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Monkey Beach Paperback – Jan 9 2001

4.6 out of 5 stars 27 customer reviews

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Product Details

  • Paperback: 384 pages
  • Publisher: Vintage Canada; Vintage Canada Edition Second Printing edition (Jan. 9 2001)
  • Language: English
  • ISBN-10: 0676973221
  • ISBN-13: 978-0676973228
  • Product Dimensions: 13.2 x 2 x 20.3 cm
  • Shipping Weight: 590 g
  • Average Customer Review: 4.6 out of 5 stars 27 customer reviews
  • Amazon Bestsellers Rank: #5,177 in Books (See Top 100 in Books)
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Product Description

From Amazon

Lisamarie Hill, the protagonist of Eden Robinson's coming-of-age novel Monkey Beach, is a terror. She'll run out of an evacuating car to get a better view of a tidal wave. She'll drag you unconscious to a deserted island with nothing but cigarettes, marshmallows, and the need to get you talking. Whatever her age, she'll ask awkward questions.

Set in the coastal Haisla village of Kitamaat near British Columbia's dauntingly gorgeous Queen Charlotte Islands, Monkey Beach is the story of Lisa and her Haisla community, including uncles involved in First Nations warrior movements, industrious grandmothers with one foot in the grave and the other in various spirit worlds, and the long-armed specter of residential schools. The path to adulthood (and you risk a bloody nose if you call Lisa an adult) for Lisa and her friends is beset by the dangers of substance abuse and family violence but sprinkled with hopes as varied as Olympic gold or, sadly, a "really great truck."

Monkey Beach succeeds as a novel of voice. Narrator and hero Lisa is whip-smart and ever cracking-wise: "The sky, one sheet of pissing greyness, stretches low across the horizon." Plot, however, doesn't come off so naturally. The Big Horrible Event at the story's end seems produced by page count alone, not by character. Voice and character do carry the novel, but the plot feels microwaved where it should be slow-roasted. --Darryl Whetter

From Publishers Weekly

Jimmy Hill's fishing boat is lost at sea, and while his older sister, Lisa, waits for word, her thoughts drift to their childhood in Kitamaat, a small Haisla Canadian Indian community off the coast of British Columbia. Skipping back and forth between the 20-year-old Lisa's anxious vigil and the story of her upbringing, this lyrical first novel by half-Haisla short story writer Robinson (Traplines) sings with honesty. As a child, Lisa is a feisty kid, a fighter. Her heroes are her Uncle Mick, a Native rights activist who teaches her to sing "Fuck the Oppressors," and her grandmother Ma-ma-oo, who instructs her in Haisla ways. Popular culture and tradition go hand in hand in Kitamaat, where a burnt offering to the dead is likely to be a box of Twinkies, and Lisa's sensible, hard-working parents try to give their children the best of both worlds. Jimmy, a straight arrow, shows early promise as a swimmer and trains for the Olympics. Lisa, meanwhile, is thrown off course by the tragic death of Uncle Mick and joins a gang of tough boys in junior high. A few years later, she runs away to Vancouver and a life of drugs and alcohol. Startled at last out of her downward spiral by the spirits that have visited her since she was a little girl, she comes home just in time to watch as her brother's life falls apart and he inexplicably takes a job as a deckhand. Eventually, she sets out alone to meet her parents near the spot where Jimmy's boat was last seen. Lisa is an unsentimental, ferocious, funny and utterly believable protagonist; Robinson's narrative is engrossing but fiercely uncompromising, avoiding easy resolution. Fans of writers like Lois Anne Yamanaka and Sherman Alexie, who blurbs the book, will appreciate this gritty, touching story. Author tour. (Dec. 6)
Copyright 2000 Reed Business Information, Inc. --This text refers to the Hardcover edition.

