- Paperback: 144 pages
- Publisher: Princeton Archit.Press; 1 edition (Sept. 1 2009)
- Language: English
- ISBN-10: 156898765X
- ISBN-13: 978-1568987651
- Product Dimensions: 17.8 x 1.3 x 21.6 cm
- Shipping Weight: 431 g
- Average Customer Review: Be the first to review this item
- Amazon Bestsellers Rank: #656,932 in Books (See Top 100 in Books)
Lettering & Type: Creating Letters and Designing Typefaces Paperback – Sep 1 2009
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About the Author
For nearly a decade, Bruce Willen and Nolen Strals have collaborated under the label Post Typography on creative projects encompassing graphic design, illustration, typography, lettering, and printmaking with additional forays into art, apparel, music, curatorial work, design theory, and vandalism. They both live in Baltimore.
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Most helpful customer reviews on Amazon.com
While this book is not an academic text or how-to book I am using it as a required text in my beginning type class since Karen Cheng's book, Designing Type is currently out of print. The book covers many of the essentials: Type Anatomy (which it calls "Letter Structures"), Typeface Classification Categories (though there is no section on typeface comparison & only the cap & lower case letter "a" is typeset), Calligraphy, Book and Display type (there is also a brief section on "Creating Text Letters & Book Types that is good) and end with a section on designing typefaces. However, this last section is only 17 pages and only covers one typeface, Franklin Gothic. Many of the books marginal captions and notes are the more interesting and informative parts of the book.
The book does one thing well that I am hoping my students will appreciate; and that's its emphasis on how handwriting and hand lettering have functioned as inspirational models in contemporary type design.
As in any visual art, type design is a matter of developing your eye, so learning to really look at letters critically is essential. The chapter of this book that I think might be most helpful to the beginning type designer is appropriately titled "Designing Typefaces", which illustrates many of the subtle tricks a designer must use to compensate for optical illusions and such. This is the one area that separates professional type designers from the wannabes, and I must confess that I'm still trying to master it. So, I suggest book-marking this chapter. [...]