Johannes Cabal the Necromancer Hardcover – Jul 7 2009
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"Witty, inventive, and thoroughly entertaining, this rollicking Faustian adventure grabs the reader and holds him until the very last page." --Tuc"son Citizen" "The spot-on work of a talented writer." --"Denver Post" "Howard makes it look easy to paint a soul-stealing murdering necromancer as a sympathetic character; that, folks, is worth the price of admission. Step right up!" --"San Diego Union-Tribune" "For anyone whose taste edges towards the intelligent and macabre, this book is a gift." --"Fangoria ""Amusing and clever."--"The Free-lance Star" "Populated with some of the most creative, and odd, characters to be found . . . hysterical and fascinating."--Bookgeeks "A delightfully wicked and inventive story." --Keith Donohue, author of "The Stolen Child" "Cross Susannah Clarke's "Jonathan Strange & Mr. Norrell" with Gregory Maguire's "Wicked," and you have this witty and sometimes touching debut novel in the Faustian traditio --This text refers to the Paperback edition.
About the Author
Jonathan L. Howard is a game designer and scriptwriter who has worked in the computer games industry since the early nineties, notably co-scripting the first three Broken Sword adventure games. This is his first novel. He lives near Bristol with his wife and daughter.
Johannes Cabal is a necromancer of some little infamy, who has been digging up bodies without permission for several years now. His first appearance in print was in the short story “Johannes Cabal and the Blustery Day,” published in the premier issue of H.P. Lovecraft’s Magazine of Horror. Where he lives is none of your verdammt business.
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Top Customer Reviews
Such was the case with the first book in Jonathan Howard's Johannes Cabal series, which I recently bought on a whim because I liked the cover. And, fortunately, as soon as I read the first paragraph I was reasonably sure that I had not misjudged the book by its cover:
"Walpurgisnacht, the Hexennacht. The last night in April. The night of witches, when evil walks abroad."
It was short, it was sweet, and it set the tone for the rest of the book. This is the story of Johannes Cabal, a thoroughly callous and self-centered scientist who has sold his soul to the devil in exchange for the secrets of necromancy. Now he wants it back. Cabal journeys to hell to barter with Lucifer and makes the following wager: he has one year to consign one-hundred souls to damnation or lose his own for eternity. Satan doesn't send Johannes away empty-handed, however: he lends him a long-abandoned carnival train to help him on his quest. Cabal, an anti-social introvert, considers the prospect of running a carnival more of an ironic punishment than a boon. One sympathizes. Imagine the character of Sheldon Cooper, from T.V.'s Big Bang Theory (or me) forced to rely on personal charm to seduce unwary patrons into signing away their souls and you will have a good idea of just how out of his depth Cabal is. Satan doesn't like to make these wagers easy, otherwise everybody will be wanting one.Read more ›
I was invested in the characters, and I'm eagerly waiting for more in the series.
Most Helpful Customer Reviews on Amazon.com (beta)
Jonathan L. Howard's writing is outwardly humorous, dark, and brings to mind works by Terry Pratchett (`DiscWorld'), Douglas Adams (`Hitchhiker's Guide To The Galaxy'), and Christopher Moore (`Fool'). Sometimes the laughs are real `groaners' and the quirkiness leaves you feeling a little off center due to the rapid pace of the book. The unpredictability of one strange situation after another quickly building on each other is part of the charm of this book, so fasten your seat belt and give in to it to achieve maximum enjoyment.
Though I enjoyed the book I still felt there were portions of it that were hastily written. There are areas where it seems the author only gives the reader a glimpse of the surface when it feels like things should have dug a little bit deeper with the characters and how things impacted them. However, this is not to be considered a `deep' novel and Johannes Cabal doesn't even take his `badness' seriously as he somehow manages to show some emotional depth upon occasion. I enjoyed the laughs along with the light and easy writing style. If you enjoy reading Pratchett, Adams, and Moore you will enjoy `Johannes Cabal: The Necromancer'. Author Jonathan L. Howard has done himself proud.
"A common mistake that people make when trying to design something completely foolproof was to underestimate the ingenuity of complete fools." Douglas Adams, `Mostly Harmless'
There's something about this book which reminds me a great deal of Gaiman's and Pratchett's "Good Omens" which is one of my favorites. Probably it's the sense that what's going on in the narrative is serious stuff, and should be taken seriously... except it's not. The danger, the corruption, the infernal interference would all make a terrific horror novel, if it wasn't so damn funny. I guess that in the final analysis, evil isn't majestic or magnificent, but rather it's small and petty and even bureaucratic in nature. Evil is less being rent limb from limb by hell hounds and more getting pecked to death by ducks.
But there is an underlying seriousness within this book, and it's about the nature of the individual soul, about the relationships that have made the characters what they are, and which drive them to do what they do. That is, at least, deadly serious, and rightly so. And yet, that seriousness, and the sadness behind it, is always overlaid by a lively sense of the absurd, kept at arms length until the end when the bet with Satan ends and the truth about Cabal's work is made clear.
In spite of a few slow spots along the way, "Johannes Cabal, The Necromancer" held my attention both through my own sense of the absurd and my curiosity about how it would all turn out in the end. And I have to say that I was satisfied. I enjoyed the heck out of the book, and I think anyone who is willing to go along with the often hilarious narrative, will too.
Firstly, this is my new favorite novel, ever. I want to make sweet love to it or at least take it out for a nice dinner and a peck on the cheek. And cheek this book has in spades. And spades too. And more shivery evil than a clown convention.
If you enjoy dry, biting humor and the ability to laugh at the absurd you must read this book. I would buy action figures if they were available. Every character in this book is an absolute character whether you love them or hate them. And in the end, your opinion of each may change several times.
Please Mr. Howard, lock yourself in a dungeon and don't come out until you have ten more books about Mr. Cabal. If need be I'll chuck homemade brownies and tea over the wall on a regular basis, just please get to it!
Johannes Cabal sold his soul to Satan - now he wants it back. Of course, it's never that easy, so he makes a wager with Satan. In exchange for 100 souls, which he will have one year to gather, he will get back his soul. Satan even helps by giving Johannes a carnival ... or does he?
So, with the help of some living dead, some escaped lunatics, some escaped murderers, his brother (who is a vampire) and various and sundry diabolical creations, Johannes sets out - with his evil carnival - to gain his 100 souls ...
You don't want to miss what happens. I strongly recommend this book for anyone who enjoys a bit of black-hearted humour!
As a Necromancer, Cabal has found that things don't go the way they are supposed to when the man in charge has no soul. Having sold his a while back in order to learn the secrets of necromancy in a hurry, Cabal has found that he's basically foiled himself, and he needs his soul back. Traveling to Hell to strike yet another deal with Satan, Cabal agrees to obtain 100 souls within one year for Satan in order to get his very own back. Given the use of a carnival that never got up off the ground, Cabal sets off to entrap doomed souls with the help of his brother Horst, who is a vampire.
This book was interesting, but I wasn't too pleased with some of the vagueness. Of course I didn't want to go into excruciating detail for the procurement of each and every soul, but time passes sort of without warning here (I guess as it does in life?) and that threw me off a bit.
We are treated to a few surprises when it comes to the morality of several characters, and I like that unexpectedness. A real treat is waiting for the reader at the end of the book, and that is nice, it casts a little more insight on the tale as a whole. The story has traces of Neil Gaiman and Terry Pratchett's collaboration "Good Omens," and that in itself is a comparison that I'm certain is an honor to have.
A very enjoyable spin on the old Faustian classic, this comes highly recommended