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On the Occasion of my Last Afternoon Paperback – May 1 1999

3.8 out of 5 stars 50 customer reviews

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Harry Potter and the Cursed Child
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Product Details

  • Paperback: 288 pages
  • Publisher: Harper Perennial; Reprint edition (May 1 1999)
  • Language: English
  • ISBN-10: 0380732149
  • ISBN-13: 978-0380732142
  • Product Dimensions: 13.3 x 1.7 x 20.3 cm
  • Shipping Weight: 245 g
  • Average Customer Review: 3.8 out of 5 stars 50 customer reviews
  • Amazon Bestsellers Rank: #3,035,582 in Books (See Top 100 in Books)
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Product Description

From Amazon

Polly Holliday of TV's Home Improvement won a Tony nomination on Broadway playing Big Mama in Cat on a Hot Tin Roof, and she makes Clarice, the matriarch of Kaye Gibbons' Civil War story On the Occasion of My Last Afternoon, sound very big of voice indeed. Clarice is the slave who really runs things on Virginia's Seven Oaks plantation, no matter what her nasty, brutish owner, Samuel P. Tate, might think. Holliday has a good time voicing Tate's fulminations, too, neatly distinguishing them from the heroine-narrator Emma Tate's rather daintier dulcet tones. Not that Emma can't be wicked in her own way: she describes a snobbish socialite, "aggressively plain in the face ... who effused through the front door and into the arms of everyone simultaneously." Ms. Holliday puts as much sly violence into that "effused" as she does into Mr. Tate's rages.

Everyone who read Charles Frazier's Cold Mountain should consider reading On the Occasion of My Last Afternoon, the poetically charged fictional reminiscences of Emma Garnet Tate Lowell, circa 1842-1900. For one thing, it was Frazier's already-published friend Gibbons who, with Frazier's wife's connivance, pried Cold Mountain from his grip and got it into publishers' hands.

But beyond their Civil War setting--a first for Gibbons, who's noted for 20th-century tales--the two books share resonant Southern literary accents, characters with similarly obstinate responses to enormous grief, and a shivery sense of history's stark shadow falling across everyday events. Oprah Winfrey twice recommended Gibbons' fiction (Ellen Foster and A Virtuous Woman), and Walker Percy compared her to Faulkner. Oprah probably liked Gibbons's heroines for their plucky refusal to buckle under oppression--a trait shared by Gibbons herself, who triumphed over the manic-depressive illness that drove her mother to suicide.

Our heroine, Emma, shivers under the tyranny of her plantation daddy, Mr. Tate, who slits the throat of a slave who talks back to him and just might do the same to his half-dozen children. There is no enormity of which he is incapable, this bellowing Simon Legree with an autodidact's education and a self-made man's bottomless urge to rise above his raising. He is, as he might have thunderingly put it, "a pluperfect son of Satan." Only Clarice can fight Samuel Tate to a verbal draw and prevent slave uprisings on the eve of the war. Clarice helps save Emma, as does Emma's impeccable swain Dr. Quincy Lowell, who sweeps in like a cool Boston breeze to dispel the dismal tidewater miasma.

The war, alas, brings a tsunami of blood, forcing Dr. Lowell to make Emma a de facto battlefield surgeon, an occasion he recognizes by fashioning a bit of commemorative jewelry for her from a dead man's silver filling and inscribing the date with a finger-amputation tool. One aspect of Gibbons' Frazier-esque orgy of historical research for the book is an authentic feel for the grotesqueries of the period.

One craves for Emma's hubby and daddy to swap five percent of each others' respectively perfect and perfectly awful souls--the book is not big on startling character revelations. What makes it work, despite its binary morality, is the grace and rumbling life of the narrator's language. The book, which has its sometimes anachronistically enlightened head in the New South and its feet firmly planted in the past, deserves a place next to Russell Banks' John Brown novel Cloudsplitter. At points, it reads like a smarter, nonracist Gone with the Wind, only less windy.--Tim Appelo --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

A plea for racial tolerance is the subtext of Gibbons's estimable new novel, her first foray into historical fiction. Like her previous books (Ellen Foster, 1997, etc.), it is set in the South, but this one takes place during the Civil War era. Now 70 and near death, Emma Garnet Tate begins her account by recalling her youth as a bookish, observant 12-year-old in 1842, living on a Virginia plantation in a highly dysfunctional family dominated by her foulmouthed father, a veritable monster of parental tyranny and racial prejudice. Samuel Tate abuses his wife and six children but he also studies the classics and buys paintings by old masters. Emma's long-suffering mother, of genteel background and gentle ways, is angelic and forgiving; her five siblings' lives are ruined by her father's cruelty; and all are discreetly cared for by Clarice, the clever, formidable black woman who is the only person Samuel Tate respects. (Clarice knows Samuel's humble origins and the dark secret that haunts him, which readers learn only at the end of the book.) Gibbons authentically reproduces the vocabulary and customs of the time: Emma's father says "nigger" while more refined people say Negroes. "Nobody said the word slave. It was servant," Emma observes. At 17, Emma marries one of the Boston Lowells, a surgeon, and spends the war years laboring beside him in a Raleigh hospital. Through graphic scenes of the maimed and dying, Gibbons conveys the horror and futility of battle, expressing her heroine's abolitionist sympathies as Emma tends mangled bodies and damaged souls. By the middle of the book, however, Emma's narration and the portrayal of Clarice as a wise and forbearing earthmother lack emotional resonance. Emma, in fact, is far more interesting as a rebellious child than as a stoic grown woman. One finishes the novel admiring Emma and Clarice but missing the compelling narrative voice that might have made their story truly moving.
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

