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3.7 out of 5 stars 20 customer reviews

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Product Details

  • Audio CD (Oct. 2 2007)
  • Number of Discs: 1
  • Label: Sony Music Canada
  • Run Time: 48.00 minutes
  • ASIN: B000V8I2QU
  • Other Editions: Audio CD  |  LP Record
  • Average Customer Review: 3.7 out of 5 stars 20 customer reviews
  • Amazon Bestsellers Rank: #17,612 in Music (See Top 100 in Music)
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1. Radio Nowhere
2. You'll Be Comin' Down
3. Livin' In The Future
4. Your Own Worst Enemy
5. Gypsy Biker
6. Girls In Their Summer Clothes
7. I'll Work For Your Love
8. Magic
9. Last To Die
10. Long Walk Home
11. Devil's Arcade
12. Terry's Song

Product Description

Product Description

2007 album from the singer, songwriter and Rock icon and his E. Street Band. Produced and mixed by Brendan O'Brien, the album features 11 new Springsteen songs and was recorded at southern tracks recording studio in Atlanta, GA.


Thirty-five years as a justifiable rock musician allows Bruce Springsteen an opinion on the state of over-the-air radio, and he takes it--and takes the medium to the woodshed on the ruthless "Radio Nowhere." The opening smash sets the tone, with the ageless Boss wondering, "Is there anybody out there?" before imploring, "I just want to hear some rhythm." Then, with E Street Band in tow, Springsteen goes on to retrace every step between here and Greetings from Asbury Park, hand-delivering more could-be, would-be hits than anything he's done since Born in the USA. Credit producer Brendan O'Brien for the wall of sound that backs "Girls in Their Summer Clothes," which sets the atmosphere for one of the great vocal performances by Springsteen, who plays the misfit "in the cool of the evening light" watching the girls "pass me by." With piano, glockenspiel, and infinite guitars, the rocker "I'll Work for Your Love" recalls The River, with Springsteen even settling for blue-collar hero in matters of the heart. "Livin' in the Future" could be an out-take from Darkness on the Edge of Town, with shades of Election Day blasting away with the boastful sax of Clarence Clemons and Little Steven's relentless backing vocals. There's even a hint of Nebraska on "Terry's Song," an earnest (and mostly solo) accolade with Springsteen acknowledging the death of a friend: "When they built you, brother/They broke the mold." The hidden track closes this unforeseen comeback, and for 48 minutes the nearly 60-year-old Bruce Springsteen sounds 35 again. --Scott Holter

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Customer Reviews

Top Customer Reviews

Format: Audio CD
This is an album to stir the loins of Bruce Springsteen fans, resurrecting the desperate, fist-waving bravura of much-loved classics "Born to Run" and "Born in the USA" in a life-affirming surge of rock and roll, soul, blues and gospel, all merged together in a Spector-esque wall of sound.
The drums go boom-cha-boom on "You'll Be Comin' Down", Clarence Clemons's sax punches a hole through "Living in the Future", and a church bell can even be heard ringing out on "Your Own Worst Enemy".
But, as on Springsteen's earlier masterpieces, the underlying sentiment is much darker and more subtle than the swaggering music implies.
As everyone knows, your own worst enemy is yourself, and Springsteen turns a mordant eye on the changes in his own country since 9/11.
This is his most intensely produced album in years, this also sounds like the most fun Springsteen has had in a studio since the Seventies.
"I just want to feel some rhythm," he insists on "Radio Nowhere", a typically defiant finger flip to corporate communications, still strangely believable coming from an artist of huge wealth himself.
It's Springsteen's most complex, textured work in years, as rich as any in his catalogue, with songs that both challenge, inform and entertain. He once observed, in his lyrics anthology "Songs", that a song's emotional centre is dependent on the fellowship the writer feels with his subject, that when a lyric falls perfectly into place, "your voice disappears into the voices of those you've chosen to write about".
On "Magic" this happens time and time again, as he proves himself a master of the empathy required to bring his characters to life in all their contradictory, multiple selves.
With the E Street Band back at his shoulder, Bruce reverts to the romantic idealism of their youth on "Girls In Their Summer Clothes", and to simple symbolism on the title track.
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Format: Audio CD
After surviving more musical trends than most rock artists combined together, Bruce Springsteen has nothing left to prove. You know where you stand with Bruce: his music is pure rock and roll, with touches of country and pop sensibilities here and there. Although he has sometimes ventured in different avenues in recent years on albums such as "The ghost of Tom Joad", "Devils and dust" and "We shall overcome", his musical identity is as instantly recognizable as his powerful voice.

"Magic" is an album that deserves its title. It's a solid return to form for the Boss, who delivers twelve new songs (there's a gut-wrenching hidden track called "Terry's song") with no filler. The opening song (and debut single) "Radio nowhere" is a well-deserved kick at today's radio stations and demonstrates how out of touch they have become with people. The rest is just as strong; "Girls in their summer clothes", "Living in the future", "You'll be coming down", "I'll work for your love" and "Terry's song" are all amazing songs, while the title track and "Devil's arcade" provide an arresting change of pace. "Your own worst enemy" is arguably the highlight of the album, with its Spector-esque production and an inspired vocal performance from Bruce. And while the album might hardly be considered original or ground-breaking, Springsteen himself is an original and does what he does best on this thoroughly enjoyable album.

It's ironical that Bruce is living up to the prophecy of "Radio nowhere"; the album is a number one smash in America, but the single is getting very little airplay south of the border. Maybe it's time radio programmers get back in touch with the tastes of their audiences...
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Format: Audio CD
This is the kind of album I come across every so often. It's a piece of work that I know will be one of my favourites the first time I listen to it..... and it was. I played this back to back with the River and it was no contest. The River sounds so much more basic and same sounding compared to Magic. No comparison....Magic wins hands down. It's such a catchy album. Great thoughtful lyrics, great production, solid technical playing and passionate vocals. He will win a grammy for it and will tour it all over the world. It's right up there with Born to Run and Darkness on the Edge. There isn't a bad track on the album. I love it and can't keep it off my player. When I recently saw him in concert, it was the only time I can remember when I didn't want him to do all his older material because I love the new tracks so much I wanted to experience them live as opposed to some of his tired tracks like Cadillac Ranch.
Livin' In the Future sounds a little like 10th Avenue Freezeout but I think it's superior to it. You will hear traces of sounds and musical ideas on this album that harken back to various stages of his incredible career. Devil's Arcade would not be out of place on the Rising.
Girls With Their Summer Clothes is so catchy and happy it begs comparison with 60's Spector pop. How does this guy do it? He keeps being important and relevant to the rock world when so many of his peers are trivial or boring. He still has messages and they're packed in strong musical surroundings with good interplay with the E Street Band.
For those of you who think the Boss is over the hill, you are dead wrong!
I'd rather listen to Magic than most of his other work or that of other artists out there at this moment. This is an absolute classic.
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