Buy Used
CDN$ 1.74
+ CDN$ 6.49 shipping
Used: Very Good | Details
Sold by wobcanada
Condition: Used: Very Good
Comment: The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Have one to sell?
Flip to back Flip to front
Listen Playing... Paused   You're listening to a sample of the Audible audio edition.
Learn more
See this image

The Oxford Illustrated History of Opera Hardcover – Nov 1994

See all 3 formats and editions Hide other formats and editions
Amazon Price
New from Used from
"Please retry"
CDN$ 81.06 CDN$ 1.74

Harry Potter and the Cursed Child
click to open popover

No Kindle device required. Download one of the Free Kindle apps to start reading Kindle books on your smartphone, tablet, and computer.
Getting the download link through email is temporarily not available. Please check back later.

  • Apple
  • Android
  • Windows Phone
  • Android

To get the free app, enter your mobile phone number.

Product Details

  • Hardcover: 541 pages
  • Publisher: Oxford Univ Pr (Sd) (November 1994)
  • Language: English
  • ISBN-10: 0198162820
  • ISBN-13: 978-0198162827
  • Product Dimensions: 25.7 x 4 x 19.8 cm
  • Shipping Weight: 1.5 Kg
  • Average Customer Review: Be the first to review this item
  • Amazon Bestsellers Rank: #1,413,470 in Books (See Top 100 in Books)
  •  Would you like to update product info, give feedback on images, or tell us about a lower price?

  • See Complete Table of Contents

Product Description

From Library Journal

There are few one-volume histories of opera available, and none includes the up-to-date information contained here. Nine leading authorities (all contributors to The New Grove Dictionary of Opera, 4 vols., LJ 2/15/93) provide insightful chapters on periods in opera history, from a thorough account of opera in the 17th century through the works of present-day composers such as Philip Glass and John Adams. Because it is intended for the general reader, this work has no musical examples or footnotes and is therefore less useful as a reference source than other works such as Donald J. Grout's A Short History of Opera (Columbia Univ. Pr., 1965. 2d ed.). The chapters are not organized in a strictly chronological format but are built around a series of concepts or arguments, presented with a wealth of supporting information, making the index (not seen) essential to finding answers to specific questions. For both the casual and informed reader, however, the more than 250 illustrations-many rare, and all appearing with detailed captions-will be of particular interest. There is also a notable chapter on staging, and the fascinating opera trivia (from traffic jams and ticket scalpers to a history of lavatories) found in John Rosselli's chapter, "Opera as Social Occasion," will hold readers' attention. Attractively priced, this unique reader is highly recommended for both academic and public libraries.
Kate McCaffrey, Onondaga Cty. P.L., Syracuse, N.Y.
Copyright 1994 Reed Business Information, Inc.

From Booklist

Hardly any excuse is viable for a public library's passing on purchasing this beautiful and edifying oversize book on an art form more popular than ever, considering the number of companies flourishing across the country and the large audiences they draw. This sumptuous book--the adept partnership of text and illustrations is one of its calling cards--has not an A-Z arrangement, but is a collection of essays presenting a chronological account of major and even minor movements and composers and works in the history of opera from its inception in Florence in the mid-1590s. The last three chapters are topical summaries: on the staging of opera, significant opera singers, and opera as a social occasion. The contributors of all the essays are specialists in their fields, though their audience is definitely the general reader; but this is not to be mistaken for a coffee-table book long on looks while short on substance. There's lots of well-presented information here. Brad Hooper

See all Product Description

Customer Reviews

There are no customer reviews yet on
5 star
4 star
3 star
2 star
1 star

Most Helpful Customer Reviews on (beta) HASH(0xa0a8503c) out of 5 stars 10 reviews
14 of 16 people found the following review helpful
HASH(0x9f21a234) out of 5 stars A good general history of opera Sept. 29 2005
By Lisa S. - Published on
Format: Paperback
This paperback edition of the Oxford Illustrated History of Opera is the same as the hardback edition. It's a very good general history of opera with great pictures. The authors are all experts on the eras they cover. I'm using it for my opera history class, adding readings from other sources that discuss the music in more detail because this one has no musical examples. My only complaint is that it took forever to get!
24 of 33 people found the following review helpful
HASH(0x9f21a288) out of 5 stars A nicely illustrated doorstop July 15 2005
By L. E. Cantrell - Published on
Format: Paperback
The perpetrators of this volume make no bones about their belief that the most important word in its title is "illustrated".

