- Paperback: 320 pages
- Publisher: Ecco; Reprint edition (Nov. 2 2010)
- Language: English
- ISBN-10: 0060936223
- ISBN-13: 978-0060936228
- Product Dimensions: 14 x 1.8 x 21 cm
- Shipping Weight: 454 g
- Average Customer Review: 37 customer reviews
- Amazon Bestsellers Rank: #27,665 in Books (See Top 100 in Books)
Just Kids Paperback – Deckle Edge, Nov 2 2010
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“[Just Kids] reminds us that innocence, utopian ideals, beauty and revolt are enlightenment’s guiding stars in the human journey. Her book recalls, without blinking or faltering, a collective memory — one that guides us through the present and into the future.” (Michael Stipe, Time magazine)^“Reading rocker Smith’s account of her relationship with photographer Robert Mapplethorpe, it’s hard not to believe in fate. How else to explain the chance encounter that threw them together, allowing both to blossom? Quirky and spellbinding.” (People, Top 10 Books of 2010)^“The most enchantingly evocative memoir of funky-but-chic New York in the late 1960s and early 1970s that any alumnus has yet committed to print.” (Janet Maslin's top 10 books of 2010, New York Times)^“Composed of incandescent sentences more revelatory than anything from Patti Smith’s poems or songs, her romantic memoir also reveals what blunt narrative instruments the earlier career bios of her and photographer Robert Mapplethorpe have been.” (Village Voice, Best Books of 2010 Round-Up)^“Smith’s beautifully crafted love letter to her friend Robert Mapplethorpe functions as a memento mori of a relationship fueled by passion for art and writing. Her elegant eulogy lays bare the chaos and the creativity so embedded in that earlier time and in Mapplethorpe’s life and work.” (Publishers Weekly, Top Ten Books of the Year)^“Poetically written and vividly remembered. [Smith] reminded me of the idealism of art.” (Matthew Weiner, creator of MAD MEN, in New York magazine)^“A spellbinding portrait of bohemian New York in the late 1960s and early ‘70s.” (New York Times Book Review, Paperback Row)^“One of the best things I’ve ever read in my life.” (Don Imus)^“Sometimes there is justice in the world. That was my first thought when I heard that Patti Smith had won the National Book Award this fall for her glorious memoir, Just Kids.” (Maureen Corrigan's favorite books of 2010, NPR's Fresh Air)^“[JUST KIDS] offers a revealing account of the fears and insecurities harbored by even the most incendiary artists, as well as their capacity for reverence and tenderness.” (USA Today)^“Smith’s writing about her early days with Mapplethorpe is fervid and incantatory but never falls into incoherence.” (The Oregonian (Portland))^“A heartbreakingly sweet recollection of just that sort of vanished Bohemian life...Just as [Smith] stands out as an artiste in a movement based on collectivism, her singular voice gleams among rock memoirs as a work of literature.” (Boston Globe)^“Just Kids shows how Smith integrated the romance of her twenty-year friendship with Mapplethorpe with her historical preoccupations, elevating them to an almost sacred status. The past, for Smith, has always driven her life forward. If only we could all be so free-spirited.” (The Rumpus)^“Patti Smith’s telling of the years she spent with Robert Mapplethorpe is full of optimism sprinkled with humor...JUST KIDS...is sorely lacking in irony or cynicism; Smith’s worldview is infectious. She’s a jumble of influences, but that’s part of her charm.” (Austin American-Statesman)^“A moving portrait of the artist as a young woman, and a vibrant profile of Smith’s onetime boyfriend and lifelong muse, Robert Mapplethorpe, who died of AIDS in 1989...JUST KIDS is ultimately a wonderful portal into the dawn of Smith’s art.” (Los Angeles Times)^“A remarkable book --sweet and charming and many other words you wouldn’t expect to apply to a punk-rock icon.” (Newsday)^” A story of art, identity, devotion, discovery, and love, the book is [Smith’s] first prose work...[it] conjures up the passionate collaboration--as lovers, friends, soul mates, and creators--that she and Mapplethorpe embarked on from the summer they met in Brooklyn in 1967.” (Elle)^“Deeply affecting...a vivid portrayal of a bygone New York that could support a countercultural artistic firmament...the power of this book comes from [Smith’s] ability to recall lucid memories in straightforward prose.” (BookForum)^“Funny, fascinating, oddly tender.” (O, The Oprah Magazine)^“Patti Smith’s memoir of her youth with Robert Mapplethorpe testifies to a rare and ferocious innocence...’Just Kids’ is a book utterly lacking in irony or sophisticated cynicism.” (Salon.com)^“A shockingly beautiful book...a classic, a romance about becoming an artist in the city, written in a spare, simple style of boyhood memoirs like Frank Conroy’s ‘Stop Time.’” (New York Magazine)^“[A] beautifully crafted love letter to [Robert Mapplethorpe]...Smith transports readers to what seemed like halcyon days for art and artists in New York...[a] tender and tough memoir...[an] elegant eulogy.” (Publishers Weekly (starred review))^“Riveting and exquisitely crafted.” (Kirkus Reviews (starred review))^“Captivating....a poignant requiem...and a radiant celebration of life. Grade: A.” (Entertainment Weekly)^“More than 30 years after its release, Horses still has the power to shock and inspire young musicians to express themselves with unbridled passion. Now she brings the same raw, lyrical quality to her first book of prose.” (Clive Davis, Vanity Fair)^“In the end, [JUST KIDS is] not just an ode to Mapplethorpe, but a love letter to New York City’s ‘70s art scene itself.” (Time Out New York)^“The most compelling memoir by a rock artist since Bob Dylan’s ‘Chronicles: Volume One,’ written with intimacy and grace....” (Chicago Tribune)^“Astonishing on many levels, most notably for Smith’s lapidary prose....