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My Only Comfort: Death, Deliverance, and Discipline in the Music of Bach Paperback – Apr 11 2000


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Product Details

  • Paperback: 259 pages
  • Publisher: Eerdmans; 21.22 edition (April 11 2000)
  • Language: English
  • ISBN-10: 0802844723
  • ISBN-13: 978-0802844729
  • Product Dimensions: 15.9 x 1.5 x 23.5 cm
  • Shipping Weight: 485 g
  • Average Customer Review: Be the first to review this item
  • Amazon Bestsellers Rank: #748,226 in Books (See Top 100 in Books)
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Review

The Living Church"This is a wonderful book! After giving readers a brief introduction to Bach's music, theology and historical context, Stapert proceeds to interpret, enliven and discuss specific pieces of Bach's music using questions and answers from the Heidelberg Catechism to illuminate Bach's theological and musical purpose. . . An excellent book for anyone who wants to become better acquainted with the music of Johann Sebastian Bach, or those who want inspiration for their own spiritual lives."Max L. Stackhouse"The noted humorist Garrison Keillor once said that Johann Sebastian Bach was a great musician because he was a Lutheran. The great liberal theologian James L. Adams, who disliked Luther, advanced the notion that Bach's music was, in fact, a fifth Gospel. Calvin Stapert here shows how both of those views are almost valid. He skillfully leads readers through the thicket of contentious commentary on Bach's biography, musicology, faith, and legacy, then offers a fresh, Reformational interpretation of the biblical-theological themes that lie at the core of Bach's work. Without understanding these, he argues, neither the inner structure of the music nor the enduring significance of its evangelical intent can be grasped. Through Stapert's book we gain a view of Bach as an artful, spiritual mentor for us all."Michael Marissen"Amid all the noise of Bach-Year 2000, this is an especially marvelous and welcome contribution. Integrating theological and musical insights is rare enough in writing on Bach. Rarer still is what Calvin Stapert additionally brings to the subjectwisdom."Paul Westermeyer"Here is a remarkable book. Calvin Stapert, a Calvinist, gives a clear and responsible introduction to Johann Sebastian Bach, a Lutheran, from a theological and musical standpoint. He then sets a Calvinist document, the Heidelberg Catechism, in dialogue with Bach's music. The result pushes beyond either Calvin or Luther to a faithful catholic breadth. This is a book for anyone who wants to get at the essence of J. S. Bach."Interpretation"Highly recommended for the theological or musical layperson, this work is an invaluable resource for the serious church musician."Christian Century"Bach's religious works are far more than musical gems adorning religious services. This is the premise of Calvin Stapert's My Only Comfort, which explores the theology of Bach's works through a meditative reflection on parts of the Heidelberg catechism. Stapert examines three motifs (death, deliverance and discipleship) in the music and text of several cantatas, several passages of the Mass in B Minor, and the Christmas Oratorio. . . The use of scriptural and catechetical reflection may actually help us hear these cantatas as they were meant to be heard. Stapert's discussion of several compositions, notably the Mass in B Minor, shows how text, music and theology combine in a theologically and musically profound way. . . With remarkable craft and genius, Bach transposed the essential language of faith into music. Readers of [this] splendid [book] will listen to that music with renewed appreciation."Metro Lutheran"Here in a moderately sized book is the core of Bach's theology in music. For musical theologians or non-musical theologians, it is a good introduction or review, emphasizing the powerful preaching aspect of Bach's music. But, for all experts and neophytes, it could be a valuable devotional guide or discipline."Perspectives in Religious Studies"Stapert's gifts as a teacher are evident, particularly in sections on 'Bach the Theologian' and 'Bach's Musical Language.' . . . He offers a sound introduction to Bach's music and its understanding as a theological statement."

