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Mulholland Drive (Sous-titres français) [Import]

3.6 out of 5 stars 784 customer reviews

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Product Details

  • Actors: Naomi Watts, Laura Harring, Justin Theroux, Jeanne Bates, Dan Birnbaum
  • Directors: David Lynch
  • Writers: David Lynch
  • Producers: Alain Sarde, John Wentworth, Joyce Eliason, Mary Sweeney, Michael Polaire
  • Format: Closed-captioned, Color, Dolby, DVD-Video, Subtitled, Widescreen, NTSC, Import
  • Language: English
  • Subtitles: French, Spanish
  • Subtitles for the Hearing Impaired: English
  • Region: Region 1 (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • MPAA Rating: R
  • Studio: Universal Studios
  • Release Date: April 9 2002
  • Run Time: 147 minutes
  • Average Customer Review: 3.6 out of 5 stars 784 customer reviews
  • ASIN: B00005JKJA
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Product Description

Product Description

Theroux/Watts/Harring/Miller/Hedaya/Forster ~ Mulholland Drive

Amazon.ca

Le Sunset Boulevard du IIIe millénaire ? Impossible de ne pas évoquer le chef-d'œuvre de Billy Wilder pour rendre compte de cette œuvre dense et poétique, qui bouscule les conventions cinématographiques pour le plus grand plaisir de nos yeux, de nos sens et de notre intelligence. Comme tous les grands films de Lynch, Mulholland Drive déchire le voile des apparences : derrière l'intrigue rassurante de la succes story d'une starlette hollywoodienne, se cache un fascinant voyage au bout de la nuit, un enivrant cauchemar labyrinthique entre rêve et réalité ; où se télescopent une brune amnésique et une jeune blonde aux portes de la gloire. D'abord conçu comme un pilote de série télévisée, Mulholland Drive appelle la comparaison avec Twin Peaks, tandis que la figure de la dualité féminine évoque Lost Highway et Blue Velvet. Maîtrisé de bout en bout, le 9e film de l'auteur d'Eraserhead a tout pour devenir le premier chef-d'œuvre de ce millénaire : le regard ironique d'un cinéaste en pleine possession de ses moyens ; des comédiennes inconnues désormais élevées au rang d'icônes cinématographiques (Naomi Watts et Laura Elena Harring) ; une musique à la fois envoûtante, entêtante et voluptueuse, que l'on doit à Angelo Badalamenti ; le souvenir tenace et hypnotique que procure la vision renouvelée de ce tissu de rêves "étranges et pénétrants", entre plaisir et mystère, jouissance et horreur. Mulholland Drive a obtenu le prix de la mise en scène Cannes 2001. --Sylvain Lefort

Customer Reviews

Top Customer Reviews

Format: DVD Verified Purchase
Absolutely fantastic. Criterion is Jesus Christ reincarnate and they've done it again. The only thing Lynch was and probably ever will be Oscar nominated for (nominated best director oscar, 2001). Mulholland Drive..... Mullholland. Drive.
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An ultimate coalescence of David Lynch's surrealist and mainstream talents, MULHOLLAND DR. can certainly be explained and understood. It's all here . . . All the familiar Lynch-isms sewn into a bizarre, tight package (Labyrinthine structure, hot sex, oldies music and large red, velvet curtains on-board, Captain). Witness our trusty auteur perform the expert trick of accurately translating the possibilities of "Dream-Time" to film.

Starting from frame one (including the groovy 50's dancers), the viewer becomes submerged in Naomi Watts' dream (notice the pillow shown for a few seconds). The dream is based on her recent experiences with people she knows well or has merely glanced at briefly (Cowboy, Espresso-dude, Winkies diner guy) dwelling in her dream chambers with elaborate storylines. Her wish for stardom, girl-on-girl lust and shameful, murderous guilt fuel Watts' visions. Although she's not in many scenes, every scene is wholly part of her dream and moves towards one conclusion: Her object of desire is slain and she is responsible for the vile crime. The drop-dead beautiful Laura Elena Haring utters her final line "Donde estas?" before vanishing from Naomi's sub-conscious and existence all-together. After Diane Selwyn awakens, all action takes place mostly via flashback as we learn piece by piece how the elements of the dream formed. The only "real-time" shown is her final hour, in the apartment.

In a nutshell, she's love-sick and insane, went ahead and hired a hit-man to murder her ex-lover (Rita/Camila) and kills herself with the police banging on the door. The "little" old people are hallucinations perhaps representing her conscience like a Lynch-ian "Jiminy Cricket.
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Format: DVD
David Lynch forever leaves the viewer questioning, But this one, amidst it's twists and turns does add up somewhat in the end, at least for me anyways. Yet shall be forever haunting as I feel I've just experienced this young starlets crushing breakdown through her eyes fully. Other viewers may come away with something completely different, and that's okay too, Essentially the movie plays out like a reversed adage ala 'all that is gold doesn't necessarily glitter'. And though that's easy enough to say; the way David Lynch and the terrific cast exemplify that is truly amazing. There is enough tell tale signs in the movie to substantiate this. Yet I'm sure enough viewers could bring forth enough evidence in the movie to prove me entirely wrong. And I would be totally fine with that as well. And that is the true beauty of a David Lynch movie. They live on at numerous levels forever.
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Format: DVD
I have hesitated to write a review of this film for several years now. The chief reason for this is that "Mulholland Drive" is my favorite film ever, and I despaired of ever getting the proper emotional distance required to review the film.
However, it has now been several months since I've had a chance to see the film, and I think its strengths and weaknesses have settled fairly well in my memory. This film is quite simply a triumph of expert filmmaking. I will admit that David Lynch's record was spotty up to this point. I found "Blue Velvet" captivating but thought "Eraserhead" was too deliberately misanthropic and offputting. But Lynch has finally found the right idiom and plot for his unique style of filmmaking.
The first strength you notice about this film is that it is positively dripping with atmosphere. Lynch's strong use of color drenches every frame in a wash of film-noir paranoia; it is obvious just from looking at the screen that something is not right here. Fabrics and wallpaper are just never THAT bright; foliage and jewelry leaps off the screen with its vividness. The film's second strength is incredible acting, particularly from Naomi Watts. Her failure to receive an Academy Award for this performance was the beginning of my current distrust for the Academy's choices. Watts is here required to play two different roles, one vastly different from the other. It is a feat she accomplishes flawlessly, shifting from one character to the other so completely that at first I didn't realize it was the same actress playing both roles. Laura Harring lends capable support, her face and acting style a throwback to a thirties melodrama. It is only appropriate that she chooses her character's name from a Rita Hayworth poster.
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Format: DVD
Like Kevin Smith, the first time I saw this film I was stupefied. "What?!" Repeated viewings disabused me of the notion that there was nothing in this film to understand. I now think this is a work of absolute genius

Originally written and filmed as a TV pilot, the ending was only written after the show was rejected. Knowing the history of the genesis of the film only increased my appreciation for its craft, because the ending qualitatively transforms the entire first three quarters of the film. I cannot comprehend how Lynch was able to think of an ending that turned the whole first part of the film on its head, making it meaningful on a completely different, and more subtle layer.

For first time viewers, I can only say that it's important to pay attention to the whole film. Every shot. Colours, symbols, recurring objects and motifs, all play a part in revealing the film's secrets. I can't recommend this movie highly enough.
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