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Out Hardcover – Aug 12 2003

4.2 out of 5 stars 19 customer reviews

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Harry Potter and the Cursed Child
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Product Details

  • Hardcover: 360 pages
  • Publisher: Kodansha International; 1 edition (Aug. 12 2003)
  • Language: English
  • ISBN-10: 4770029055
  • ISBN-13: 978-4770029058
  • Product Dimensions: 23.3 x 3.3 x 16.2 cm
  • Shipping Weight: 771 g
  • Average Customer Review: 4.2 out of 5 stars 19 customer reviews
  • Amazon Bestsellers Rank: #1,109,998 in Books (See Top 100 in Books)
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Product Description

From Booklist

A suburban Tokyo woman fed up with her loutish husband kills him in a fit of anger, then confesses her crime to a coworker on the night shift at the boxed-lunch factory. The coworker enlists the help of two other women at the factory to dismember and dispose of the body. Readers beware--Kirino's first mystery to be published in English (it was a best-seller in Japan) involves no madcap female bonding. The tenuous friendship between the four women, all with problems of their own even before becoming accessories to murder, begins to unravel almost immediately. Money changes hands. The body parts are discovered. The police begin asking questions, and a very bad man falsely accused of the crime is determined to find out who really deserves the punishment. The gritty neighborhoods, factories, and warehouses of Tokyo provide a perfect backdrop for this bleak tale of women who are victims of circumstance and intent on self-preservation at all costs. Carrie Bissey
Copyright © American Library Association. All rights reserved

Review


"A potent cocktail of urban blight, perverse feminism and vigilante justice." -The New York Times Book Review


"Kirino's tale is so dark, so gruesome and so depressing, it left this reader reeling. No gritty urban American tale of violence can match the horror of OUT." -USA Today


"The scarily omniscient Kirino knows not only everybody's business but everybody's mind-her way with interior monologue is pungent and prismatic..." -The Village Voice


"OUT remains a daring account of empowered Japanese women, and just too damn macabre to discount." -Flaunt


"OUT offers an intriguing look at the darker sides of Japanese society while smashing stereotypes about Japanese women." -Washington Post Book World


"Daring and disturbing, OUT is prepared to push the limits of this world-not only in violence and sex but also in human outlook." -The Los Angeles Times


"OUT probes the more sordid corners of the criminal psyche." -The Houston Chronicle


"A knuckle-clenching thriller." -Entertainment Weekly


"OUT turns the whole subservient geisha image on its head." -JANE


"Kirino, as is the case of the best mystery writers, combines a strong plot with a canny description of contemporary Japanese mores and culture to make this an unforgettable work... this is a novel that will be shared, and discussed, for some time to come." -Bookrerorter.com


"Sensational." -Time Out New York


"In Snyder's smoothly unobtrusive translation, all of Kirino's characters are touching and believable.... the gritty realism of everyday existence in the underbelly of Japan's consumer society comes across with pungent force." -Publishers Weekly


"With volcanic urgency, Kirino's story erupts onto the page with a searing heat, flowing like lava to a remarkable finish... It's rare when a novel is so well rendered, so reaching in scope, and so thematically relevant that is transcends its type and demands a wider reading. OUT does that and more." -Barnes & Noble's Discover New Writers, Fall 2003


"One of the year's most impactful works of mystery." -Borders.com


"OUT descends beneath the genre's foundation to provide a remarkable series of insights into the forces that drive the charnel house of a postindustrial culture." -American Book Review


"...a captivating portrayal of what an individual will do to find a reason for living...." -ForeWord


"OUT is interesting for the way it invites questions of gender's relationship to violence." -Bitch


"[OUT] brings the mystery thriller to new levels of intensity and realism, drawing readers into a nightmare of murder, suspicion, and fear.... [It] has great plot twists, intensity, and an ending that would make Hannibal Lecter smile." -Library Journal (Starred Review)


"Dark, seductive and occasionally brutal, OUT explores the lower classes of Japanese society with a distinctive gallows humor." -Book


"....the most exciting crime novel of the year...the novel is darker, grittier, and more disquieting than nearly anything that's come along in recent years on either side of the Pacific Rim." -Orange


"A gutsy, unflinching foray into the darkest, most dangerous recesses of the human soul. And the book's riveting, hair-raising final scenes, although definitely not for the faint-at-heart, serve as an unsettling reminder that the desperate desire for freedom has the potential to set any ordinary individual among us off down a very dark and lonely road." -Minneapolis Star-Tribune


"An entrancing, perverse tale of murder." -The National Post (Toronto)


"Dramatic as the plot is, it's the penetration of Kirino's insight into her characters and their capacity to keep surprising each other that linger longest in this grimly satisfying tale. Crime and Punishment meets A Simple Plan-yet in the end Kirino manages her banal heroines' descent into hell like no one you've ever read before." -Kirkus Reviews


"Kirino doesn't rush the complex plot; she takes time to develop her characters and set up the crisis, with fantasies and realities about to collide." -Toronto Globe & Mail


"One of the most popular authors in Japan-known as 'the reigning queen of crime fiction.'" -International Herald Tribune


"Finally, a masterpiece in this genre... Whereas the lead characters in most crime fiction are outlaws, here is a novel that realistically shows how ordinary people can be drawn into committing brutal crimes." -Prize jury, Mystery Writers of Japan


