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The Man in the High Castle Paperback – Jan 24 2012
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Dick began writing in the 1950s, a decade haunted by the Cold War and a decade which witnessed the blossoming of science fiction. While this form of literature was already haunting the margins of culture as early as 1926, when Hugo Gernsback identified it as "scientifiction", it was the terror of science gone mad-the atomic bomb-that gave science fiction its first, heroin-like shot in the arm.
In some ways the fear of nuclear war is just another expression of a theme that has seized the attention of literary theorists, philosophers and social scientists alike: how stable is "reality"? This is the great postmodern question, which has led theorists like Jean Baudrillard to conclude that even protests against the current multinational consumer system are programmed by the system, Michel Foucault to argue that the totalitarian momentum of this system seeks to colonize that last refuges of human freedom, one of these being our unconscious minds, and Daniel Bell to open up the possibility that the consumption of images and simulacra will continue to the point where "reality" may be nothing more than a series of products that one can purchase.
The Man in the High Castle novel presented the ultimate hallucinatory reality for the 20th century-a reality in which the Axis powers won World War II. Into this world, which Dick peoples with memorable characters, comes a novel written by a man who supposedly lives in a defended compound-the High Castle-in the nominally independent Rocky Mountain States. This novel, The Grasshopper Lies Heavy, portrays a reality which powerfully affects everyone who reads it: a reality in which the Axis lost the war. Dick deepens the sense of dislocation for his characters and for the readers when the death of Reichschancellor Martin Bormann unleashes a power struggle in the Reich that will affect top secret Operation Dandelion-the planned nuclear attack on the Japanese Home Islands. To his horror, the Japanese Consul in San Francisco, Tagomi, discovers that the only leadership candidate opposed to Dandelion is Reinhard Heydrich, head of the dreaded S.D., and to save itself Japan must support the evil of the black uniform-an evil which has completed the holocaust in Europe and demands the surrender of Jews even in the Japanese-occupied Pacific States of America; an evil which has exterminated the black population of Africa in fifteen years. Tagomi literally becomes ill at discovering the reality of evil and concludes that humans are insects "...groping toward something terrible or divine." Tagomi manages to perform one small moral action-refusing to accede to a German request to extradite Jew Frank Frink from the P.S.A. to the Reich, and this action is echoed by Wegener, a representative of a German faction trying to thwart Dandelion: "We can only control the end by making a choice at each step."
The novel ends with Frink's wife Juliana discovering that the real "author" of The Grasshopper Lies Heavy is the I-Ching and that the novel is actually the "truth"-Germany and Japan lost the war. While this realization does not heal her reality-save for the fact that her journey has prompted her to want to rejoin her husband-it stands as a symbol that transcends the book and speaks directly to the reader. The Man in the High Castle is thus, itself, an assault on reality-a work of fiction's internal reality. The reader of 1962, the year of the Cuban Missile Crisis, cannot help but feel that, despite its terrors, the Cold War is inevitable and preferable to the only historical alternative that could have prevented it.
Patrick R. Burger (Books in Canada) -- Books in Canada --This text refers to an out of print or unavailable edition of this title.
From the Inside Flap
It's America in 1962. Slavery is legal once again. The few Jews who still survive hide under assumed names. In San Francisco, the "I Ching" is as common as the "Yellow Pages." All because some twenty years earlier the United States lost a war and is now occupied by Nazi Germany and Japan. This harrowing, Hugo Award-winning novel is the work that established Philip K. Dick as an innovator in science fiction while breaking the barrier between science fiction and the serious novel of ideas. In it Dick offers a haunting vision of history as a nightmare from which it may just be possible to wake. " --This text refers to the Hardcover edition.See all Product Description
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Top Customer Reviews
The Man in the High Castle is another brilliant and thought provoking novel. It is an engrossing and fun read as well, and a true classic of science fiction.
This is science fiction only in it being set in an alternate history. There are no zapotron rays or electroframmistans to muddle the scenery between the characters and the world they're in. Read it carefully, because it's a PKD novel and that means you're going on a schizophrenic ride somewhere in the novel.
This one schizes out at the end, where many PKD books discharge their psychedelic payloads, and that freaks out a lot of the straights in the general population. They miss the point that PKD is about shifting frames of reality and that the end itself sets you up with a question as to which world you live in and the dilemma of being forced to disbelieve things you enjoy and the pain of having them vanish for you.
Most humans don't get PKD, but he's all the rage on Yuggoth. Tentacles up on this one.
For those who've never heard of this book, "Castle" offers an oppressed and subjugated America long since conquered by the Axis powers of the War. America is divided between the Japanese consolidated states of the Pacific coast and the German dominated eastern-American sphere - though Dick suggests the Nazis as the more ambitious of the two victors. Still a militaristic society, the Japanese themselves are comparatively benign - polite invaders who maintain their occupation from restricted enclaves while spending their time acquiring "Americana" (American swords, billboards, vintage clothes, jewelry, etc..) The Germans have been busier, and Dick hints early that, as far as Germany is concerned, the Earth isn't big enough for two empires. The horrors of the Nazi genocide aren't fleshed out - Dick stays deliberately vague - there are hints of a horror in Africa, while the futuristic Nazis share the racial ideas of the historical Nazis. Between the Japanese and German dominated territories, a vast no-man's land exists in which people try to survive by exploiting each side's distrust of the other, guided by the I-Ching. When the novel opens, we learn that the Nazis are on the verge of planning two new wars - one against their enemies, but firs a battle among their own inner circle. At the center of everything lives the man of the castle himself - a recluse who has penned an underground best-selling novel which brazenly exalts and America that actually won WWII.
As a straight novel, "Castle" is an incredible disappointment.Read more ›
Most recent customer reviews
Very confusing. The story feels disjointed and incomplete. I usually enjoy alternate reality tales. The characters don't quite mesh and they lose their way.Published 4 months ago by Kindle Customer
I have no idea what the point of that book was. D
on't waste your time on it.
Bought this book because of the TV show, but just like any other adopted series, book is different from the show. Read morePublished 6 months ago by alex kinzburg
Very dry and boring, and poorly written. I made it to chapter 7, but nothing had taken place, so I decided not to continue. Read morePublished 6 months ago by Noremac
I enjoy books that require you to fill in the blanks. Well written and proactive and leaves you thinking about long after you have finished reading.Published 7 months ago by figamus
QUESTION for those who purchased the new red and black cover: when purchased was it the cover with eagle (as shown), or the swastika (as I have seen on other covers). Read morePublished 8 months ago by Nicky