CDN$ 72.45 + CDN$ 3.49 shipping
Only 1 left in stock. Sold by USA_Seller_4_Canada
+ CDN$ 3.49 shipping
Used: Very Good | Details
Condition: Used: Very Good
Have one to sell? Sell on Amazon

Piano Concertos 1-3 Import

Price: CDN$ 72.45
Only 1 left in stock.
Ships from and sold by USA_Seller_4_Canada.
3 used from CDN$ 37.98

Product Details

  • Audio CD (Dec 12 1995)
  • Number of Discs: 1
  • Format: Import
  • Label: Sony
  • ASIN: B000002AWA
  • Average Customer Review: Be the first to review this item
  •  Would you like to update product info, give feedback on images, or tell us about a lower price?

1. Concerto For Piano And Orchestra No. 2: I. Allegro
2. Concerto For Piano And Orchestra No. 2: II. Adagio - Presto - Adagio
3. Concerto For Piano And Orchestra No. 2: III. Allegro molto
4. Concerto For Piano And Orchestra No. 3: I. Allegretto
5. Concerto For Piano And Orchestra No. 3: II. Adagio religioso - Poco piu mosso - Tempo I
6. Concerto For Piano And Orchestra No. 3: III. Allegro vivace
7. Concerto For Piano And Orchestra No. 1: I. Allegro moderato - Allegro - Allegro moderato
8. Concerto For Piano And Orchestra No. 1: II. Andante
9. Concerto For Piano And Orchestra No. 1: III. Allegro molto

Product Description

This is the recording of Bartók's piano concertos the world has been waiting for. Yefim Bronfman conquers not only the tremendous technical difficulties of the music, but also the widely varying moods, from the violence of the First Concerto through the otherworldly calm of the Third. Esa-Pekka Salonen leads the Los Angeles Philharmonic through the extremely difficult orchestral writing without a misstep, contributing his own powerful impulse to the music while seconding Bronfman's ideas. The recording is nearly ideal in its clarity, balance, and dynamics. It's hard to find a more satisfying CD of any music in the current catalogs. --Leslie Gerber

Customer Reviews

There are no customer reviews yet on
5 star
4 star
3 star
2 star
1 star

Most Helpful Customer Reviews on (beta) HASH(0xa32cd6a8) out of 5 stars 7 reviews
9 of 9 people found the following review helpful
HASH(0xa3306d5c) out of 5 stars Total Involvement for Bartók's Progression of Concerti Oct. 1 2005
By Grady Harp - Published on
Having recently praised the beauties of the Pierre Boulez recording of the three Bartók piano concertos each with a different orchestra and soloist (Zimmerman, Grimaud, Andsnes), returning to this wholly satisfying CD with Yefim Bronfman at the keyboard and Esa-Pekka Salonen and the Los Angeles Philharmonic traversing these miraculous concerti is grounding. No hype here, just brilliant music making.

Bronfman has these three works so melded into his psyche that he makes the challenges sound simple and pulls the angst and romance of the slow movements into such pure and clear resonance with the orchestra that the result is transcendent. Salonen doesn't just conduct this fine orchestra: he collaborates with not only the soloist but also with each first desk player who has solo lines and then with the lush tutti sounds for which this orchestra is known.

In short, this is as fine a performance of I, II, and III of Bartók as any coupling on record. Indispensable Bartók! Grady Harp, October 05
12 of 13 people found the following review helpful
HASH(0xa330a180) out of 5 stars Superb technique, beautiful music June 30 2000
By ebrinkma - Published on
Yefim Bronfman is certainly one of the greatest living pianists, and the results here are magical. The three Bartok concertos are known as among the most technically difficult piano concertos ever written, yet Bronfman has everything in control here. The toccata-like movements gleam with precision and the slow movements have just the right kind of beauty. Forget Rachmaninoff. These are the great piano concertos of the 20th century.
12 of 14 people found the following review helpful
HASH(0xa35563e4) out of 5 stars powerful piano and rich orchestral playing. Feb. 12 2001
By A Customer - Published on
4.5 stars! This record is worth getting just for the interesting things, possibly by accident, that happen on the recording. First of all, the LA phil is really improving...the brass and wind playing is excellent and Sallonen's leadership over the group is proving itself to be top-notch. Bronfmann's playing is strong, confident, and amazingly clear...the Second Piano COncerto has an energy to it that sounds completely original and unabashed. But interestingly, there are moments when Bronfmann lifts the pedal or holds on to his notes a little too long--but it is a great effect....and undoubtedly intentional. Just listen to the second movement of the Second Concerto and you will know what I mean. Too hard to explain here. You could buy the record just for this reason! Hats off to Bronfmann.
3 of 3 people found the following review helpful
HASH(0xa3306f84) out of 5 stars Fima and Salonen -- an exciting, high-energy cycle! Sept. 3 2013
By Autonomeus - Published on
This is an exciting cycle of Bartok's three piano concertos from Yefim (Fima) Bronfman and the Los Angeles Philharmonic, led by Esa-Pekka Salonen, and recorded in 1993/1994. This was the first recording of these works that I heard, back in 2001, and I have been taken with it ever since. Only now (9/3/13), having heard other recordings, can I appreciate just how great these performances are -- the most exciting I have yet to discover.