"OUT will remain in the memory of readers as The pick of the crop of Japanese mysteries. There is terrific energy in it, from start to finish." Mainichi Shimbun


"There are few authors who are willing to probe deep into the innards of modern society and write about what they find there. This novel is proof that Ms. Kirino is one of them." Hokkaido Shimbun


"Intricately constructed, like the assembly of a mosaic, stone by stone. Even the minor charactersa loan shark, a Brazilian Japaneseare vivid and memorable." Asahi Shimbun


"Stark realism, lit up by flashes of unexpected humor and psychological insight." Nihon Keizai Shimbun


"Ingenious." Shukan Asahi


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Customer Reviews

Top Customer Reviews

Format: Paperback
Great psychological thriller and full of irony. It has all the appeal of a well-crafted murder mystery except there is no mystery as we have come to know it in the West. If so, what then rivets our attention, males and females alike? Perhaps it is the fact that Kirino sets out to prove in such a dispassionately gruesome and original fashion what men can do, women can do better: manipulate and destroy others and get a way with it. Her creation of compelling characters such as Satake and Masako and a fast-moving plot to go with them makes for both a satisfying and disturbing read. Good stuff!
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Format: Paperback Verified Purchase
a fantastic read. This book won the 51st Mystery Writers of Japan award. For me, this book is about finding yourself one day not sure about your life. Not sure you are happy, not sure you want to continue, either in the life you have or in life at all. This book is about being in that situation and making a decision, then making another, then another until you are not your previous self and all you can do is continue to make another decision. All these decisions are made for one reason. To get out. To get out of the relationship you are in, the job you are in, the family you are in, the life you are in.

Excellent writing, it's part mystery part suspense thriller, part crime drama. The story is about 4 women who band together and take on the situation they have created for themselves. At times it can be a bit preachy and a bit hating on males but that could just be because I'm a male.

I love this book and it's way of encapsulating you into the story and lives of these characters. They feel real, feel varied, and each decision feels logical. Logical in the sense that someone in that position could very well have made that decision.

buy it, read it, then read it again. It will be worth your time.
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Format: Paperback
"Out" was first published in 1997 and won Japan's top mystery award. It is Natsuo Kirino's first novel to be translated into English. Set in Tokyo, it's centred around four women who work the nightshift in a boxed-lunch factory. The pay is good for a part-time job, but the work is far from rewarding, the hours aren't sociable and the chances for progression are limited. Unfortunately, their home lives aren't much better.

Yoshie is the most likeable of the four friends. She is nicknamed the Skipper since she is so hard-working and effectively runs the line the women work on. Yoshie's husband died from cirrhosis, leaving her to look after her family and mother-in-law - who'd suffered a stroke more than six years previously. She's finding it difficult to make ends meet : the insurance from her husband's death, and her own savings, have been spent - largely on looking after her mother-in-law. She is desperate for her daughter to receive a good education. Meanwhile, her landlord is talking about tearing down her dilapidated house, hoping to build a modern apartment block. Yoshie knows this will involve higher rents.

Kuniko is a different matter entirely. Vain and self-absorbed, she is a thoroughly dislikeable character. She lies about her age, drives an expensive, imported car and spends beyond her means on clothes. She had claimed to be married to her live-in boyfriend : sensibly, he blows town early in the book and carefully covers his tracks. Due to the money she spends on her image, she owes a fortune to a loan-shark.

At 34, Yayoi is the youngest and prettiest of the four friends. Kenji, her husband, had once pursued her relentlessly. However, once married, things changed dramatically. Kenji started spending more time away from home, drinking and gambling.
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Format: Hardcover
OUT by Natsuo Kirino (Kodosha, 2003)
OUT is one of those novels that without the award nomination (the Edgar Award for best novel), would never be brought to the attention of the mystery community in the US. The combination of the small press putting out a very very long translated book is often a formula for disaster. It is a tribute to the Edgar committee that they discovered this gem and gave it the recognition it so deserves.
OUT is the story of four women living in the Tokyo suburbs. What they have in common is that they all work the nightshift in a food packaging plant. All have very different but highly troubled lives. Masako Katori, separated from her husband and living with an alienated and troubled son is lonely and bored. Kuniko Jonouchi is in major trouble with loan sharks in that she insists on living well above her means. Yoshie Azuma, a widow stuck into the role of caretaker of an invalid mother-in-law has two troubled daughters and Yayoi Yamamoto living with two small children and saddled with an abusive husband who gambles away what precious little they have. All their lives get overturned when, in a fit of rage, Yayoi strangles her husband and asks Masako to dispose of the body. She agrees and with the help of the others, they must do all they can to avoid suspicion falling on themselves. This proves highly difficult when the loan sharks haunting Kuniko find out the truth.
Natsuo Kirino has written one of the most original works of the year. It is character rich with a plot so clever that in spite of the length, the pacing moves relatively rapidly. This is not a perfect work, however. Too much minutiae tends to get in the way of the story progression. Black humor takes over and might remind some readers of the tale of SWEENEY TODD. A major problem with this otherwise carefully written work is the suboptimal conclusion which is the most unrealistic part of the book and proves to be highly unsatisfying.
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