I read the first story and I didn't like it
I didn't like his storytelling techniques, it just didn't grab me
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Lunatic Heroes Paperback – Aug. 31 2012
by
C Anthony Martignetti
(Author),
Amanda Palmer
(Foreword)
| C Anthony Martignetti (Author) Find all the books, read about the author and more. See search results for this author |
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Dark, comic, raw, disturbing, and often redemptive, these fifteen tales will take you from the 1950s to the present, along with a repeating cast of heroes and lunatics. The characters span the breadth and the depths of human qualities and capacities. The same person, in one story, may materialize as a hero and a god, and in another, as a lunatic and a demon. While the author roughs up the people in his stories with the hand of terror, he simultaneously views them with the eyes of love. Martignetti spares no one, and to his credit, particularly not himself. For one who confesses so much fear, he is fearlessly self-revealing. After reading this memoir collection, you will come to know these characters, and the author, intimately. Not that you'd necessarily want to, it's just the way things will turn out. About the author: C. Anthony Martignetti, Ph.D., is a writer and psychotherapist in Lexington, Massachusetts, where he lives with his wife, Laura, and their Border Terrier, Piper. In the late 1960s, as a high school graduation gift, his mother tried to nominate him for a Pulitzer Prize, but the panel refused to accept her recommendation since nobody had heard of either him or her... and all he had ever written were assignments for an English class in which he received a solid B. He got a set of Samsonite luggage as a graduation gift instead. As a result of that event he has remained, to this day, defiantly unpublished.
- Print length230 pages
- LanguageEnglish
- Publisher3 Swallys Press
- Publication dateAug. 31 2012
- Dimensions13.34 x 1.32 x 20.32 cm
- ISBN-100988230003
- ISBN-13978-0988230002
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Product details
- Publisher : 3 Swallys Press (Aug. 31 2012)
- Language : English
- Paperback : 230 pages
- ISBN-10 : 0988230003
- ISBN-13 : 978-0988230002
- Item weight : 268 g
- Dimensions : 13.34 x 1.32 x 20.32 cm
- Customer Reviews:
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4.6 out of 5 stars
4.6 out of 5
30 global ratings
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Reviewed in Canada on December 15, 2017
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Reviewed in Canada on December 13, 2012
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I bought this book out of love for Amanda Palmer, and to support her friend Anthony. I am so glad that I did, because this book is an incredible read. His stories are incredibly honest and thought provoking, and moves so quickly from laugh out loud funny to sorrowful. Anthony offers his readers a powerful and brutal look into his childhood, sharing with his readers the pieces of our lives we usually try hard to hide, or forget. Read this book - you won't be disappointed. I know he has many more stories to tell, and I hope he has the opportunity to do so.
Top reviews from other countries
The Hippy Chick
5.0 out of 5 stars
Amazing stories from an inspirational man
Reviewed in the United Kingdom on April 26, 2016Verified Purchase
Amazing stories from an inspirational man. I wish we could hear more. I want everyone to read his books. They will make you laugh and cry.
Delilah Dee
5.0 out of 5 stars
partially because of Amanda Palmer deep love of the author
Reviewed in the United Kingdom on July 22, 2015Verified Purchase
I decided to buy this book after the tragic death of Mr Martignetti, partially because of Amanda Palmer deep love of the author.
I am thoroughly in love with this book, and the style in which it is written. Martignetti had a tremendous talent for recalling key events in his life with ferocious honesty. I honestly cannot recommend this book enough.
I am thoroughly in love with this book, and the style in which it is written. Martignetti had a tremendous talent for recalling key events in his life with ferocious honesty. I honestly cannot recommend this book enough.
BookFiend07
5.0 out of 5 stars
Absolutely amazing, incredibly moving!
