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Light: Science and Magic: An Introduction to Photographic Lighting Paperback – March 21 2007
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Numerous photographs and illustrations provide clear examples of the theories, while sidebars highlight special lighting questions. Expanded chapters on available light in portraiture, as well as new information on digital equipment and terminology make this a must have update!
- ISBN-100240808193
- ISBN-13978-0240808192
- Edition3rd
- PublisherRoutledge
- Publication dateMarch 21 2007
- LanguageEnglish
- Dimensions19.05 x 1.27 x 24.77 cm
- Print length320 pages
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Review
"There truly is a lot to like about Light: Science and magic. First, it is the most complete reference to lighting that I have seen. Second, the authors, while assuming that you know little about lighting, present the topic in a nondemeaning manor, and advance the topic very quickly." -BC Books (May 2007)
"'This is the first book I have seen on photographic lighting that is worth using as a text. Light-Science and Magic is about principles, not cheap tricks or the authors' portfolio. Thanks."---Pete Christman, Savannah College of Art and Design.
About the Author
Paul Fuqua, Virginia, USA, started his own audiovisual production company in 1970. Dedicated to teaching through visuals, he has written and produced educational and training material in a variety of fields, including law, science, and nature. His photography takes him all over the world, but he makes his home in Arlington, VA.
Fil Hunter is a highly respected commercial photographer specializing in still life and special effects photographs for advertising and editorial illustration. During a career spanning over three decades, he has worked for such clients as America Online, US News, Time-Life Books, Life Magazine (27 covers), the National Science Foundation, and National Geographic. He has taught photography at the university level and has served as technical consultant on a number of photographic publications. Mr. Hunter has won the Virginia Professional Photographer's Grand Photographic Award three times. He lives in Alexandria, VA.
Product details
- Publisher : Routledge; 3rd edition (March 21 2007)
- Language : English
- Paperback : 320 pages
- ISBN-10 : 0240808193
- ISBN-13 : 978-0240808192
- Item weight : 816 g
- Dimensions : 19.05 x 1.27 x 24.77 cm
- Best Sellers Rank: #486,174 in Books (See Top 100 in Books)
- #125 in Digital Photo & Video Editing
- #363 in Photography Textbooks
- #364 in Digital Photography (Books)
- Customer Reviews:
About the authors

Fil Hunter received a BA from the University of North Carolina at Chapel Hill with a double major in Psychology and Religion (Religion being a social science at a U.S. state-supported university). However, his chief interest was photography, which occupied most of his time during his four years at the school.
Although Hunter had grown up in a photography tradition (his grandfather invented multi-lens printing and his father made his own camera to photograph his experiences as a U.S. Marine in WWII), his most influential mentor was Ross Scroggs, Sr., Director of Photography at UNC-CH.
Although Scroggs was an acclaimed photographic technology teacher and also handled lighting brilliantly, lighting was the only area he had difficulty teaching. Since Scroggs had taught everything else, Hunter set out to fill that gap. The book Light – Science and Magic, written with Paul Fuqua and Stephen Biver, is the result.
Hunter has also been the lead writer of The McGraw-Hill Photography Course and Illusion: The Art and Science of Photographic Special Effects.
He is married to Robin Reid, a portrait specialist who has done the official portraits of several high-ranking U.S. officials. He and Robin are now working together on a new book with an expected publication date of mid-2011.

My parents gave me my first camera when I was ten years old. That’s when I started taking pictures, and I haven’t stopped. During the 1960’s I worked as a police officer in the Washington, D.C.. That’s when I started street shooting -- and I still haven’t stopped.
In the early 70s I opened a video production company. While producing shows I had the opportunity to travel to many parts of the world, and happily, to shoot street portraits while I was there. Several years ago I retired from the wonderful world of production, but not from street shooting – not from that endlessly fascinating business of recording the folks I find along the streets I walk.
At this point in my life my fervent hope is that before they finally nail my coffin shut somebody tosses in a camera. Never can tell what pictures I may get wherever I’m destined to end up.