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Customer Reviews

4.6 out of 5 stars
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Top Customer Reviews

Format: Hardcover
Eden Robinson has written a quietly engrossing novel about life on the coast of British Columbia, in the small Haisla town of Kitamaat. Lisa Marie (named after Elvis Presley's daughter) has a gift: she can see spirits, even if she does not understand them. Most troubling, she is visited by a little man with red hair who seems to appear at night in her bedroom just before disaster strikes. But this novel is not about Lisa and her visions of Sasquatchs and talking crows; MONKEY BEACH is about the tender bonds forged in life. Her beloved brother Jimmy has disappeared at sea, and the family can only wait for news. Lisa finds herself looking backwards for answers - in the deaths of her favorite uncle Mick and her grandmother, and in her own and her brother's lives. Through these extensive flashbacks, we begin to understand not only the significance of Jimmy's disappearance but also those he has left behind.
Although I found the ending vaguely disappointing, I enjoyed reading this skillful account of a Haisla family. You can count Eden Robinson in with the more famous names of Louise Erdrich, David Treuer, Susan Powers, and Leslie Marmon Silko as an honest portrayer of First Nation life. Her talents are rich and varied, so I expect to see many more books from her in the future. Readers of literary fiction won't be disappointed.
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Format: Paperback Verified Purchase
Monkey Beach is really good. Especially the quality it came in was incredible. I really connected to the novel even though I am not native or know the native religion. I believe that anyone can fall for the novel if they keep reading none stop, sometimes it is confusing, but it's easy to understand the literature if you have a low vocabulary spend (like me). Anyone could read this and I really recommend reading this!
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By A Customer on Sept. 12 2001
Format: Hardcover
I don't usually like coming of age stories about teenage shenanigans but these teenagers are truely original as is the beautiful Northwestcoast setting. I revelled in bays and inlets full of killer whales, and seals, and birds, and ghosts that whisper through the trees, really atmosphereic. My prior knowledge of Northwestcoast Indian mythology and art gave it an added dimension. Read and enjoy.
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By Jo P. on April 4 2012
Format: Paperback
Lisa, a tough chick, sets out to find her lost brother and there's nothing anyone (or anything) can do to stop her.
Jimmy, Lisa's brother, has set out on a fishing boat and has failed to return although Lisa just knows that she can find answers on Monkey Beach, a place where the supernatural lurks in the shadows. The plot is not linear, but rather goes back and forth through her past and present. Through the stories that she shares about her past, the relationships she had with her Ma-ma-oo and her Uncle Mick take center stage and serve to encourage her spirit and the connection she has with the spirit world. This connection helps her in searching for her brother, however Robinson does not spend as much time on the plot as she does on characterization. The main bulk of the book is spent on her memories which transport the readers to her childhood in Kitamaat, on the western shore of B.C. where she encounters domestic abuse and alcoholism to when she suffers it herself in Vancouver. This book illustrates many painful issues which obscures the main plot of her brother's whereabouts.
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Format: Hardcover
Monkey Beach by Eden Robinson begins at the end and opens up to take you on a spirally path of a few days' journey that stretches over a child's lifetime. Before you know it, you are connected to the family and the village of Haisla people, and you get a first-hand observation of this family and their tangled lives. The language Robinson uses, skillfully raw, but always making its point felt, gives you an intimate sense of the culture of the book's inhabitants. It is a story well-told, deeply moving, highly absorbing, and alive every moment. It is a treat to those of us who grew up in a different world to learn about a culture, not so unlike the rest of North America, yet with its own disfunctions and foodstuffs and myths. It is also a treat to have such a fine writer as Eden Robinson take her story and give birth to it in print to share it with us. I appreciate the other-world connection and Robinson's use of it as real, tangible. My favorite line in the book is: "As I drove away, I felt deeply comforted knowing that magical things were still living in the world."
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Format: Hardcover
Robinson's book is a great "modern" fairy tale that deftly weaves the sad truth about Native Americans such as reserve life, alcohol, poverty and residential schools with an interesting twist of old mythology. There are liberal doses of hard reality such as broken lives due to substance abuse and hard living mixed in with flights of fancy about the "sasquatch" said to be living in the coastal area in the Queen Charlotte islands.
The book captures the crisis moment for a native family when they are told their son's (who is portrayed as somewhat of a golden child) boat has disappeared off of the coast. The family's story, along with most of the village, is told in a series of intertwined flashbacks that really demonstrate Robinson's excellent narrative skills.
I won't spoil anything else in the fine tale but would highly recommend the story. Anyone who has read Silko, or even De Lindt, will likely enjoy this tale. Those who have recently taken "authentic Indian names" and are looking to exploit more "Indian culture" will likely be disappointed by the fact that Robinson's book really fits in with more "mainstream" works such as Pynchon and Nicholas Christopher. Perhaps we need a new "cubbyhole" called "Native American Dark Urban Fantasy"?
Buy a copy and support real talent!
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