, his maker, and Claudia, their 'daughter.' The tale is a great one, and much more complicated than shown in the film. Also, the ending of this book is very good, again, different from the film. The book held my interest from start to finish, which I hoped it would. I'm not a fast reader and I finished the first three Vampire Chronicles novels in 4 months. They're that good. This one is an excellent start. The only bad thing about this book is that sometimes it can get confusing because it's told in third person, but Louis is telling the story to someone else in first person. Other than that it is wonderful!
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Format: Mass Market Paperback
I love vampires. Always have, onscreen and on the published page - from Bela Lugosi's Dracula (seen countless times on the old Saturday afternoon Shock Theater) to Stephanie Rothman's hip 1970 VELVET VAMPIRE.
So it was with great enthusiasm that I approached Anne Rice's work several years ago, and it was with slight disappointment that I exited it each time. I don't know why she doesn't appeal to me the way she does to so many others. "Read the first one, read the first one!" my friends all admonished. "It's the best." So I did. I have just finished INTERVIEW WITH THE VAMPIRE, and I'm no more an Anne Rice enthusiast than when I started. Maybe it's the book's lush overwriting, its constant purple prose, its almost endless striving to be elegant. Maybe it's the violence. Some of it does go "over the top", and I am usually not a prude about such things. I don't know. I'm just left as cold as one of the blood hunters Rice depicts.
Oh Rice has "skills", to coin a popular teenage phrase. She can create a memorable set piece that has the reader turning pages. And there are a number of memorable moments in this book. The initiation of Claudia. The "death" of Lestat. The fabulous Parisian Theater of Vampires. The concluding scene with the young reporter. Each is riveting, even enthralling. But in-between those scenes there is too much chatter, too much introspection, too much - huff and gruff.
I appreciate the book's classic status. And I'm going to continue reading Anne Rice, hoping the magic spell she has cast on millions of readers will soon ensare me.
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By EA Solinas HALL OF FAMETOP 50 REVIEWER on March 4 2007
Format: Hardcover
Anne Rice took the publishing world by storm in "Interview With the Vampire," a haunting book that turned the evil-bloodsucker cliche on its ear. Her lush prose and vivid characters turn the dramatic plot and strange scenarios into a chilling look at good and evil, thankfully without melodrama.

In modern times, a young man is interviewing a vampire on tape recorder. The vampire is Louis Pointe du Lac. In 1791, his ultra-religious brother died tragically after an argument, and Louis sank into remorse and despair. Enter Lestat de Lioncourt, a charming vampire who offers Louis a way out of his grief.

The two vampires wander the cities of the world, with Lestat teaching his reluctant pupil the ways of vampirism. In time Louis makes a "daughter": Claudia, a vampire child with the mind of a woman. Now, depressed and unhappy, Louis explains how he and Claudia fled Lestat, only to encounter new tragedies that still haunt him to this day...

Moral struggles are rarely present in vampire novels. Certainly not from the vampire's point of view. But that is exactly what Anne Rice attempts in this book. She wraps her dark story in lush prose and beautiful descriptions of Paris and her hometown of New Orleans, making this one of the best-written vampire stories since "Dracula."

No gore and grit here. Rice's writing is exceptionally beautiful, full of lush descriptions and intricate detail. Best of all, it has that rare quality of atmosphere -- no matter how enchanting the vampire, or beautiful the setting, a feeling of darkness and sorrow runs through it.
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Format: Mass Market Paperback
This was the first vampire book I've ever read, and it wasn't really what I expected at all. It was better. The story, presented as an interview (naturally) traces the life and after-life of the vampire Louis from suicidal young man to cold, calm, veteran killer. Rice dispels many cliches with the *shocking* revelation that vampires are not repeled by crucifixes or garlic, and can see their reflections in mirrors. Louis himself is a most sensitive vampire who learns to both appreciate and fear the heightened senses of his kind. He also has a difficult time adjusting to killing, and hates his own innate cruelty as much as he craves blood. Louis has many thoughtful reflections on the concepts of death and evil that even mortals may find revealing (and which never sacrifice the pace of the unraveling drama). His introspective personality clashes with his irrepressible and often reckless master/creator, the vampire Lestat. Lestat uses the addition of the child vampire Claudia to their "family" as a means of keeping Louis subordinate. Through her immortal vampires, Rice actually addresses the theme of human nature: sensual, paradoxical, and often cruel.
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