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NEW Kate & Leopold (DVD)

3.8 out of 5 stars 144 customer reviews

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Product Details

  • Language: English, French
  • Region: Region 1 (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • MPAA Rating: UNRATED
  • Studio: Miramax
  • Average Customer Review: 3.8 out of 5 stars 144 customer reviews
  • ASIN: B0000640VN
  • Amazon Bestsellers Rank: #58,693 in DVD (See Top 100 in DVD)
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Product Description

Kate & Leopold

Customer Reviews

Top Customer Reviews

Format: DVD Verified Purchase
If you like Meg Ryan, you'll like Kate and Leopold. Ms Ryan is a powerful advertising exec. in this comedy. Kate delves into an other worldly scenario when she meets Leopold (played wonderfully by Hugh Jackman). Romance is definitely growing as the movie continues; with the plot surrounding both advertising necessities, at home basics, ethical standards, and emotional confusion. This movie is not for the basic, straight forward, factual movie goer. Take your understanding of love, business "politics", and impossibilities, and enjoy Kate & Leopold.
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By A Customer on April 29 2003
Format: DVD
As long as you're not an uptight person as some other reviewers seem to be, you'll like this movie. We're not all professional film critics - although this movie did receive two thumbs up - so the rest of us who just watch a movie for entertainment purposes will enjoy Kate and Leopold. Not an oscar winner by any means, but still a cute romantic comedy worth seeing. It is entertaining and I believe that is the purpose of watching a movie - to be entertained by it, not pick it to pieces and over analyze it. Lighten up with Kate and Leopold and just enjoy the film! I would buy this movie.
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Format: DVD
I watched the Director's Cut version of the film on DVD and never saw this in the theater, so I'm not sure how many changes there were between the two versions. The major change, I believe is the relationship between Hugh Jackman's character and Liev Schrieber. In the Director's cut, Leopold (Jackman) is the ancestor of Stuart (Schrieber). In the theatrical release, there is no mention of this relationship. This changes the dynamic of the film in that Stuart wouldn't have nearly as much motivation in his actions as he does in the director's cut. I'm getting ahead of myself, though.
Once more, I must mention that this review is for the Director's Cut of Kate and Leopold. The movie opens in the 1800's. A bridge is just being built (I believe the Brooklyn Bridge, but I don't believe it is ever said). Leopold is at the dedication ceremony. He notices a man snickering behind him and turns to look. He sees this man (turns out to be Stuart) take a picture with a tiny (and I do mean tiny) camera. This is out of place and Stuart takes off running. Leopold gives chase but is unable to catch him. Next we see Leopold at home, at a party, and he sees Stuart one more time and he gives chase again. This time he catches up to Stuart but they both fall from a bridge. Flash forward to our time and Kate (Meg Ryan) appears. She lives one floor below her ex-boyfriend, Stuart. Stuart calls her and says that he has actually traveled through time but accidentally brought back his great grandfather.
Still angry at her ex, Kate does not believe his story nor does she believe that Leopold is really from 1867. However, because of the close proximity of their apartments, and Stuart's later accident, Kate and Leopold interact more and more often and become friends. Boy meets girl, you know the story.
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Format: DVD
I will write this review to somehow make up for the time partly lost on watching this promising but poorly written (or poorly cut) story. I watched it on a CD-ROM as it was enclosed free of charge to a local magazine. Having read several reviews below I will go along with the notion that the original idea of the movie creators was to make something better, but the pre-screening research indicated that something a bit worse might perhaps win more applause. The movie is well directed and even the story has its moments, but the overall impression is unfortunately that of a low budget TV throw-away. A single illustration of the problems with the sceenario: I was expectant as to how brilliantly the script is going to win for us the scene of a 19-th century duke paying for the dinner at a 21-th century top restaurant (to which Leopold invited Meg-Kate). My shot was that some gold coins will land on the table, or better still. In actual fact nothing happened. Well-done movies do not miss good opportunities while leaving loose ends instead. The script does a good job on why Kate falls in love with Leopold, but why it happens also the other way round, frankly, remains a mystery - I suppose Meg Ryan charm was to do the job for the script writer.
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Format: DVD
That's what a friend of mine told me after we both finished watching this cute, dumb movie that tries to combine romance and time travel in an effort to say that all modern woman really needs is to be courted or some such nonsense.
Romantic-comedy staple Meg Ryan plays a driven 20th century ad exec, who manages to be successful despite her flaky, Meg Ryan-esque nature and constantly tousled hairdo. I used to like Meg Ryan, back when she did the still-good films "When Harry Met Sally" or "Sleepless in Seattle," but now she annoys the heck out of me. It feels like she's phoning in her performance. I wish she'd do a different kind of movie. Though I know she's played against type before, it's never in anything that I've wanted to watch. (The last time I saw her play someone not cutesy was back in "DOA," I think.) She's getting, dare I say it, too old to play this part well. She needs to pass the baton on to the next generation of actresses, like Sandra Bullock (who's starting to do too many of these movies herself). Meg, for the love of God, play some teenager's mother in your next film. Please.
Hugh Jackman's absolutely charming as Leopold, a 19th century New York nobleman about to reluctantly choose his bride when he gets sucked into the 20th Century. He carries the movie, which is otherwise routine and dead-in-the-water when he's not at the center of it.
Breckin Meyer and Liev Schrieber do little with their supporting roles. The entire film is throwaway fluff.
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