Reviewed in the United States on April 28, 2013Verified Purchase
Absolutely mesmerizing in how Martignetti takes memories and paints them so vividly with his words that you could swear you were there. Even in the darker ones where you wish you weren't, wish (like the toad) that you could not be there, because witnessing it is almost as bad as being a part of it. It made me want to hug Martignetti in the various stages of his life and made me exult when he describes the peaceful balance of his now wife and the incredible lightness that comes from the love of a dog. His stories have the power to pull you back on your own life, to remember things about yourself or others that reflect some portion of his own story and throughout the book this theme of reflection seems purposeful as if Martignetti is asking all of us to reflect. Not just on our histories but to reflect our loved ones, and to reflect others so we can try to hate less and love more, which is what we all need. Honestly some of the most powerful non-fiction I have read in as many years as I can remember. A book I will most definitely thrust into the hands of friends and urge them to read it, so they go and buy their own copy to pay it forward.
2 people found this helpful
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Jamy Ian Swiss
5.0 out of 5 stars
A Remarkable Storyteller
Reviewed in the United States on November 5, 2012Verified Purchase
Lunatic Heroes: Memories, Lies and Reflections
By C. Anthony Martnetti
In the introduction to Lunatic Heroes by C. Anthony Martignetti, singer/songwriter/musician/rockstar Amanda Palmer writes, "Anthony is a therapist, and a good listener."
That succinct characterization, included in a moving introduction about her lifelong relationship with Martignetti, whom she has known as a "mentor," "guru," [and] "best friend" since she was nine years old, describes in accurate and deliberate understatement the narrative voice of this powerful storyteller in his book, Lunatic Heroes. The title, which refers to his boyhood family, in reality, of course, describes all of us who suffer as fellow captives in the Human Condition.
This collection of stories both long and short amounts to a memoir of Martignetti's youth, growing up in the outskirts of Boston amid his Italian-American forebears. A sensitive boy who often felt isolated and outcast, his innate discomfort and alienation was reflected in early habits of nail-biting, self-afflicted hickeys, and a general resistance to most of the food his family routinely ate, "including, but not limited to: whole-roasted goat head ... pigs' feet, congealed blood pie, baby cow stomachs ... [and] "[g]arlic, garlic, and more garlic, garlic out your butt." As a result he was routinely insulted and beaten by his narcissistic mother, who would at other times smother him in love he craved, but whose mood would rarely last the day without including a dark turn. "Home was the place of love's promise," Martignetti observes, "and also the place where the wounds of love churned."
The stories and characters aren't all dark, some are positively comic (if darkly comic at that), with anecdotes of school friends and extended families and a larger-than-life grandfather who would let young Anthony carry a bag of cash to the bank, while "Nonno" followed behind, loaded gun in hand. The author often manages to strike an ironic if rueful tone even when describing routine lunacies, such as his mother gluing Lee Press-On Nails over his own in order to keep him from nail-biting - which led to his acquiring a taste for the plastic nails, which she would sometimes hand him as a treat when out in public, like giving a child a piece of candy.
Young Anthony's relationship with his father was no less complex, tracking a range of highs and lows that eventually led to his father's confession when "...years later he told me he loved me because I was his son, but that I just wasn't his type of guy." The author adds, "He was my idol, and I needed to be his type of guy." Don't we all.
The best non-fiction literature is that which uses the micro to illustrate the macro, and the compelling beauty of Martignetti's stories can be found in the parallel truths unique to his experience that lie side-by-side with truths that are unmistakably universal, and the tension and balance between the two keeps one riveted to the page. I laughed, I cried ...
In a tale of a mystic and magisterial bullfrog, a longtime resident at the local pond, Martignetti looks back on the cruelties of older boys who eventually trap the animal - a moment in which I had to turn away from the page in fear of impending cruelty - and draws connection and insight between the tragic creature and those Buddhist monks who immolated themselves in protest against an oppressive North Vietnamese regime. Looking back, "The monk who gave his life was a hero to me, as was Bullfrog before him."