Top Customer Reviews

Format: Paperback
This historical novel of the Civil War begins with the protagonist's father having murdered a slave for talking back. We meet Emma Garnet Tate and Clarice immediately following, the former being the aforementioned daughter of a plantation owner; the latter being the support of the book, a strong, wise black woman who is actually the one who holds the family and the plantation together.
Emma is narrating in flashback as she rests in bed, pushing off death until she can finish her story. She grew up a girl who identified more with her father's slaves than with her father; more with intellectuals than socialites. Her father's religious, racist rage is a terrifying force, and at times it seems no one around him is going to survive unscathed. But Emma does escape, thanks to Quincy Powell, a Boston doctor whose perfection would be irritating had Emma not needed him so badly (and deserved him so much). After they marry and honeymoon (in Paris, with Clarice along with them), the war begins and Quincy opens a hospital to take care of wounded Confederate soldiers. Emma has to become a caregiver, nurse, and finally an unofficial doctor when the wounded and dying start pouring in. Besides the gory and realistic descriptions of the horror of war, there are also detailed passages regarding the sick carnival of a public hanging and the misguided attempts to heal with leeches and blood-letting. These realistic and uncompromising details cause the book to be fascinating instead of merely a diversion.
Emma Garnet has survived much, but at times she seems wishy-washy and irritatingly upper-class. Gibbons might have intended this, because the character who shines through the most is Clarice. She had known Mr.
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Format: Paperback
Happiness can always be found eventually. Kaye Gibbons shows this from Emma
Garnet's point of view in her book, "On the Occasion of My Last Afternoon." Emma
Garnet's childhood, living on a plantation having many slaves, is very hard having to
always fear the temper of her father, Samuel L. Tate. Emma Garnet grows up feeling
sorry for her mother who isn't happy with her husband, to realize not all men are like
Mr. Tate. She meets a wonderful doctor, Quincy Lowell, and they become married having
3 children and living happily ever after. Although Emma Garnet finds extreme happiness, she
finds sorrow as well. "On the Occasion of My Last Afternoon" goes through a timeline of
Emma Garnet's life and with that it tells the many people that she loses along the way.
Kaye Gibbons does a wonderful job at telling the story with going back in time so that it
doesn't come across as confusing. Overall I thought that this book was great to read and
very interesting the whole way through.
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Format: Paperback
Saints Emma Garnet and her husband Quincy grated my nerves so much I wished the South would have won! The characters were completely flatline. Papa very bad, mother angelic, Negroes very good, war very bad. There they were reading Aristotle and Latin verse to their children under the spreading Sycamore and they still had time to turn their house into a hospital,sing to the rebel soldiers who had either just lost their arm or intestinal tract, send every desperate kid that turned up to school, make clothes for the poor and.... that was just before their freed black maid took the kids on for a bit of extra classical Greek before their collard greens.God they were good to that woman.
When Quincy died of overwork what was his widow to do? Why, open a school for freed slaves,volunteer at a lunatic asylum, buy a factory,start a clothing business and run a pottery operation of course! With all her daughters married to professionals and making pantloads of money she had to fill in her time somehow.
This book, which I actually read at wartp speed has had an ill effect on my delicate humours. Why I can barely look at a glass of lemonade or a gingersnap without feelin' faint. In fact I think I am going out now to volunteer my services at the local asylum...before I make bandages from my hoop skirt and finish off the shoes for my neighbours kids.
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Format: Paperback
It amazes me that someone would write, and that someone would publish, a historical novel founded so shakily as this. It's written in a literary style which fooled me at first into thinking it might be a worthwhile book. But the historical errors were very off-putting. Just to name a couple of the obvious ones: The main character is, I think (though I may be wrong, because it was never entirely clear) supposed to be living, at the time of the war, in Raleigh, North Carolina. Therefore, it is completely impossible that wounded soldiers from Gettysburg (or any other major Eastern theatre battle) could have made it to her hospital. Also, the portrayal of General McClellan raiding houses in Virginia with his "bummers" is purely ridiculous -- McClellan was actually censured for protecting Rebel property too *much*, and he wasn't even in command at the time the events are presented as happening! The characterization of Southern soldiers reveals the author to have eschewed reading McPherson, Wiley, Power or any other authority on the subject. So, historically, the book doesn't make sense. I also found the characters to be unlikeable. I actually found the father, loudmouthed and vulgar as he is, to be more appealing than the snippy, mean, judgmental daughter. I could never quite figure out why he's supposed to be so bad. There are hints that he's a wife-beater, but we're never actually shown that. And the structure of the text -- all the main character reminiscing after the events are actually done -- deprives the book of any narrative tension whatsoever. It gets two stars for the reasonably fluent writing, but overall, I'd skip this.
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