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NEW Across The Hall (DVD)

2.0 out of 5 stars 3 customer reviews

Price: CDN$ 7.46
Only 1 left in stock - order soon.
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Product Details

  • Language: English
  • Subtitles: English, Spanish
  • Number of discs: 1
  • Average Customer Review: 2.0 out of 5 stars 3 customer reviews
  • ASIN: B002TZS5MY
  • Amazon Bestsellers Rank: #121,468 in DVD (See Top 100 in DVD)
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Product Description

NEW Across The Hall (DVD)

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By The Movie Guy HALL OF FAMETOP 10 REVIEWER on Jan. 12 2016
Format: DVD
The movie credits starts out as if you were watching a 1960's mystery. The 1920's style hotel and eerie bell hop/ desk clerk gives the movie a surreal Sin City feeling. I was all set up thinking I was going to watch a great movie. Then it happens...the flashbacks.

This movie shows you what has happened then uses flashbacks to eventually bring you up to that point, but in a way you didn't expect. Sometimes this works well in a film, sometimes not, especially in this one when you don't know if a scene is a flashback or not until later. This makes the movie confusing and disjointed.
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Format: Blu-ray Verified Purchase
Slower movie for me but okay - the service in shipment however was excellent and prompt.
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Format: DVD Verified Purchase
Slow moving. The acting was flat,
Good story and suprise end.
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Most Helpful Customer Reviews on Amazon.com (beta)

Amazon.com: HASH(0xa68c29c0) out of 5 stars 50 reviews
22 of 26 people found the following review helpful
HASH(0xa6677690) out of 5 stars Suspenseful Neo-Noir Film Feb. 11 2010
By Compay - Published on Amazon.com
Format: DVD
Considering this film was released in only a handful of theaters, I was surprised at how entertaining it was. I was impressed most with the work of Alex Merkin, who makes his film debut with Across the Hall.

Visually, this film is a real treat. The movie takes place in an aging hotel, which becomes a character in itself. The lighting, shadows, use of color and weather all contribute towards making this a fun film noir to soak in. Another treat is the film's score, which combines big band (Starlight Serenade by the Alan Moorhouse Orchestra) and contemporary music. Much of the movie's score is original music by composer Aaron Kaplan, and psychedelic folk rock group Calico Haunts.

While I was unfamiliar with lead actor Mike Vogel, I was already a fan of Danny Pino's work portraying druglord Armadillo Quintero on The Shield. Pino does a convincing job in Across the Hall playing Terry, the vengeful lover. Brad Greenquist, whose career has primarily been in television, adds to the peculiar vibe of the film as the hotel's quirky porter.

This was a tense thriller that pulled me in from the very first scene, and the excellent opening title sequence. It's not a breakthrough film, but if you're a fan of neo-noir in the vein of 21 Grams or Seven, you will probably enjoy it.
11 of 13 people found the following review helpful
HASH(0xa66776e4) out of 5 stars The Perfect Noir Story ... perfectly done. Really. May 15 2011
By phreejax - Published on Amazon.com
First, I have to point out that this is the last movie starring Brittany Murphy that was released in her lifetime. She was excellent in this excellent movie, and I hope she knew it. Another reviewer here on Amazon has stated that she is in only '15 minutes' of the movie. That's completely untrue. She is one of the three main actors in this film -- she played a major role, and did it very well. Her appearance is not just some kind of cameo.

That said ... There's a story about this story, and it's worth knowing before you watch this movie. Alex Merkin, the director, had an idea ... a sort of noir / 'locked room' hybrid, and it is one hell of a great plot. If James M. Cain, Jim Thompson, or especially Cornell Woolrich had written this story back in the day, Fox or RKO would have snapped it up (and Otto Preminger would have directed) -- "Across the Hall" would have made Noir and Hollywood history. The story really is that good. (The role cell phones play in the movie ... really the only modern element ... could easily have been replaced with another plot device -- car keys, notes, whatever -- and probably should have been, to keep this great plot truly timeless.)

I think Alex Merkin knew what he had with this story back in 2006, when he and screenwriter Julien Schwab developed the story into a 16-minute short, also called "Across the Hall." Virtually every line and scene in this 16-minute masterpiece also appears in the 'long' version, released in 2009. And the 'long' version, which is the subject of this review -- and also is written by Schwab and directed by Merkin -- doesn't just expand on its 16-minute predecessor, it improves on it in every way.

This isn't 'neo-noir,' as with a modern film that borrows elements from that genre. No, as stated above, this is something that Cornell Woolrich could have written in 1940, if he'd thought of it. "Across the Hall" would fit comfortably in any vintage film noir anthology -- except it's in color and was made a half-century after the golden age of 'classic' film noir. Even "Chinatown" (I film I love, a lot) doesn't have, and doesn't try for, the claustrophobic, heart-pounding sense of minutes slipping away as fate closes in on the hapless protagonists -- and that's the basis of all classic film noir.

In case you can't tell, I love this film!
5 of 6 people found the following review helpful
HASH(0xa6677a98) out of 5 stars Fantastic Film Noir June 22 2010
By Karl Weaver - Published on Amazon.com
Format: Blu-ray Verified Purchase
This film is an overlooked gem which did not make it big in the theatre. Brittany Murphy has the lead female role. Danny Pino is her boyfriend (or husband) Terry. Mike Vogel is Terry's best friend Julian, and Brad Greenquist has a scene-stealing role as the hotel bellboy.