Martignetti's super power is the ability to see these connections that are invisible to or overlooked by others, and the simultaneous humor and horror thereby revealed is impossible to turn away from. In recounting a first childhood crush, and its encompassing sense of inchoate longing, he recalls, "I had no idea what to do with her - I was a rabbit chasing a tricycle." Comic or tragic, the author's vision is unfailingly 20-20.
By C. Anthony Martnetti
In the introduction to Lunatic Heroes by C. Anthony Martignetti, singer/songwriter/musician/rockstar Amanda Palmer writes, "Anthony is a therapist, and a good listener."
That succinct characterization, included in a moving introduction about her lifelong relationship with Martignetti, whom she has known as a "mentor," "guru," [and] "best friend" since she was nine years old, describes in accurate and deliberate understatement the narrative voice of this powerful storyteller in his book, Lunatic Heroes. The title, which refers to his boyhood family, in reality, of course, describes all of us who suffer as fellow captives in the Human Condition.
This collection of stories both long and short amounts to a memoir of Martignetti's youth, growing up in the outskirts of Boston amid his Italian-American forebears. A sensitive boy who often felt isolated and outcast, his innate discomfort and alienation was reflected in early habits of nail-biting, self-afflicted hickeys, and a general resistance to most of the food his family routinely ate, "including, but not limited to: whole-roasted goat head ... pigs' feet, congealed blood pie, baby cow stomachs ... [and] "[g]arlic, garlic, and more garlic, garlic out your butt." As a result he was routinely insulted and beaten by his narcissistic mother, who would at other times smother him in love he craved, but whose mood would rarely last the day without including a dark turn. "Home was the place of love's promise," Martignetti observes, "and also the place where the wounds of love churned."
The stories and characters aren't all dark, some are positively comic (if darkly comic at that), with anecdotes of school friends and extended families and a larger-than-life grandfather who would let young Anthony carry a bag of cash to the bank, while "Nonno" followed behind, loaded gun in hand. The author often manages to strike an ironic if rueful tone even when describing routine lunacies, such as his mother gluing Lee Press-On Nails over his own in order to keep him from nail-biting - which led to his acquiring a taste for the plastic nails, which she would sometimes hand him as a treat when out in public, like giving a child a piece of candy.
Young Anthony's relationship with his father was no less complex, tracking a range of highs and lows that eventually led to his father's confession when "...years later he told me he loved me because I was his son, but that I just wasn't his type of guy." The author adds, "He was my idol, and I needed to be his type of guy." Don't we all.
The best non-fiction literature is that which uses the micro to illustrate the macro, and the compelling beauty of Martignetti's stories can be found in the parallel truths unique to his experience that lie side-by-side with truths that are unmistakably universal, and the tension and balance between the two keeps one riveted to the page. I laughed, I cried ...
In a tale of a mystic and magisterial bullfrog, a longtime resident at the local pond, Martignetti looks back on the cruelties of older boys who eventually trap the animal - a moment in which I had to turn away from the page in fear of impending cruelty - and draws connection and insight between the tragic creature and those Buddhist monks who immolated themselves in protest against an oppressive North Vietnamese regime. Looking back, "The monk who gave his life was a hero to me, as was Bullfrog before him."
Martignetti's super power is the ability to see these connections that are invisible to or overlooked by others, and the simultaneous humor and horror thereby revealed is impossible to turn away from. In recounting a first childhood crush, and its encompassing sense of inchoate longing, he recalls, "I had no idea what to do with her - I was a rabbit chasing a tricycle." Comic or tragic, the author's vision is unfailingly 20-20.
30 people found this helpful
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Matthew Kirshenblatt
4.0 out of 5 stars
Sea Shells, See Shells by the Sea Shore: A Review of C. Anthony Martignetti's Lunatic Heroes
Reviewed in the United States on January 17, 2013Verified Purchase
This is an Abridged version of my review of Lunatic Heroes:
I have been looking forward to reading C. Anthony Martignetti's Lunatic Heroes: Memories, Lies and Reflections for some time, and now that I have finished reading it, I find I have a lot of different things to say. In fact, what I think I'm going to do is the following.
