The Passion of Martin Fissel-Brandt Paperback – Mar 1 2002
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From Publishers Weekly
Experimental minimalism comes with a decidedly Gallic twist in this brief romantic fiction, a noteworthy book that marks the first English translation of an author who has built a reputation in France based on eight novels. Here he deals with the odd fate of Martin Fissel-Brandt, the middle-aged protagonist who begins a quest for his former lover, Anna Posso, after he finds a hidden letter addressed to the apartment where they used to meet. The author's prose flits here, there and everywhere over the course of incredibly short chapters, introducing coincidences, plot twists and unexplained characters with barely a whiff of logic. The more intriguing turns include Martin being whisked away to Asia by the demands of his profession to quell a local rebellion, along with a seemingly random attack on him and some of his co-workers at a construction site. As for the erstwhile romance, the normal pining is replaced by some diabolical hints that Martin may in fact have murdered Anna as well as several other former girlfriends, with one of those hints entertainingly delivered by a cat. Despite the absence of conventional narration, Gailly's prose has a certain whimsical rhythm and a unique sense of rhyme and reason, which makes reading this novel not unlike perusing the script of a Bu¤uel film. Gailly's work is definitely an acquired taste and demands a suspension of linear thinking, but readers who like to be surprised won't get shortchanged here.
Copyright 2002 Cahners Business Information, Inc.
"An excellent introduction to a very entertaining writer." -- Kirkus Reviews, February 1, 2002See all Product Description
Most Helpful Customer Reviews on Amazon.com (beta)
The narrator gives the story in third person - moving from the end of vacation to return of hidden letter to workers' strike to Asia road construction to civil unrest to reunion with love. The tone of the narrator varies from neutral observer to intimate knowledge of the inner thoughts of characters. At times the disjointed prose leans towards stream of consciousness; at other times, the punctuation severs relationships between elements of an otherwise normal sentence; still other times the disrupted syntax reveals pure perception without mental overlays of meaning.
Through it all, Gailly manages to create narrative tension in the reader - you want to know what happened/will happen. You want to understand more about the characters. In short, it is a very literary good read of a mystery-romance.
An example of the prose: "A name like this. Or like that. Sounded like this. She made some noises with her mouth while moving her fingers, then: I wonder, she said, what family of instruments, what coupling, or marriage, could make that sound." Or "Brought it to his lips. And. With a stiff movement of his neck. As if caught in a vice. He emptied it. Put it down. Then. A pause."