CDN$ 10.83
FREE Shipping on orders over CDN$ 25.
Only 1 left in stock (more on the way).
Ships from and sold by Amazon.ca. Gift-wrap available.
Quantity:1
The Oxford Shakespeare: T... has been added to your Cart
Have one to sell?
Flip to back Flip to front
Listen Playing... Paused   You're listening to a sample of the Audible audio edition.
Learn more
See all 3 images

The Oxford Shakespeare: The Tragedy of Coriolanus Paperback – May 17 2008


See all 2 formats and editions Hide other formats and editions
Amazon Price
New from Used from
Kindle Edition
"Please retry"
Paperback
"Please retry"
CDN$ 10.83
CDN$ 6.74 CDN$ 4.99

Harry Potter and the Cursed Child
click to open popover


Frequently Bought Together

  • The Oxford Shakespeare: The Tragedy of Coriolanus
  • +
  • Much Ado About Nothing (No Fear Shakespeare)
Total price: CDN$ 16.96
Buy the selected items together

No Kindle device required. Download one of the Free Kindle apps to start reading Kindle books on your smartphone, tablet, and computer.
Getting the download link through email is temporarily not available. Please check back later.

  • Apple
  • Android
  • Windows Phone
  • Android

To get the free app, enter your mobile phone number.




Product Details

  • Paperback: 400 pages
  • Publisher: Oxford Paperbacks (May 17 2008)
  • Language: English
  • ISBN-10: 0199535809
  • ISBN-13: 978-0199535804
  • Product Dimensions: 19.3 x 2.5 x 12.7 cm
  • Shipping Weight: 422 g
  • Average Customer Review: Be the first to review this item
  • Amazon Bestsellers Rank: #215,737 in Books (See Top 100 in Books)
  •  Would you like to update product info, give feedback on images, or tell us about a lower price?

Product Description

Review

`'Stanley Wells' OUP Complete Works of Shakespeare is now eight years old and has spawned a new Oxford Shakespeare which appears now in splendidly affordable volumes in that nonpareil of libraries of good reading The World's Classics.' The Oxford Times' English Studies Offprint from vol.77 Number 1, January 1996

About the Author

Brian Parker is Professor of English, Trinity College, University of Toronto.

Customer Reviews

There are no customer reviews yet on Amazon.ca
5 star
4 star
3 star
2 star
1 star

Most Helpful Customer Reviews on Amazon.com (beta)

Amazon.com: HASH(0xa52cb8e8) out of 5 stars 5 reviews
1 of 1 people found the following review helpful
HASH(0xa4e09318) out of 5 stars Built on the grand scale March 27 2016
By HH - Published on Amazon.com
Format: Paperback
R.B. Parker's introductory essay to the Oxford edition of "Coriolanus" opens with the kind of statement one expects from students but never from English professors. After quoting the cynical observation by Aufidius that "our virtues | Lie in th' interpretation of the time", he asserts: "This is one of Shakespeare's bleakest comments on human history" (p. 1). It is no such thing! The sentence, which Parker incautiously characterizes as having a "bitter element of truth", expresses only the attitude of Aufidius, and is surely not the key to this very complex tragedy. What Shakespeare himself thought is not so easy to define. In keeping with a generally unhistorical view of the play, Parker suggests that the modern questioning of values that led to the formulation of existentialism as a philosophy lies behind the dramatic situation and the character of "Coriolanus". After all, Coriolanus does qualify his apparent "self- fashioning" with that important word 'if', when he wishes he could "stand I As if man were author of himself I And knew no other kin" (v.3.35-37). But the facts are not so for Martius. He has a wife, a son, and a very powerful and strange mother, who is later hailed as "our patroness, the life of Rome'" (v.5. I). Moreover, as a soldier to the bone, Martius cannot refashion himself to be either a lying politician or ultimately a traitor to his motherland. The values of Coriolanus are never really in doubt, which is why he dies for them in the end.

To support his existential thesis, Parker reduces the tragedy to a Freudian-Lacanian case history of abnormal psychology. Parker insists that in Coriolanus "the connection between public ethos and private tragedy is for the first time located clearly in the middle ground of family neurosis" (p. 13), and he also relies confidently on an old sociological study by Elias Canetti. When Parker finally looks to the Renaissance itself for explanations of the tragedy, his analysis is far more convincing. He reminds us, for example, that '"Choler", which contemporaries would recognize as Martius' dominant "humour" (cf. 3. 1.86, 87; 3.3.25), was believed to be the emotional source not just of strife but also of mankind's creativity and urge to self-transcendence; and that Martius's ideals of self-sacrifice for Rome and devotion to the truth, while they may be naive and doomed to fail historically, are nobler than the other characters' self-serving "policy" and readiness to lie(p. 54).

