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The Lost Dog Hardcover – Apr 28 2008

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Hardcover, Apr 28 2008
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Harry Potter and the Cursed Child
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Product Details

  • Hardcover: 336 pages
  • Publisher: Little, Brown and Company (April 28 2008)
  • Language: English
  • ISBN-10: 031600183X
  • ISBN-13: 978-0316001830
  • Product Dimensions: 16.2 x 2.9 x 24.5 cm
  • Shipping Weight: 522 g
  • Average Customer Review: Be the first to review this item
  • Amazon Bestsellers Rank: #2,511,471 in Books (See Top 100 in Books)
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Product Description

From Publishers Weekly

De Kretser (The Hamilton Case) presents an intimate and subtle look at Tom Loxley, a well-intentioned but solipsistic Henry James scholar and childless divorcé, as he searches for his missing dog in the Australian bush. While the overarching story follows Tom's search during a little over a week in November 2001, flashbacks reveal Tom's infatuation with Nelly Zhang, an artist tainted by scandal—from her controversial paintings to the disappearance and presumed murder of her husband, Felix, a bond trader who got into some shady dealings. As Tom puts the finishing touches on his book about James and the uncanny and searches for his dog, de Kretser fleshes out Tom's obsession with Nelly—from the connection he feels to her incendiary paintings (one exhibition was dubbed Nelly's Nasties in the press) to the sleuthing about her past that he's done under scholarly pretenses. Things progress rapidly, with a few unexpected turns thrown in as Tom and Nelly get together, the murky circumstances surrounding Felix's disappearance are (somewhat) cleared up and the matter of the missing dog is settled. De Kretser's unadorned, direct sentences illustrate her characters' flaws and desires, and she does an admirable job of illuminating how life and art overlap in the 21st century. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.


"The Lost Dog is an uncompromisingly literary (and literate) book: ferociously intelligent, highbrow, allusive and unflinching....There are all kinds of terrors lurking within the heart of the book--these are for the reader to discover--but the one that is most palpable is the undeniable fact that this book is touched, like Rilke's "terrible angel," by the terror of greatness." (Time Neel Mukherjee)

"Lucky readers will discover the trickery of Michelle de Kretser's The Lost Dog only upon finishing it, at which point the author reveals her astonishing sleight of hand. . .uncannily compelling. At the end, it suddenly becomes clear that every seemingly gratuitous observation in the book was leading us toward a very particular conclusion not only about these characters but also about how our lives are defined by the cruelties and kindnesses of those who precede us.... De Kretser's daring willingness to let suspense accrue without promising resolution is a worthy echo of Henry James's brilliance." (Washington Post Dara Horn)

"An intimate and subtle look at Tom Loxley, a well-intentioned but solipsistic Henry James scholar and childless divorcé, as he searches for his missing dog in the Australian bush.... Things progress rapidly, with a few unexpected turns thrown in as Tom and Nelly get together, the murky circumstances surrounding Felix's disappearance are (somewhat) cleared up and the matter of the missing dog is settled. De Kretser's unadorned, direct sentences illustrate her characters' flaws and desires, and she does an admirable job of illuminating how life and art overlap in the 21st century." (Publishers Weekly)

"A nuanced portrait of a man in his time. The novel, like Tom, is multicultural, intelligent, challenging, and, ultimately, rewarding." (Library Journal Andrea Kempf)

"More often than not, de Kretser nails some situation or foible in 20 words or less. . .There is much here that dazzles. . . .De Kretser's writing is as boldly beautiful as ever." (The New York Times Book Review Alison McCulloch)

"Engrossing. . .De Kretser confidently marshals her reader back and forth through the book's complex flashback structure, keeping us in suspense even as we read simply for the pleasure of her prose. . . . De Kretser knows when to explain, and when to leave us deliciously wondering." (The Seattle Times Moira Macdonald)

"Multilayered and beguiling....The Hamilton
does enchant, certainly, but--more
important--the book admirably and resolutely
sees the world as it really is." (New York Times Book Review William Boyd)

"One of the best arguments against false exotic
chic I've read." (Washington Times Sudip Bose)

An elegant, of art." ( Laura Miller)

Michelle de Kretser's The Hamilton Case
ratifies every dream one might have of a tropical
landscape....She is, however, as smart and up-
to-date as she can be....A dazzling
performance." (New York Review of Books Anita Desai)

"Comic, tragic, haunting, hallucinatory and
elusive, but vivid and exact, this is a brilliant
book by a brilliant writer."
(Karen Joy Fowler (author of "The Jane Austen Book Club"))

"Hypnotic, lush and calmly observant." (Washington Post Book World Chris Lehmann)

"That rare treasure, a perfect novel...As the plot grows darker and more complex, de Kretser's prose gleams with sinister beauty. Her sentences sparkle like precious things." (Time Magazine (Best Books of 2004) Lev Grossman)

