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|4. Allegretto Piacevole|
|5. Une Idylle, Op.4, No.1|
|7. May Song|
|8. Douce Pensee (Rosemary)|
|9. Echo's Dance (Adapted And Transcribed From The Sanguine Fan, Op.81, No.7 Allegro)|
|10. Three Characteristic Pieces, Op.10: No.2 Serenade Mauresque|
|12. I. C.A.E.|
|13. II. H.D.S.-P.|
|14. III. R.B.T.|
|15. IV. W.M.B.|
|16. V. R. P.A.|
|17. VI. Ysobel|
|18. VII. Troyte|
|19. VIII. W.N.|
|20. IX. Nimrod|
See all 25 tracks on this disc
Elgar' piano works have been overshadowed by the large-scale works for which he is best known today. This recording combines the ever-popular Engima Variations, heard in the composer' own transcription, with several occasional pieces of a romantic or
Most Helpful Customer Reviews on Amazon.com (beta)
Although the puzzling initials of each variation have been solved, the "enigmatic" theme and the character of the Enigma Variations are wholly mysterious. Of all the Elgar music I've heard, I believe the main theme of this work is his finest creation. Distinguished for its haunting beauty and simplicity, this theme is the most memorable and pleasing theme from any of the music on this recording. Elgar's variation after his wife's initials is surely the most profound and passionate of them all. The orchestral version hints at tenderness and warmth, but in the dynamic depths of the piano, Wass conjures the utmost sorrow from the piano's registers. After this, the continuously original and contrasting variations speak for themselves. The fourth, seventh and eleventh variations erupt with volcanic energy through Wass's virtuosity. The ninth variation, known as "Nimrod," emits a magisterial air and glorious virility; Wass's muscular delivery towards the end is highly satisfying. Similarly, the Finale reaches a plane of sonority that the orchestra is incapable of reaching. From the pianissimo nuances of the recurring main theme to the explosive passagework surrounding it, this music seems much better suited to the piano.
As for the other pieces here, the miniatures, I cannot say an abundance of great things about them. There are a few jewels, but nothing of startling originality. The Sonatina that Elgar wrote for his niece is tranquil enough, but not that memorable. "Dream Children" fares a little better, especially in the Andantino, an enchanting work akin to Schumann. "May Song" and "Carissima" are two delightful miniatures of pleasantly simple ideas in the Romantic vein. The "Serenade Maresque" proves to be a melodic little trifle of Spanish flavor with tinges of a Chopin Mazurka. However, the rest of these pieces are too homogenous to make any valuable distinctions in this review: they are full of average lyricism but hardly any contrast or drama.
Bottom line: While the miniatures on this recording are not that outstanding, Ashley Wass's full-blooded and heart-felt performance of the Enigma Variations earns this recording a 5-star rating. As beloved as the original orchestral version is, there are melodic nuances and expressive details that can only be heard through the piano.
I almost expected Elgar's works to be huge pieces - in all honesty, pieces like his orchestral works. I was very wrong, and pleasantly surprised. The music is sweet and pleasant. It's not difficult to absorb, but listening to it gave me a nice feeling, like, "Oh, that was lovely!". His other larger works can be called "better", but really, they're just "different". Here's they're sweet little pieces that are just pleasant and lovely to listen to.
The nicest pieces are "Douce Pensee (Rosemary)", "Echo's Dance", and the finale from the Enigma Variations. It's all lovely, though some parts are more substantial and complex. I listened to it and felt happy. It's not spectacular, but it's pleasant, enjoyable, and an excellent deal. It was worth it, buying this disc. Recommended.
I was impressed also interpretation of this pianist.
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