I fully acknowledge that some of the illustrations are of considerable interest. There is, for example, a triple portrait of the librettist Metastasio, some doubtless once-famous soprano and the fabulous castrato, Farrinelli, that encapsulates an operatic age in a single image. (I was astonished to find that Farrinelli looked like a perfectly ordinary Joe who might be found lounging in the background of any of a hundred 18th Century paintings.) On the whole, however, I can't overcome the impression that the illustrations are more often picturesque than informative.

As something of a fan of opera, I actually sat down and read the text--not something often done, I imagine, nor a thing that I recommend to anyone who has claim to having a life. What a load of bumf--as we say here in the Frozen North. What a trove of uninteresting data on deservedly forgotten operas and theatrical practices. What dreary prose--a relentlessly bland and colorless splooge of critspeak.

There is distinctly an academic air to this book, whatever the actual professions of its assemblers may be, as amply demonstrated in its determination to expound on the painfully, deservedly, bleeding obscure while all but ignoring operas which actually get performed before paying audiences.

This is the sort of book that should be consulted in a public library, if for no other reason than its bulk and inconvenient heft demand that it be read on a library table. I can't imagine why anyone not in the throes of bibliomania would actually want to own such a book.
2 of 2 people found the following review helpful
HASH(0x9f21a6c0) out of 5 stars A general overview of the genre Jan. 25 2014
By J. R. Spencer - Published on
Format: Paperback
I recently received a copy of this for my birthday. As an opera coach, author and musicologist I'm always looking through texts for interesting tidbits.

The Oxford Illustrated History of Opera is a good overview of the genre, but does not give a detailed account. I believe it is accessible though. This would be a good start for a junior high or high school music student who has to write an essay on opera. For the serious singers, musicologists and opera lovers, I would pass on this one.

The book has a feeling of rushing you through the history. I personally still prefer the old standby.. Milton Cross's Companion.

J. R. is the author of: An Historical Study of Kurt Weill's Der Silbersee: Ein Wintermarchen
8 of 11 people found the following review helpful
HASH(0x9f21aa80) out of 5 stars Way over-priced & over ornamented Oct. 7 2008
By Priscilla Stilwell - Published on
Format: Paperback Verified Purchase
Ever get the idea that an author is so enthralled with their own vast knowledge, that they have the uncontrollable urge to share it with everyone, wether it's wanted or not? Unfortunately, this is just such a book. It's designed to give a good, thorough survey of opera history. However, I have several problems with it:

1. The author uses such flowery language that between being nauseated by it, I'm just plain distracted. It's like reading the King James' version of the Bible if you're not used to it. The prose is so sweet that you get caught up in the verbiage, and are unable to gain any useful knowledge from it.

2. The organization of the text is appalling. There's very little rhyme or reason, other than a rough chronological order. Huge pockets of information are either completely skipped, or given such pathetic review, that much information is missed.

There are so many other books out there that will teach better and in an easier way. For professors considering a text for an Opera Lit/History class, please do yourself and your class a favor and pass this one over!
HASH(0x9f21aa2c) out of 5 stars A boring overview of opera Jan. 27 2016
By Musiclover - Published on
Format: Hardcover Verified Purchase
I am going to make it simple: this book is BORING. Yes it contains the history of opera, but it is written in a fashion that makes it impossible to read. I tried to read the first chapter on early opera five times, and I ended up napping instead in three of the five attempts (in the 4th one, out of pure boredom, I decided to seek emotion in ironing all my shirts). The Oxford Illustrated History of Opera is not directed to music researcher or musicologist, but to people who already like opera and would like to get a wider picture of opera history. That said, the writing is pedantic, and some of the data is superfluous, and interesting neither for the average opera-lover nor for the professional musician/music student.