"The Living Church"
"This is a wonderful book! After giving readers a brief introduction to Bach's music, theology and historical context, Stapert proceeds to interpret, enliven and discuss specific pieces of Bach's music using questions and answers from the Heidelberg Catechism to illuminate Bach's theological and musical purpose. . . An excellent book for anyone who wants to become better acquainted with the music of Johann Sebastian Bach, or those who want inspiration for their own spiritual lives."
Max L. Stackhouse
"The noted humorist Garrison Keillor once said that Johann Sebastian Bach was a great musician because he was a Lutheran. The great liberal theologian James L. Adams, who disliked Luther, advanced the notion that Bach's music was, in fact, a fifth Gospel. Calvin Stapert here shows how both of those views are almost valid. He skillfully leads readers through the thicket of contentious commentary on Bach's biography, musicology, faith, and legacy, then offers a fresh, Reformational interpretation of the biblical-theological themes that lie at the core of Bach's work. Without understanding these, he argues, neither the inner structure of the music nor the enduring significance of its evangelical intent can be grasped. Through Stapert's book we gain a view of Bach as an artful, spiritual mentor for us all."
Michael Marissen
"Amid all the noise of Bach-Year 2000, this is an especially marvelous and welcome contribution. Integrating theological and musical insights is rare enough in writing on Bach. Rarer still is what Calvin Stapert additionally brings to the subject wisdom."
Paul Westermeyer
"Here is a remarkable book. Calvin Stapert, a Calvinist, gives a clear and responsible introduction to Johann Sebastian Bach, a Lutheran, from a theological and musical standpoint. He then sets a Calvinist document, the Heidelberg Catechism, in dialogue with Bach's music. The result pushes beyond either Calvin or Luther to a faithful catholic breadth. This is a book for anyone who wants to get at the essence of J. S. Bach."
"Interpretation"
"Highly recommended for the theological or musical layperson, this work is an invaluable resource for the serious church musician."
"Christian Century"
"Bach's religious works are far more than musical gems adorning religious services. This is the premise of Calvin Stapert's My Only Comfort, which explores the theology of Bach's works through a meditative reflection on parts of the Heidelberg catechism. Stapert examines three motifs (death, deliverance and discipleship) in the music and text of several cantatas, several passages of the Mass in B Minor, and the Christmas Oratorio. . . The use of scriptural and catechetical reflection may actually help us hear these cantatas as they were meant to be heard. Stapert's discussion of several compositions, notably the Mass in B Minor, shows how text, music and theology combine in a theologically and musically profound way. . . With remarkable craft and genius, Bach transposed the essential language of faith into music. Readers of [this] splendid [book] will listen to that music with renewed appreciation."
"Metro Lutheran"
"Here in a moderately sized book is the core of Bach's theology in music. For musical theologians or non-musical theologians, it is a good introduction or review, emphasizing the powerful preaching aspect of Bach's music. But, for all experts and neophytes, it could be a valuable devotional guide or discipline."
"Perspectives in Religious Studies"
"Stapert's gifts as a teacher are evident, particularly in sections on 'Bach the Theologian' and 'Bach's Musical Language.' . . . He offers a sound introduction to Bach's music and its understanding as a theological statement.""

About the Author

Calvin R. Stapert is professor emeritus of music at Calvin College, Grand Rapids, Michigan. His previous books include My Only Comfort: Death, Deliverance, and Discipleship in the Music of Bach; Handel's Messiah: Comfort for God's People; and A New Song for an Old World: Musical Thought in the Early Church.

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Amazon.com: HASH(0xa2942e28) out of 5 stars 3 reviews
HASH(0xa294606c) out of 5 stars A useful adjunct to Bach studies. July 24 2015
By J. Mincham - Published on Amazon.com
Format: Paperback Verified Purchase
An interesting read in that it links the scriptual and biblical passages that interested Bach with many of the cantata texts as a way of understanding more of Bach's religious thinking.
There is a flaw here, though, in that we do not, for the most part, know, 1 who wrote the cantata texts 2 who approved them 3 whether Bach had any say or influence over the texts he was given to set. For example, who wrote the texts for the first 40 chorale cantatas of the second cycle? There are theories about this, but no established fact.
This is a useful book for the student or engrossed music lover to refer to when exploring the cantatas although it is best read alongside an analysis of the structure, word painting and word setting of those great works. e.g. www.jsbachcantatas.com
HASH(0xa2991f78) out of 5 stars Explores the deep spirituality of Bach July 5 2016
By Bob Shaw - Published on Amazon.com
Format: Paperback Verified Purchase
if you are called to the Bach cantatas and to Bach's deep spiritual nature and theology, please study this book. It opens up new ideas and clarifies much of Bach's music.
1 of 3 people found the following review helpful
HASH(0xa2779cfc) out of 5 stars Book arrived perfectly as described online Nov. 13 2013
By E. Culp - Published on Amazon.com
Format: Paperback Verified Purchase
This is a great book for understanding Bach's Cantata's. Stapert writes in an easy style. The book
s condition is exactly as described. Great seller, highly recommended.


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