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Encensé par les critiques, auréolé dun oscar pour son interprète féminine et porté à bout de bras par son acteur principal, Le Bal du monstre (Monsters Ball) fait partie de ces films qui surprennent par leur âpreté.
Le réalisateur Marc Foster nous plonge avec cette histoire dans un océan de douleur. Dans latmosphère moite du sud des États-Unis, Leticia (Halle Berry) tombe amoureuse dun homme, rencontré alors quelle emmenait durgence son fils obèse à lhôpital, qui savère le responsable de lexécution de son mari. Cet homme, Hank, cest Billy Bob Thornton, lun des acteurs les plus surprenants du moment. Thornton joue tout en retenue, un style dans lequel il excelle, comme il l'avait déjà prouvé dans The Man Who Wasnt There, des frères Cohen. Il est la pierre angulaire de ce drame où ambiance poisseuse, paralysie des sentiments et racisme quotidien sont portés par la mise en images acerbe de Marc Foster.
Grâce à une réalisation nerveuse, un sens de lellipse tout à fait opportun et une direction photo pleinement maîtrisée, le premier long-métrage de Foster est une œuvre assez aboutie, malgré une fin abrupte et un jeu parfois hystérique de Berry, qui détonne avec lensemble. Monsters Ball reste tout de même un film dur, haché, dépeignant sans maquillage le quotidien tout en paradoxes de personnages battus par la vie. --Helen Faradji --This text refers to an out of print or unavailable edition of this title.
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The performances are all marvelous. Thornton and Ledger maintain a quiet anger and sadness, Combs and Peter Boyle (as Hank's racist father) are both great in brief supporting roles, but nothing compares to Berry. Usually typecast as the beautiful girlfriend or token black character, she brings exquisite calibration to her work, a raw fear combined with pride and numbing insecurities. She also has some stunning hysterical moments in the film, when she realizes who Thornton's character is and when she finds out her son is dead at the hospital. The latter moment emblazons itself on your memory, as she bangs on the glass screaming with gutteral howls "My baby! Please don't take my baby!" before collapsing into a heap. Berry, despite some recent poor script and genre choices, proved herself in this film, winning a well-deserved Oscar as Best Actress in a Leading Role against such contenders as former winners Sissy Spacek and Judi Dench. Berry's performance ranks among the best in recent memory.
Excellent acting and good writing make this film easily one of the finest of the last few years.
As for the film itself, it grabs you from the beginning and doesn't let go. The mood it establishes, supported by an excellent musical score, almost hypnotizes you. I was disappointed by the ending, however. It seemed abrupt and gave me a feeling of incompleteness concerning the film. The fact that there wasn't much dialogue to uncover the characters along the way only added to this feeling (I felt like I was only starting to get to know these people and then . . . the credits roll). But, again, it was the mood, not the dialogue, that makes this movie work.
But alas, it doesn't. Monster's Ball is about two flawed characters who need each other due to tragedies they both suffer in the first half of the film. There is no romance at the birth of their relationship, only symbiosis. OK so far. But for the premise to effect any emotion in the viewer, the movie must be plausible. I realize the plot is not the most important thing in this movie, but its reliance on coincidence is heavier than Halle Berry's kid. (**Warning, spoiler to follow.**) And I spent too much time sighing or laughing out loud over ridiculous scences such as the one involving the death of Berry's son in the hospital to feel anything for these characters. The lack of believability dilutes the power that the perfomances of the leads could have provided. And that's ashame, because the acting is really good for the most part (except for P. Diddy's blah performance -- I'm not sure why movie critics out there have praised the job he did in this).
One other complaint: is it just me or does Halle Berry look conspicuously white on the cover of this movie? (She sure doesn't look like that on screen.) You know, here's a movie about a rather unpleasant fellow (racism being one of his flaws) whose improvement as a human being is tied to his relationship with a black woman. Yet with prospective viwers likely knowing they'll get to see Berry naked, the distributor picked a picture of her that makes her look as if she's, well, not that black. Cynical? Or am I reading into that too much?
Billy Bob Thornton plays the unfeeling, unemotional, robot of a man...(He plays him superbly) He comes from a generation of robotic sleeze balls.
How apt that he is one of the gaurds at the prison who executes Halle Barry's husband (Puffy.)
Halle plays her role (No makeup, still stunning) as a sort of welfare, desparate, pathetic soul...probably also from a generation of dysfunction.
Billy and Halle meet somehow---both filling a hole in one another. Somehow it works. Somehow they become better people because of it.
There is a scene where Billy Bob Thorton is painting the inside of his house white...(symbolic for a new beginning)
There are scenes where the viewer will see hands reaching into a cage recovering a bird... (Another metaphor for freedom, change, letting go)
This is one of the best movies I have ever watched...
Halle is superb, deserving of the acadamy award.
Thornton is brilliant as her sleeze ball boyfriend turned human.
PS... beware, the scenes of Barry beating her son is very raw and disturbing, but the directer makes the viewer see that she too, has been in this abusive cycle for many years.
This is not a movie you will soon forget...the images will stay with you and make every emotion surface.
Most recent customer reviews
Good movie, I liked that Heath was in it, even for as long as he portrayed his Sonny character, good plot and acting.Published on April 5 2013 by Dana Dumitriu
This might have been good if they had tried to make a serious, realistic film instead of a silly fairy tale. Read morePublished on Oct. 11 2008 by serious watcher
This movie is by far one of the best in the last few years. One of the best things about this is its simiplicity; the human need for intimacy and love. Read morePublished on April 14 2008 by Melisa
Halle berry gives an amazing performance and deserved her oscar in this drama.Forget what bad things people say about this movie because they don't know good drama's halle has... Read morePublished on July 12 2004 by Donald Antoine
There were moments where this film interested me, but otherwise I found myself wondering why Halle got an Oscar for this role, or more importantaly-- why this film was so... Read morePublished on July 10 2004