The sound is not all it could be -- it seems a bit thin and pinched. But this is no reason not to enjoy the thrills, which result partly because of a faster tempo, and partly due to Fima's exuberant playing. He makes me laugh with pure joy throughout these performances!

An excellent alternative to this disc is the 1996 recording of Andras Schiff and the Budapest Festival Orchestra, led by Ivan Fischer for Warner. The all-Hungarian team plays Bartok with a more elegant, stately, flair. Schiff's tone is superb, and the sound of the orchestra is fuller, more reverberant, and more detailed than this Sony disc. Schiff makes the difficult Bartok sound easy, but he has said of the popular Second Concerto: "[f]or the piano player, it's a finger-breaking piece. [It] is probably the single most difficult piece that I have ever played, and I usually end up with a keyboard covered by blood."

As Stravinsky so wisely said long ago, alternative interpretations of a score bring out all its potential. I for one would not want to be without Fima's high-energy recordings, but Schiff makes a great contrast.

Maurizio Pollini recorded the First and Second Concertos in 1977 with Claudio Abbado leading the Chicago Symphony Orchestra. Pollini's is another top-of-the-line performance, and the Deutsche Grammophon engineering reveals a deeper ambience than the Sony or Warner. Pollini is masterful, and the CSO sounds great. However it is not directly competitive with the later Bronfman or Schiff recordings because it omits the Third Concerto. The 2007 reissue in DG's Grand Prix series includes instead the excellent "Two Portraits, op 5," with Shlomo Mintz on violin and Abbado leading the London Symphony Orchestra.

Bela Bartok was a great modernist, and very influential, but less so than his peers Stravinsky or Schoenberg because, as Milton Babbitt once complained, his innovations tended to be particular to each composition rather than a system like Schoenberg's 12-tone music. Bartok famously drew on Hungarian folk music, and his use of modal scales gives his music a uniquely odd quality in contrast to standard tonality, but he emphatically maintained that his music was tonal. The key was his mixing of modes, resulting in polytonality. What Bartok brought from the classical tradition was the strong influence of Liszt, Debussy, and Beethoven (thanks to the excellent November 1945 article from "The Musical Times").

Bartok performed the premieres of both the First and Second concertos. The premiere of the First was at the fifth International Festival of the International Society for Contemporary Music in Frankfurt on July 1, 1927, with Wilhelm Furtwängler conducting. The premiere of the Second was on January 23, 1933, also in Frankfurt, with Hans Rosbaud leading the Frankfurt Radio Symphony Orchestra. The Third was written shortly before Bartok's death, and was premiered in Philadelphia by Hungarian pianist Gyorgy Sandor and Hungarian conductor Eugene Ormandy on February 8, 1946.

The First Concerto was considered quite spiky, modern, and difficult, and Bartok consciously set out to make the Second Concerto more performer and audience-friendly. On the second point he succeeded, especially with stronger melodic phrases. The Third Concerto is altogether more lyrical, more Romantic, less spiky and modern, basically the equivalent of Beethoven's Sixth Symphony of Bartok's piano concertos.
3 of 4 people found the following review helpful
HASH(0xa330a1a4) out of 5 stars Bartok: Piano Concertos Nos. 1-3 Feb. 6 2012
By Bjorn Viberg - Published on
Bartok: Piano Concertos Nos. 1-3 is a 1995 Sony Music Entertainment recording starring pianist Yefim Bronfman. Esa-Pekka Salonen leads the Los Angeles Philharmonic Orchestra. Truly a magnificent performance by Bronfman. Highly recommended indeed. 5/5.

Look for similar items by category