The central plot of the movie involves "June"-that would be Brittany--checking into a seedy, run-down hotel (somewhere in the Hollywood area it seems), and her paranoid husband Terry, who is continuously convinced she must be cheating on him. He has FOLLOWED her to this hotel and he checks into the room ACROSS THE HALL, from which he can observe anyone who goes into or out of the room. Oh yeah--and he's got a gun, and he's been drinking pretty hard....

Well, cellphones make quite a showing in the film. Terry calls his friend Julian to give him the bad news that his wife really IS cheating on him because after all there she is, in that seedy hotel waiting for someone. Julian is alarmed that Terry is going to do something rash--especially when he finds out about the gun...Terry don't do anything rash man--wait--I'm coming over--just wait for me....

The tension, which is maintained almost from beginning to end of this film, is broken ONLY by the BELLBOY--This guy has to be seen to be believed. I think he should have gotten an Oscar for best minor-supporting role. He's the only one in the whole hotel who takes his job seriously. You'd think he was the manager of Trump Towers. Unfortunately at this place, you can now pay "by the hour" as one option. Still he dresses in one of those formal old bellboy outfits from...the 30's? 20's? The red coat and that ridiculous red, flat bellboy hat, with a white strap that goes under the chin (A look similar to the dress of a monkey that sits on the shoulder of an organ-grinder). He was hilarious, while being completely serious at all times. I LOVE THIS GUY!

The storyline is nonlinear and you have to give it credit: this is no adaptation from a book or a short story or a play. This is a script which can ONLY WORK in a movie. The scenes start sort of midway through the movie and from there they keep cutting back toward the start and then forward to continue. It starts out a little bit confusing, but it draws you in and hooks you. It isn't until near the end of the film that you can sort out the whole story from beginning to end. And what an ending! The entire film builds toward this ending and it is perfectly executed. I couldn't predict the ending (maybe some of you can) but it's powerfully done (with almost no dialog) and the musical score greatly adds to the effect. This is a film that just continually builds up momentum until the finish, which is good enough to be taught in film school. I watched this film twice-something I don't do that often. It's definitely worth seeing.
2 of 2 people found the following review helpful
HASH(0xa6677b04) out of 5 stars STYLE AND DISJOINTED Aug. 21 2010
By The Movie Guy - Published on Amazon.com
Format: DVD
The movie credits starts out as if you were watching a 1960's mystery. The 1920's style hotel and eerie bell hop/ desk clerk gives the movie a surreal Sin City feeling. I was all set up thinking I was going to watch a great movie. Then it happens...the flashbacks.

This movie shows you what has happened then uses flashbacks to eventually bring you up to that point, but in a way you didn't expect. Sometimes this works well in a film, sometimes not, especially in this one when you don't know if a scene is a flashback or not until later. This makes the movie confusing and disjointed.
1 of 1 people found the following review helpful
HASH(0xa6677fc0) out of 5 stars IS THERE IN TRUTH REALLY JUSTICE? May 4 2013
By Critical Mass - Published on Amazon.com
Format: DVD Verified Purchase
For those who enjoy film noir in general and Alfred Hitchcock in particular, this movie is for you. Take two best friends, one adulterous affair, a former girl friend, a weird major bellhop, and an aged once noteworthy hotel with few occupants - shake well - and you have all the makings of an often perplexing yet gripping thriller filled with surprises. The numbers 508, 507, and 304 will take on new meaning as this "roller coaster" of a story unfolds.

Mike Vogel (recently of Bates Motel, Pan Am, Grind) and Danny Pino (Cold Case, Law & Order) are best friends. The latter's fiance (Brittany Murphy) is cheating on him. Pino knows it (how is not revealed), follows her to The Riverview Hotel where he assumes she will be meeting her lover, bribes the bellhop into renting him the room across from where Murphy is staying, and spies through the peep hole window in his door determined to learn the identity of Murphy's lover. In the meantime, Pino calls his best buddy Vogel to come to the hotel because he needs him. Before all of this takes place, however, we see the arrival of Murphy at the hotel and a sequence of scenes involving Vogel, and separately the bellhop entering Room 507 after removing police tape placed in front of the room's door. We soon realize that we are dealing with a series of flashbacks which initially can seem confusing but all falls into place very quickly. Careful attention must be paid to everything going on, especially any details that may seem unimportant at first. This shifting of time goes on throughout the rest of the film but that's what makes it fun.

Pino finally thinks that he has caught Murphy's lover. A struggle ensues with Murphy who is accidentally shot and killed with a gun that Pino has stolen from Vogel. Later, Pino wants Vogel to shoot the purported lover for him in order to cover things up and confuse the issue for the police.
From this point on, there is one twist after another and all is not as it seems, though the viewer already knows this from previous scenes. It is the final twists that give this neo-noirish film its real kick, and it is left to the audience to individually judge whether the final denoument is satisfying and justified.

This movie definitely did NOT drag and reminded me most of all of Hitchcock's "Dial M for Murder" (Grace Kelley, Robert Cummings), with a hint of "Rope" (Jimmy Stewart) and "Strangers on a Train" (Robert Walker, Farley Granger) - just a "hint"! Enjoy the brew.


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