On the positive side as well, the introduction contains useful material for students on the politics of the Jacobean period when the play was written. In addition, there is an excellent section on the rhetorical conventions and thematic images employed by Shakespeare in "Coriolanus". Parker correctly notes here the prominence of antithesis in the language and in the striking contrasts onstage between tremendous noise and silence, as well as the importance of kneeling as a theatrical gesture. Although he offers no explanation for the latter, he does survey the major politically driven productions throughout theater history of this most ideologically "used" of all Shakespeare's works. In respect to the text, however, he provides no explanation of the isolation and exile of Martius/Mars from Rome during peacetime, and his discussion as a whole never really clarifies how Shakespeare dramatizes the difficult relationship between war and civilization both within and without the larger family of a city-state
16 of 24 people found the following review helpful
HASH(0xa4e1b60c) out of 5 stars THE PATHOLOGY OF THE WAR VET AND HIS MOM: WE NEED TO READ THIS NOW AS WE COME HOME FROM WAR Feb. 19 2009
By Love Thy Enemy - Published on Amazon.com
Format: Paperback Verified Purchase
The Oxford World's Classics series, mainly published within the past year, proves to be overall the most substantial and readable of any of the well-known editions, including the long-standing, well-resepcted and regularly revised Coriolanus (Arden Shakespeare: Second Series). Also available here upon the amazon is Coriolanus (The New Cambridge Shakespeare) and other Cambridge products.

I generally prefer the Oxford, in any case, and find this edition comprehensible and comprehensive, although I began with the Arden. The Arden, a reprint of its 1976 edition, does contain an excellent introduction by the University of York's Philip Brockbank, plus his notes, etc., and we can never go wrong by holding in hand too many editions for purposes of cross-pollination.

If you can afford but the one to have and to hold, however, please choose this Oxford World's Classics edition by Toronto's Brian Parker, first published in 1994 under Clarendon. For one thing it has twice the length of introduction, although with a wider focus.

For one thing it has the cooler cover, by Marco Cristofori, more expressive of the war pathology within, in which Coriolanus's own mother yearns before her less certain daughter-in-law for his bloody death in war. This image well represents such gore falsely called heroism.

This is the central mystery of this play, which Shakespeare covers so truthfully and fully. How do these pathological killers whom we train and support come home again? Can they ever come home again? Do you want your neighbor a Blackwater killer manning a gun turret on top of his suburban home trained at your garage?

How do those civilians in power receive these killers coming home, keep them under control and supporting and widening their power, while these killers despise them all the while as cowards and as weak? Can a Klingon become domesticated? Why was Zen created? To cure the warrior samurai for times of peace.

Consider carefully this play, now, and its implications for us, now, at this present juncture in our history as a warrior nation, as an Empire.

Read this book; whether in the excellent Arden or in the Oxford, it is essential that we read this book and understand how we have been deceived by the trumpets to war, how we have been held done by the call of a false patriotism, and the oppression by our own armed occupation forces. Read this book and know our own times, and come free once more, cured of the grotesque and unsustainable pathology of war.
0 of 1 people found the following review helpful
HASH(0xa4e17bc4) out of 5 stars Hate the character of Coriolanus June 2 2016
By bebeodonnell - Published on Amazon.com
Format: Paperback Verified Purchase
Hate the character of Coriolanus. Anti-heroes like him are a pain to listen to. Whine, whine, whine. They don't love me, they don't love me...
HASH(0xa4e0933c) out of 5 stars Five Stars Oct. 10 2015
By MsJ - Published on Amazon.com
Format: Paperback Verified Purchase
Using it in a college class.
0 of 1 people found the following review helpful
HASH(0xa516d4a4) out of 5 stars The Tragedy of Coriolanus is amazing! June 25 2016
By R. L. Bande - Published on Amazon.com
Format: Paperback Verified Purchase
What can I say? It's Shakespeare and it was awesome! I'd read it before. It has a really long introduction which makes up half the book. It may bother some people but I love Oxford World's Classic and recommend them because they teach you about what you are going to read. I highly recommend the story of Coriolanus. And this Oxford edition would be wonderful for anyone who want to read, enjoy and learn Shakespeare. I usually try to order all my "Classics" from Oxford Worlds Classics. Amazon rocks for having them. I don't do spoilers but I love the story of Coriolanus and highly recommend it!


Feedback