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Customer Reviews

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Most Helpful Customer Reviews on (beta) HASH(0xa6d9c4bc) out of 5 stars 11 reviews
12 of 12 people found the following review helpful
HASH(0xa6726a14) out of 5 stars Maddening July 5 2008
By KEM44 - Published on
Format: Hardcover
The Hamilton Case is one of my favorite books, and The Lost Dog had enough faint traces of what was so captivating about that book that I found it completely maddening to read. The author weaves into a bland and vague love story endless ruminations of visual art, with which she has apparently become captivated. There are glimpses of the brilliance of The Hamilton Case, but overall it is insanely boring to read, and the expression "dancing about architecture" kept popping into my mind as I waded through this thing. I think the author may have suspected as much herself, hence the dog. The only reason I stuck with this book was a ridiculous compulsion to know if the poor thing turned up. I can't help but think that was the point of his disappearance, to manipulate us to endure page after page of undeveloped and unlikable characters and their feelings about a world of self-absorbed pretension. In my case, it worked, but although I made it to the end, I have rarely finished a book with such a feeling of disgust.
8 of 8 people found the following review helpful
HASH(0xa64bc36c) out of 5 stars But what happens to the dog???!!! May 18 2008
By Lisa R - Published on
Format: Hardcover
The latest novel by Michelle de Kretser, The Lost Dog, is a story about life, the modern world, and its imperfections. It is part love story, part mystery, and also a social commentary of the modern world. Its origins lie in an incident familiar to de Kretser, as in 2001, her dog, Gus went missing while staying at a farm.
In our story, Tom Loxley is a professor writing a book on Henry James. He takes his dog with him to a small "cabin" in the Australian outback to focus on finishing the project that he seems incapable of completing. The retreat is owned by Nellie Zhang, a semi-famous artist who has a past that is questionable, and that slowly unfolds to the reader throughout the book. Tom's emotional and physical attractions to Nellie comprise one of the main storylines of The Lost Dog.
Several other plotlines are present in the novel, including the story of the search for the dog. The past lives of Tom, Nellie, and Tom's mother are all woven together to provide the framework of de Kretser's story.
Michelle de Kretser is an author who was born in Sri Lanka and immigrated to Australia at the age of 14. The immigrant experience serves as a touchstone for several of the themes present in the novel. Important themes that are explored are the modern world, progress, aging, art, and family.
The thing that is most impressive about de Kretser's writing is her use of the metaphor. A description of Tom's father is one example: "He was an umbrella, tightly furled. Springing open, he might gouge flesh from your fingers."
The author is much-praised for her writing style. Her second novel, The Hamilton Case, received the Commonwealth Writers' Prize (a recognition for the South East Asia and South Pacific region). Her prose is masterful , and the novel well crafted. She makes use of a popular-of-late device, the unreliable narrator. The story has twists and turns that allude to Henry James, the focus of Tom Loxley's expertise.
The only problem with the novel may be that it is too masterful to be pleasurable, yet this may be a desired intent of the author. The characters are not lovable, but you will keep turning the pages, if only to find out, "WHAT HAPPENS TO THE DOG???"
5 of 5 people found the following review helpful
HASH(0xa67ec294) out of 5 stars Dreadful book Jan. 16 2009
By S. Retten - Published on
Format: Hardcover
I found this book tiresome and annoying. The only interesting relationship is that between Tom and his dog, and even that one goes around and around endlessly in a kind of fog. Poor Tom is so static and ineffectual he gets on one's nerves--sort of like all those pathetic Henry James non-heroes who are paralyzed by timidity, guilt and endless belly-button contemplation. And Nelly, with her outlandish clothing and incomprehensible behavior, never becomes the least bit sympathetic or believable as a person.

But the most annoying thing of all is the self-consciously clever use of language, including metaphors that are so strange that they slow the book down immeasurably while the poor reader tries to figure them out. This is "sensibility" raised to the point of the ridiculous. The only reason I read it is that I didn't have anything else to read at the moment.
3 of 3 people found the following review helpful
HASH(0xa699f390) out of 5 stars Trying to find a dog and other things (2.75 *s) July 14 2008
By J. Grattan - Published on
Format: Hardcover
The dog of Tom Loxley, a writer and professor, breaks away when a wallaby crosses the path in the Australian bush where Tom has taken a weekend to use a friend's, Nelly Zhang, rural shack to complete a book on Henry James. However, the loss of a dog is more of a metaphor for the constant search in the book for the meaning of life, modernity, and the past.

Tom of English and Indian parents arrived in Australia as a teenager and Nelly is a descendant of several nationalities, including Asian. The mixed ethnicity is not without its discomforts to them both. Tom becomes infatuated with Nelly over her highly unique artistic talents combining painting and photography. But she is mostly an enigma to Tom - her past is hazy and contributes to Tom's frequent invoking of his Indian childhood.

The plot elements are few. Beyond searching for the dog, the sudden and suspicious disappearance of Nelly's stockbroker husband many years before occupies Tom. Both the dog search and the constant return to Tom's India become tiresome. The plot serves more as a mechanism for the author to issue a series of keen observations on life, some delivered by the characters, and some through the narrator. The bouncing around among locales and time frames makes the reading a bit of a struggle. Perhaps, the smartness of the book slightly outweighs its obscurity.
1 of 1 people found the following review helpful
HASH(0xa73142dc) out of 5 stars Richly Themed March 3 2010
By Amazon Customer - Published on
Format: Paperback
If you enjoy A.S. Byatt's books, you may enjoy this book. It is richly themed and multi-faceted in characterization, action and ideas. I appreciated how incidences and characters inter-act and effect each other. I also appreciated that some story lines were not tied up nicely and solved.

I enjoyed the writing, the presentation of the art world, and the adherence to Henry James' quote that "the whole of anything cannot be told."

As an artist, I chuckled and then gave much thought to the fact that Nelly --the artist-- was selling photographed paintings rather than the real thing. I don't think that the author just threw this in as an interesting are story. It has meaning in both plot and themes.

I was only bored by the author's over wrought presentation of feces.

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