[JUST KIDS] is simply one of the best memoirs to be published in recent years: inspiring, sad, wise and beautifully written.” (San Francisco Chronicle)^“[JUST KIDS] is funny and sad but always exhilarating.” (Tampa Tribune)^“Terrifically evocative and splendidly titled...the most spellbinding and diverting portrait of funky-but-chic New York in the late ’60s and early ’70s that any alumnus has committed to print....This enchanting book is a reminder that not all youthful vainglory is silly; sometimes it’s preparation.” (New York Times Book Review)^“A touching tale of love and devotion.” (Associated Press)^“JUST KIDS describes [Smith and Mapplethorpe’s] ascent with a forthright sweetness that will ring true to anyone who knows her work.” (Bloomberg.com)^“To read JUST KIDS is to be struck by how powerfully the two, especially Smith, believed in the power of art....Despite her music’s angry clamor, despite his sometimes revolting images, Smith and Mapplethorpe retain, in her telling, a primal, childlike innocence.” (Dallas Morning News)^“One of the best books ever written on becoming an artist...Jesus may have died for somebody’s sins, but Patti Smith lives and writes and sings for all of us.” (Washington Post)^“Remarkable, evocative... JUST KIDS is more than just a gift to [Smith’s] ex-lover; it’s a gift to everyone who has ever been touched by their art, and to everyone who’s ever been in love. Like the best of Smith’s music and Mapplethorpe’s art, this book is haunting and unforgettable.” (NPR Boston)^“A revelation. In a spellbinding memoir as notable for its restraint as for its lucidity, its wit as well as its grace, Smith tells the story of how she and Robert Mapplethorpe found each other... beautifully crafted, vivid, and indelible.” (Booklist)^“An utterly charming, captivating, intimate portrait of a late 1960s and early 1970s period of intense artistic ferment in downtown Manhattan significantly shaped and keenly observed by rock firebrand Smith.” (Philadelphia Inquirer)^“Smith lovingly depicts the denizens of the Chelsea Hotel - is that Janis Joplin at the bar? - and the rock club CBGB, all the while pondering how to be an uncompromising artist who nonetheless needs to pay the rent.” (Boston Globe)
From the Back Cover
It was the summer Coltrane died, the summer of love and riots, and the summer when a chance encounter in Brooklyn led two young people on a path of art, devotion, and initiation.
Patti Smith would evolve as a poet and performer, and Robert Mapplethorpe would direct his highly provocative style toward photography. Bound in innocence and enthusiasm, they traversed the city from Coney Island to Forty-second Street, and eventually to the celebrated round table of Max's Kansas City, where the Andy Warhol contingent held court. In 1969, the pair set up camp at the Hotel Chelsea and soon entered a community of the famous and infamous—the influential artists of the day and the colorful fringe. It was a time of heightened awareness, when the worlds of poetry, rock and roll, art, and sexual politics were colliding and exploding. In this milieu, two kids made a pact to take care of each other. Scrappy, romantic, committed to create, and fueled by their mutual dreams and drives, they would prod and provide for one another during the hungry years.
Just Kids begins as a love story and ends as an elegy. It serves as a salute to New York City during the late sixties and seventies and to its rich and poor, its hustlers and hellions. A true fable, it is a portrait of two young artists' ascent, a prelude to fame.See all Product description
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gets the job done buy it ,no problem this is one of the best product I've used Product arrived ahead of schedule.
Part of the beauty of her writing is that although we know she will become Patti Smith the Legend, she never conveys a certainty that she will "make it". Rather, she focuses on her and Mapplethorpe's hunger to create and to define themselves and their crafts.
Equally fascinating as Smith's personal story, is the story of New York City in the 1970s. How I would have loved to have been there during that time! She vividly describes the vibrant energy of the blossoming cultural movement and the people who made it and recalls colourful anecdotes of neighbourhoods that have long become gentrified.
I highly recommend this book and I hope it will touch you as it touched me.
From a woman who is a pretty iconic poet, it was interesting to read the prose. At times it did read like poetry, there was definitely a lot of imagery and description to her writing. I loved how she described a lot of her feelings but also gave a description of a lot of the situations also as an outsider observing.
I also loved how this opened me up to other artists or music that I didn’t know before. I am definitely the type of reader who sees a name dropped in a book and then wants to immediately know everything about this person who inspired the author.
This book gave me an epiphany. I finally figured out why I’m so drawn to this era of music and culture. This book is full of struggling artists, all who are trying to master their craft and trying to find a little taste of fame. That can be said for today, too. But the beauty of that era is the community, the people who are willing to help each other out, support someone’s vision, instead of seeing them as competition and looking out only for themselves. There is so much community in this book, so many people who banded together and were a little piece of getting Patti Smith to where she is today and I think that idea, that life, is so beautiful.
I loved everything about this book, the dark and the light, I loved how open Patti was, though she never seemed to act like she felt at all exposed by revealing some of these personal details. Her and Robert’s story was one that deserved to be written and I feel honoured that I had the opportunity to have a little peek into their lives.
Originally posted on citygirlscapes.com
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