I am going to write two sections to this review. The first will be an attempt at a more literary perspective of Lunatic Heroes, while the second will deal with my own personal reactions to the stories themselves. Before I go on, however, I just want to say that I will be referring to Anthony by his first name due to the way that I was introduced to him. I will elaborate on that later, but I just want to say that it would feel weird after reading about him and his own work to call him anything else. It's the not first time I have done this with an author and it probably won't be the last.
Lunatia heros is a species of Northern moon-snail that likes to live close to the shoreline of bodies of water. They are large gastropods that like to eat clams and other snails: including members of their own species. They consume their prey by drilling holes in their shells, releasing digestive enzymes, and sucking out the partially digested contents of their victims from within those shells. In fact, the only thing left of their fellow snails are these empty shells. According to Wikipedia, these moon snails hunt other mollusks down by searching for those that bury themselves in the sand of the shoreline.
Of all the titles Anthony could have given his work, Lunatic Heroes is by far the most apt. This book is essentially a collection of fifteen short stories or, technically written recollections, of some of the major events in Anthony's life. Even though the book itself is categorized as a memoir, which it is, each narrative is both interrelated and self-contained.
At least twelve of these stories deal with Anthony's childhood with his Italian-American family in Boston, while the remaining three focus on Anthony as a developing independent adult all the way to contemporary times. I don't want to make too much of a generalization, but each story is about the insanity of the human condition. After all, the word lunatic is derived from the Latin word Luna and it was once thought that someone suffering from madness was "moon-touched," while at the same time the moon itself has always been associated with the other world of the night, creativity and intuition.
In this, the metaphor of Lunatic Heroes functions in a few different ways. On one hand, most of Anthony's stories are about the dysfunctional elements of his own family and his 1950s childhood: about the way each character would attempt to devour Anthony's extremely introverted essence, digging under the sand where his self hid in order to successfully-or unsuccessfully-get at it.
On the other hand, Anthony's narratives also take many of these same characters and portray their other more relatable sides. It is no coincidence, after all, that the heroes of ancient literature-for all of their deplorable moral behaviour by contemporary standards-still possessed a spark of divinity and managed to perform great deeds. In a fiercely passionate and witty voice tempered with a nostalgic unsentimentality not unlike that of Will Eisner, Anthony manages to show that these characters from his own life aren't always monsters, but are very fallible human beings with some moments of relation, levity, and downright comedy: even and especially in some of the worst situations that he depicts.
What drew me in as a reader were the very mutable archetypes that Anthony managed to identify in his life: specifically with regards to how they transferred and inter-lapped throughout each story that he gathers together into a strange whole. Sometimes each narrative doesn't always fit in a straight-line-which is more than fair given how a life of human interactions is generally never shaped that way-and he occasionally repeats a sentence from a previous story. But the archetypes really drew me in. Certainly, the whole Scylla and Charybdis parallel childhood dilemma in "Force Fed" was made very uncomfortably clear, just as the figure of a Far Eastern form of enlightenment and a symbolic place of personal transformation is within "Swamp."
...
I am going to give Lunatic Heroes a four out of five.
And here is why.
After reading "The Introduction" and Anthony's "Acknowledgments," and just hearing about him and some of his life from Amanda Palmer's Blog, I wanted to know ... more. Even though the way he describes his childhood, sometimes blatantly and sometimes tinged with hazy mythical half-memories is reminiscent of Neil Gaiman's Violent Cases, I want to know about the rest of it: the adolescent rebellion you see forming in the latter stories, what happened in the rest of his travels, what his other fights were about, and more about his exposure to other philosophies and other relationships.
You can find the unabridged version of my review, along with its second more personal section, on my website which is located under my profile. Anthony's Lunatic Heroes is a very excellent book. I hope you will enjoy it.
