- Hardcover: 40 pages
- Publisher: Atheneum Books for Young Readers (Oct. 1 2000)
- Language: English
- ISBN-10: 0689829531
- ISBN-13: 978-0689829536
- Product Dimensions: 21.6 x 1.3 x 27.9 cm
- Shipping Weight: 476 g
- Average Customer Review: 104 customer reviews
- Amazon Bestsellers Rank: #70,807 in Books (See Top 100 in Books)
Olivia Hardcover – Oct 1 2000
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Olivia would be Eloise, if Eloise were a pig. She is good at singing 40 very loud songs and is very good at wearing people out. And scaring the living daylights out of her little brother, Ian, particularly when he copies her every move. She is also quite skilled at reproducing Jackson Pollock's "Autumn Rhythm #30" on the walls at home. When her mother tucks her in at night and says, "You know, you really wear me out. But I love you anyway," Olivia precociously pronounces, "I love you anyway too."
The New Yorker artist Ian Falconer's endearing charcoal portraits of his porcine heroine are spotted with fire-engine red gouache in all the right places--perhaps a tribute to Hilary Knight's red, pink, white, and black celebrations of Olivia's human counterpart? When she dresses up, the bow on her ears, her red lipstick, and her high-heeled shoes are all red. (The only time her shades-of-gray body is pink is when she is sunburned and the area where her bathing suit was is white!) Falconer does a fine job of letting the spare text set up the jokes for the visual punch lines--a dryly humorous interplay that adults will appreciate as much as children.
Preschoolers (and their parents) will see themselves in Olivia--a typical high-energy, over-the-top kid who likes the beach and Degas paintings, but hates naps. On the other hand, she combs her ears and is unusually gifted at sandcastle building. While we are certainly reminded of Eloise, Falconer's portrait is simpler in scope, less demented, and, as a result, less adult. Bottom line: precocious is fun, and we're tickled pink to have Olivia join the parade of, let's just say, individualistic youngsters. (Ages 4 to 8) --Karin Snelson
From Publishers Weekly
Come one, come all for this extraordinary debut for both Falconer and his unforgettable porcine heroine. The author/artist begins this day-in-the-life tale with a kind of behind-the-scenes peek at Olivia. Articles from her wardrobe are strewn across the endpapers-red tights, red sunglasses, a red T-shirt and red tank top-until the title page reveals her selection: a red sailor dress with black-and-white striped tights. "This is Olivia./ She is good at lots of things," the narrator begins, like an emcee introducing the star of the show. The genius of the volume is its economy: the brief text brilliantly plays off the artwork, rendered only in shades of red and black with an occasional background setting; a deceptively simple design unifies each spread. For one such spread, demonstrating "She is very good at wearing people out," Falconer shows Olivia engaged in a variety of activities in 13 black-and-white vignettes, using red sparingly-for a hammer handle, a yo-yo, a ball, a mixing bowl spatula and a jump rope-as she progresses from energetic to spent. Against a completely white background, these vignettes seem to bob on invisible undulating waves, with the intermittent splashes of red creating a sense of movement and urgency-until Olivia's collapse at the lower right-hand corner of the spread beneath a single line of text ("She even wears herself out"). The few full scenes amplify the deadpan humor: a beach setting allows for the full impact of Olivia's spectacular sandcastle model of the Empire State Building; a full-bleed black-and-white image of a tutu- and tiara-clad Olivia bowing to unseen fans answers the narrator's question "What could she be thinking?" as she stares at her favorite painting, featuring Degas's ballerinas, in a museum. Whether in full scenes or vignettes, Falconer keeps the focus on his inimitable protagonist. He clearly understands his audience: a standout spread shows Olivia getting dressed in her red-only wardrobe ("She has to try on everything") in 17 separate fashion poses. Falconer's choice to suggest Olivia with a minimum of details and a masterful black line allows readers to really identify with her-no doubt, they will. There's a little bit of Olivia in everyone. Ages 3-7. (Oct.)
Copyright 2000 Reed Business Information, Inc.
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Top customer reviews
Mr. Falconer slips in enough surprises- the Jackson Pollock painting and the rather astounding sand castle, for instance-to add more zip to this lively romp. This book is a welcome breath of fresh air to the field of children's literature, where all too often, well, let's just say the books are pretty poorly conceived.
The text and story are short and economical, providing just enough details to justify the elaborate, funny illustrations, which are the reason you may every now and then pull out this book for another look even when the children are asleep or out in the treehouse.
The illustrations are wonderful, and accomany the text well enough so that even a new reader will be able to enjoy the book at some level.
I highly recommend this book to anyone who is searching for that perfect book to give as a gift, or to add to any childs library.
This one was lucky enough to be written by someone with enough publishing connections to get hyped to death. All the library and trade journals had HUGE ads touting this book, and as a result, demand is high. I'm going to have to buy every durned Olivia book that comes along the pike for the next few years. But this is not the fabulous, marvelous masterpiece people are making it out to be! The best picture books in general have text and pictures that work together. Take away the illustrations in Olivia, and there'd be nothing there.
As someone else said, borrow it from your library--we could use the circulation and your tax dollars pay for stuff like this.
And while you're at it, take a look at Lillian Hoban's Frances books, Kevin Henkes's books about Lily and all the other really great books that will be around for years to come. I doubt that these will.
Reviewer Dwight Garner recently noted in his New York Times Book Review that, " 'Olivia' is one of those kids' books... that hip mommies and daddies like to give to the children of other hip mommies and daddies in order to demonstrate, yet again, what delightfully hip mommies and daddies we all are". There's no denying that this book is decidedly hip. I've yet to see a mom in a children's book look as particularly metropolitan (read: New Yorkish) as Olivia's black clad momma. And when Olivia creates a castle, she doesn't go halfway. She creates a sand-skyscraper. Mr. Garner does bring up an interesting point, though. Is "Olivia" something kids actually love and hold dear to their hearts, or is it something that parents love and hope their kids will get into? Who doesn't want their children to be inspired by a character that reads about Maria Callas before she goes to bed?
I don't know how kids feel about the story. But what I do know is that it's a quality piece of work. The art is beautiful. The story sublime. Plus it's a riot. Olivia stuffed into one of the legs of her mother's pantyhose is a black and white joke hidden in the corner of a colorful montage of Olivia wearing her full wardrobe (love the ballgown).
"Olivia" is not going to change the world of children's book publishing. And perhaps it's only ever going to be fully appreciated by people over the age of 18. But with all the crummy two-bit picture books out there ("Love You Forever" anyone?) sometimes it's just a small slice of heaven to read something to your child that's enjoyable to them and fun for you as well.
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