I’m a photographer, multimedia artist and author. For the last twenty year I’ve worked for such clients as Johnson and Johnson, IBM, Dupont and Newsweek. While I always enjoy connecting with my subjects when I’m making their portraits, I’m equally fired up while creating a still life, photo illustration or video.
In 2006 I co-authored the third edition of Light--Science and Magic and recently co-authored Faces--Photography and The Art of Portraiture. Both books were published by Focal Press. To see more of my work, please visit biverstudio.com.
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Just thought to share my thoughts. I think you should definitely pick up this book and have a look through a couple of chapters--just to see how it fits in with your body of knowledge.
I was very pleasantly surprised that the principles come in to play outside of product photography. Every time I look at a pond, or the reflection off of a beautiful vintage scooter--the principles of this book flashes back to my mind and I am glad to have it.
I do have to say that one must distill the principles into summaries that one carries, so that before these principles are internalized and become gestalt--you have something to hang on to while out in the field. I do the same for other great photographic insights that don't become internalized so easily. There's much to derive from this book so it will be a while before one internalizes all of it--but my photos are measurably better, and I know better when they aren't so great and why--thanks to it.
My personal photo sharing url: [...]
This book is the holly grail of photography books. It "teaches" the reader the fundamental behavior of light, the science behind it, and how it can be handled when shooting a picture. The approach is simple enough that the average reader can easily understand. Its style is academic, the illustrations are very clear and detailed, and it walks you through the entire spectrum one step at a time.
It is not a quick read. This is the kind of book you study and learn its material. The wealth of knowledge which you will gain is critical to any photographer who is serious about their craft.
It teaches you the behavior of light, the different types of reflection, the different surface types and their impact to reflection, and techniques on how to read the scene, assess, identify the lighting problem, and how to resolve.
This is a must have.
Nuf said.
Top reviews from other countries
Light - Science & Magic will teach you how light interacts with matter and how you can modify the light to produce better images. It is on it's third edition now, and not that light has changed since creation, the book has been updated to include new technology and just as important an updated modern look.
Comprised of 10 chapters, Light - Science & Magic cover such topics as how to learn lighting, light: the raw material in photography, managing reflections and the family of angles, surfaces, shape and contour, metal, glass, portraiture, digital cameras, white on white and black on black, portable lighting and much more.
Rather than teach lighting styles, this book teaches how the light interacts with the subject matter and lets you decide (based on what equipment you have) how and what light to modify to create the result you want. The book's examples are mostly still life examples shot with hot lights or strobes. If you shoot mostly available light outdoors, don't let this sway you from considering this book. Outdoor sunlight behaves in exactly the same way, it's just easier to control in a studio environment for the book examples. There are light modifiers, natural or man made, that you can use to control the light outdoors. Once you learn the light you can then use your own creativity to modify it to create your own style indoors or out.
Light - Science & Magic is well written with clear example photographs and technical diagrams. If you have an understanding of the basic photographic terms then you will have no problem learning from this book. It teaches you using layman's terms and introduces lighting language as it progresses. By the time you are done reading the book you will know what a gobo and a grid are and what direct and diffuse mean. What's more important is even if you know what those terms are now, you will be able to manipulate them to improve your photographs. I highly recommend you experiment with the examples in the book. A couple of table lamps and a few colored backgrounds are all you need to get started. You do not need a full blown studio with high powered gear. Light is light and is very scalable.
So get the book, it's money well spent and you will, bad pun intended, walk away looking at light in a different light.
The authors of this beautiful book (from concept, to writing to production) did a most astonishing job and made an easily readable book full of valuable information. The book reads as if it was written by a single author (a sign of good editorial work). The writing style is lucid & enthusiastic without being overly technical. The reader is never lost. The narrative is based on carefully chosen examples or problem situations. There are many repetitions but the reader feels happy to encounter a repetition as that helps to prove his/her progress! The figures are perfectly simple and exactly to the point (except, perhaps Fig.8.14, which does not seem right to me). The style can be summarized as "friendly advice"; the authors explicitly deny authority (if you believe them after reading the book!); they only claim experience.
I have learned A LOT reading this book. I've read it (contrary to the authors' advice) from cover to cover almost as a thriller. I will keep it and consult it whenever I need to. This book will worth the price you pay for it even if you end up learning only the concept of "family of angles" by reading it. Simply great work.
I do have to suggestions, however, for improvement: 1- The section on flash (strobe) photography can be given some more space (as this is probably the most widespread method of lighting for most readers). 2- The book cover should be replaced by a good one. I even think that a cover with text on blank space is better than the present one; the cover just does disservice to the book as it hides the beauty of the work presented. Do not let the cover to push you!
I finish by repeating the last sentence of the book to show you what the authors say after giving you tens of perfect examples and as many sound advice: "Help yourself".
Still, this book is worth the read for the useful and technical information it provides, though it may be less meaningful for those without at least some lighting equipment (be they studio strobes or dedicated flashes). More advanced photographers might even learn a thing or three -- if they can get through all the stuff they might already know.
Here's a list of what the chapters are about:
1) How to Learn Lighting (a brief introduction to the book and some topics that will be discussed in future chapters)
2) Light: the Raw Material of Photography (a description of what "light" means to a photographer, how light typically behaves)
3) The Management of Reflection and the Family of Angles (An in-depth description of light and relevant information about what to expect of light's behavior in photography)
4) Surface Appearances (a description of how light affects the appearances of various surfaces, and ways to best light particular surfaces -- glass, glossy, matte, black surfaces, etc.)
5) Revealing Shape and Contour
6) [How to Light] Metal
7) The Case of the Disappearing Glass (how to light glass objects)
8) An Arsenal of Lights (Portrait photography)
9) The Extremes (how to like white-on-white or black-on-black subjects)
10) Traveling Light (information on strobes and dedicated flashes and how to best utilize them)
The book goes much more in-depth about all of these topics than I let on. It would be difficult to summarize all the information without plagiarizing. This is a great rulebook for how to use light in photography, and covers just about any topic most photographers might have, when learning about light. I highly recommend buying this book and keeping it handy as a reference when needed.
It covers items that are tricky to light such as glass and highly reflective objects but it goes into the technical side of things enough so that you feel, going forward, you've learnt enough to tackle pretty much any problem you may come across lighting wise. It has really helped me get to grips with certain lighting scenarios and begin to understand what's actually going on thus enabling me to create the effect I had envisioned.
At the heart of it all is a set of fairly simple principles which the book does a good job of expressing with clarity and without over complicating matters. Things like the family of angles, the inverse square law, how polarised light can be used to your advantage plus other ideas are well covered. In isolation any one of these principles is pretty easy to deal with but the book also pushes on and gives examples of how these principles interact and thus gives good insights into coming up with a technically sound lighting solution for a complex scene.
Everything is covered from small product photography, metal, glass, people (portraits) to still life.
The examples in the book are workman-like and are not focused on wowing us with creative genius but what they do do very well is illustrate the principles and give the reader / photographer a great tool box to draw upon when attempting to light scenes. The writing itself is very accessible and would suit anyone from a pretty much rank beginner level to advanced amateurs to less experienced pro photogrpahers - it is an 'introductory' book after all but it's pitched exactly right.