I have been looking forward to reading C. Anthony Martignetti's Lunatic Heroes: Memories, Lies and Reflections for some time, and now that I have finished reading it, I find I have a lot of different things to say. In fact, what I think I'm going to do is the following.
I am going to write two sections to this review. The first will be an attempt at a more literary perspective of Lunatic Heroes, while the second will deal with my own personal reactions to the stories themselves. Before I go on, however, I just want to say that I will be referring to Anthony by his first name due to the way that I was introduced to him. I will elaborate on that later, but I just want to say that it would feel weird after reading about him and his own work to call him anything else. It's the not first time I have done this with an author and it probably won't be the last.
Lunatia heros is a species of Northern moon-snail that likes to live close to the shoreline of bodies of water. They are large gastropods that like to eat clams and other snails: including members of their own species. They consume their prey by drilling holes in their shells, releasing digestive enzymes, and sucking out the partially digested contents of their victims from within those shells. In fact, the only thing left of their fellow snails are these empty shells. According to Wikipedia, these moon snails hunt other mollusks down by searching for those that bury themselves in the sand of the shoreline.
Of all the titles Anthony could have given his work, Lunatic Heroes is by far the most apt. This book is essentially a collection of fifteen short stories or, technically written recollections, of some of the major events in Anthony's life. Even though the book itself is categorized as a memoir, which it is, each narrative is both interrelated and self-contained.
At least twelve of these stories deal with Anthony's childhood with his Italian-American family in Boston, while the remaining three focus on Anthony as a developing independent adult all the way to contemporary times. I don't want to make too much of a generalization, but each story is about the insanity of the human condition. After all, the word lunatic is derived from the Latin word Luna and it was once thought that someone suffering from madness was "moon-touched," while at the same time the moon itself has always been associated with the other world of the night, creativity and intuition.
In this, the metaphor of Lunatic Heroes functions in a few different ways. On one hand, most of Anthony's stories are about the dysfunctional elements of his own family and his 1950s childhood: about the way each character would attempt to devour Anthony's extremely introverted essence, digging under the sand where his self hid in order to successfully-or unsuccessfully-get at it.
On the other hand, Anthony's narratives also take many of these same characters and portray their other more relatable sides. It is no coincidence, after all, that the heroes of ancient literature-for all of their deplorable moral behaviour by contemporary standards-still possessed a spark of divinity and managed to perform great deeds. In a fiercely passionate and witty voice tempered with a nostalgic unsentimentality not unlike that of Will Eisner, Anthony manages to show that these characters from his own life aren't always monsters, but are very fallible human beings with some moments of relation, levity, and downright comedy: even and especially in some of the worst situations that he depicts.
What drew me in as a reader were the very mutable archetypes that Anthony managed to identify in his life: specifically with regards to how they transferred and inter-lapped throughout each story that he gathers together into a strange whole. Sometimes each narrative doesn't always fit in a straight-line-which is more than fair given how a life of human interactions is generally never shaped that way-and he occasionally repeats a sentence from a previous story. But the archetypes really drew me in. Certainly, the whole Scylla and Charybdis parallel childhood dilemma in "Force Fed" was made very uncomfortably clear, just as the figure of a Far Eastern form of enlightenment and a symbolic place of personal transformation is within "Swamp."
...
I am going to give Lunatic Heroes a four out of five.
And here is why.
After reading "The Introduction" and Anthony's "Acknowledgments," and just hearing about him and some of his life from Amanda Palmer's Blog, I wanted to know ... more. Even though the way he describes his childhood, sometimes blatantly and sometimes tinged with hazy mythical half-memories is reminiscent of Neil Gaiman's Violent Cases, I want to know about the rest of it: the adolescent rebellion you see forming in the latter stories, what happened in the rest of his travels, what his other fights were about, and more about his exposure to other philosophies and other relationships.
You can find the unabridged version of my review, along with its second more personal section, on my website which is located under my profile. Anthony's Lunatic Heroes is a very excellent book. I hope you will enjoy it.
